Kieron Moore (born Ciarán Ó hAnnracháin, anglicised as Kieron O'Hanrahan) (5 October 1924 – 15 July 2007) was an Irish film and television actor whose career was at its peak in the 1950s and 1960s. He may be best remembered for his role as Count Vronsky in the film adaptation of Anna Karenina (1948) with Vivien Leigh.
Kieron Moore in 1956
Ciarán Ó hAnnracháin
5 October 1924
|Died||15 July 2007 (aged 82)|
|Spouse(s)||Barbara White (1947–2007) (his death) 4 children|
|Children||Theresa (Soeur Miriame-Therese), Casey, Colm, Seán|
Moore was raised in County Cork in an Irish-speaking household. His father, Peadar Ó hAnnracháin (born 1873) (also known as Peter/Peadar Hourihane and Peadar O'Hourihane) was a writer and poet, and a staunch supporter of the Irish language. Peadar, a son of Seaghan Ó hAnnracháin (born 1834) and Máire Ní Dhonabháin (also born 1834) and who was one of the first organisers for Conradh na Gaeilge (Gaelic League), was twice imprisoned by the British during the Irish Civil War. Peadar lived with his parents and his sister, Áine Ní Annracháin (born 1885), and his niece, Máirín Ní Dhiomasaig (born 1903), at 14 Poundlick, Skibbereen, County Cork in 1911. He also wrote for the Southern Star newspaper for many years and had been its editor.
His mother, Máire Ní Dheasmhumhnaigh (born 1888), also known as Mary Desmond, was the daughter of Dónal Ó Deasmhumhnaigh (born 1851) and Nóra Ní Bhriain of Kinsale. Several members of Kieron's family pursued careers in the arts. His sister Neasa Ní Annracháin was a stalwart of the Raidió Éireann Players, while his brother, Fachtna, was director of music at the station, and a second sister, Bláithín Ní Annracháin, played the harp with the National Symphony Orchestra. Following his family's move to Dublin, Moore attended Coláiste Mhuire, an Irish-language school.
He married Barbara White in 1947; the couple had four children.
He acted on the Liverpool stage in Purple Dust. He gave an acclaimed performance in the West End hit Red Roses for Me (written by Seán O'Casey). This was seen by Alexander Korda, who signed Moore to a long-term contract.
Korda announced he was likely to become a major star:
He has a brilliant acting talent. Then he has six-feet-two of brawn, a mobile photogenic face, rich expressive eyes, and ability to adapt himself to any type of role – ultra romantic or the last word in villainy. Very soon he will be one of the big names on the world's screens."
Adopting the stage name Kieron Moore, he was cast in a leading role in A Man About the House (1947), directed by Leslie Arliss. Arliss said Moore was "terrific. Naturally, since he's had no film experience, his work is still a bit rough, but he does the right thing by instinct. He smashes through at you from the screen."
Korda then gave Moore the plum role of the suave Count Vronsky in Julien Duvivier's production of Anna Karenina (1948), which starred Vivien Leigh and Ralph Richardson. The movie was a box-office flop, and Moore received the worst notices of his career. He played Heathcliff in a BBC Television adaptation of Wuthering Heights in 1948.
Korda's fourth film with him was a comedy set in Ireland, Saints and Sinners (1949), directed by Arliss. Moore went to France to co-star with Michèle Morgan in Marc Allégret's Maria Chapdelaine (1950), also known as The Naked Heart.
Moore was invited to Hollywood, where in 1951 he made two films, playing Uriah the Hittite in the biblical epic David and Bathsheba, supporting Gregory Peck and Susan Hayward, and a French Foreign Legion corporal in Ten Tall Men, starring Burt Lancaster. Both were supporting roles.
British B filmsEdit
He supported Michael Redgrave in The Green Scarf (1954). "Thank heavens for this", Moore said. "I've had a rough time of it, especially during the last three years. Now perhaps I can re-establish myself as an actor."
Supporting roles and occasional leadsEdit
Moore had supporting roles in Carol Reed's The Key (1958) and Robert Aldrich's The Angry Hills (1959) and had a memorable role as town bully Pony Sugrue in Walt Disney's Darby O'Gill and the Little People (1959), where he fought a young Sean Connery. He also guest-starred in Tales of the Vikings (1959).
He gave an impressive performance in the comedy-thriller The League of Gentlemen (1960), playing a homosexual former fascist and army officer recruited to take part in a big robbery. He also played opposite Patrick McGoohan in an episode of Danger Man titled 'The Sanctuary' (1960).
Moore had the lead role in Doctor Blood's Coffin (1961), directed by Sidney J. Furie and supporting roles in I Thank a Fool (1962), The 300 Spartans, The Main Attraction (1962), The Day of the Triffids (1962) (for Philip Yordan), Girl in the Headlines (1963), and Hide and Seek (1964).
Moore did two more for Yordan, The Thin Red Line (1964), and Crack in the World (1965) (the second disaster movie after 'Triffids' where his character's romantically linked to Janette Scott), then Son of a Gunfighter (1965) (all second-billed and all shot in Spain) and Arabesque (1966). He had lead roles in Bikini Paradise (1967) (filmed in the Canary Islands) and Run Like a Thief (shot in Spain) (1967). In his final film, Custer of the West (1967), he played Chief Dull Knife, for Yordan, again shot in Spain.
He also made television appearances in such shows as Three Live Wires, Sir Francis Drake, Zero One. Boy Meets Girl, Department S, Vendetta, Jason King, The Adventurer, The Protectors and Randall and Hopkirk (Deceased)—the last of these was in the episode "When the Spirit Moves You", as the villain Miklos Corri.
Moore created a TV series, Ryan International (1970), which he also starred in and wrote some episodes. It ran for ten episodes.
His last acting appearance was in an episode of The Zoo Gang (1974).
During that time he made two film documentaries, Progress of Peoples (Peru) and The Parched Earth (Senegal). Later, as projects manager, he travelled to the Middle East and India. He next became associate editor of The Universe, editing its supplement New Creation, which he transformed into the magazine New Day.
Moore retired in 1994 to the Charente-Maritime in France, where he joined the church choir, became a hospital visitor, and enjoyed reading French, Spanish, English and Irish literature.
He was survived by his wife, the former actress Barbara White, who played opposite him in The Voice Within and Mine Own Executioner, their daughter Theresa (Soeur Miriame-Therese) and sons Casey, Colm and Seán.
- A Man About the House (1947) – Salvatore
- Mine Own Executioner (1947) – Adam Lucian
- Anna Karenina (1948) – Count Vronsky
- Saints and Sinners (1949) – Michael Kissane
- The Naked Heart (1950) – Lorenzo Suprenant
- Honeymoon Deferred (1951) – Rocco
- David and Bathsheba (1951) – Uriah
- Ten Tall Men (1951) – Corporal Pierre Molier
- Mantrap (1953) – Speight
- Recoil (1953) – Nicholas Conway
- Conflict of Wings (1954) – Squadron Leader Parsons
- The Green Scarf (1954) – Jacques
- The Blue Peter (1955) – Mike Merriworth
- Satellite in the Sky (1956) – Michael
- The Steel Bayonet (1957) – Capt. R. A. Mead
- Three Sundays to Live (1957) – Frank Martin
- The Key (1958) – Kane
- The Angry Hills (1959) – Andreas
- Darby O'Gill and the Little People (1959) – Pony Sugrue
- The League of Gentlemen (1960) – Stevens
- The Day They Robbed the Bank of England (1960) – Walsh
- The Siege of Sidney Street (1960) – Toska
- Doctor Blood's Coffin (1961) – Dr. Peter Blood
- The Day of the Triffids (1962) – Tom Goodwin
- I Thank a Fool (1962) – Roscoe
- The 300 Spartans (1962) – Ephialtes
- Marauders of the Sea (1962)
- The Main Attraction (1962) – Ricco Moreno
- Girl in the Headlines (1963) – Herter
- Hide and Seek (1964) – Paul
- The Thin Red Line (1964) – Lt. Band
- Crack in the World (1965) – Dr. Ted Rampion
- Son of a Gunfighter (1965) – Deputy Mace Fenton
- Arabesque (1966) – Yussef Kasim
- Run Like a Thief (1967) – Johnny Dent
- Bikini Paradise (1967) – Lt. Allison Fraser
- Custer of the West (1967) – Chief Dull Knife
- "Irish to the Backbone". The Voice. 25 (40). Tasmania, Australia. 4 October 1952. p. 4. Retrieved 7 March 2018 – via National Library of Australia.
- "THE LIFE STORY of Kieron MOORE". Picture Show (52). 21 February 1948. p. 12. ProQuest 1879615532.
- "Actor Kieron Moore owes stardom to Korda". The Australian Women's Weekly. 20 September 1947. p. 40. Retrieved 7 July 2012 – via National Library of Australia.
- "Young Kieron Moore Is Terrific". The News. 48 (7, 332). Adelaide. 1 February 1947. p. 4. Retrieved 7 March 2018 – via National Library of Australia.
- C.A. LEJEUNE (7 December 1947). "ONCE AROUND THE BUSTLING BRITISH STUDIOS". New York Times. ProQuest 108015757.
- Hopper, H. (27 November 1950). "Irish actor Kieron Moore rival of Peck". Los Angeles Times. ProQuest 166112896.
- "Mute role for actor's return". The Mail. Adelaide. 8 May 1954. p. 8 Supplement: SUNDAY MAGAZINE. Retrieved 7 July 2012 – via National Library of Australia.
- "News And Views From The Film Capitals". The Newcastle Sun (11, 183). New South Wales. 8 April 1954. p. 26. Retrieved 7 March 2018 – via National Library of Australia.
- "KIERON MOORE". Picture Show. 11 June 1960. p. 6. ProQuest 1880290794.
- Malcolm, D. (16 November 1979). "Action speaks louder than words". The Guardian. ProQuest 186184945.