Jennifer Reeder (born 1971, Ohio) is an American artist, filmmaker, and screenwriter. Her short film A Million Miles Away (2014) was nominated for a Tiger Award for Short Films at the International Film Festival Rotterdam and screened at the 2015 Sundance Film Festival in the U.S. Short Narrative Films category. In 2003, she had a solo screening at Moderna Museet in Stockholm, Sweden. She received a Rockefeller Grant for New Media in 2002 and a Creative Capital grant in 2015 to support the production of her first experimental feature-length film, As With Knives and Skin.
Reeder attracted notice early in her career for her performance and video work as "White Trash Girl," a fictional identity through which the artist explored lower-income white culture in the United States. Interviewed by writer and Northwestern University professor Laura Kipnis for the anthology White Trash: Race and Class in America, Reeder said that white trash "describes a certain esthetic, but I think it's also a socioeconomic situation, and a way of perceiving the world around you and your own place in the world."  Her more recent films explore the lives of adolescent girls and their use of music, slang, and fashion to express their identities and aspects of their emotional world.
Her films have screened at the Whitney Biennial; The New York Video Festival; Kunsthalle Exnergasse in Vienna, Austria; the Gene Siskel Film Center; the Yerba Buena Center for the Arts in San Francisco; P.S.1 Contemporary Art Center; the Wexner Center for the Arts; the Chicago Underground Film Festival; and the 48th International Venice Biennial.
Reeder currently teaches in the School of Art and Art History at the University of Illinois, Chicago and holds the position of Associate Professor Moving Image. She is the founder of the social justice group Tracers Book Club, which focuses on feminist issues. Reeder received an MFA from The School of the Art Institute of Chicago in 1996 and is represented by the Andrew Rafacz Gallery in Chicago, Illinois.
- White Trash Girl, 1995
- The Heart and Other Small Shapes, 2006
- Claim, 2007 (video short)
- Accidents at Home and How They Happen, 2008
- Seven Songs About Thunder, 2010
- Tears Cannot Restore Her; Therefore I Weep, 2010
- And I Will Rise If Only to Hold You Down, 2011
- Girls Love Horses, 2013
- A Million Miles Away, 2014
- Crystal Lake, 2015
- Blood Below the Skin, 2015
- Signature Move, 2017
- All Small Bodies, 2017
- Knives and Skin, 2019
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- "Announcing the 2015 Creative Capital Artists: $4,370,000 Awarded to 46 Moving Image and Visual Arts Projects (January 7, 2015)". Creative Capital. Retrieved 9 August 2015.
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- Talbot, Margaret (November 30, 1997). "Getting Credit for Being White". The New York Times. Retrieved 9 August 2015.
- Wray, Matt; Newitz, Annalee, eds. (1997). White Trash: Race and Class in America. New York: Routledge. pp. 113–30.
- Wisby, Gary (September 9, 2014). "Feature-length dreams and artful, award-winning films". University of Illinois at Chicago News Center. Retrieved 10 August 2015.
- "Blood Below the Skin: Films by Jennifer Reeder". Wisconsin Film Festival. Retrieved 10 August 2015.
- "Jennifer Reeder at the Gene Siskel Film Center (September 29, 2014)". School of the Art Institute of Chicago Alumni News. SAIC. Retrieved 9 August 2015.[permanent dead link]
- "Jennifer K Reeder". University of Illinois at Chicago. University of Illinois at Chicago. Retrieved 9 March 2015.
- "MCA Talk: Tracers Book Club". Museum of Contemporary Art Chicago. Chicago MCA. Archived from the original on 8 September 2015. Retrieved 9 August 2015.
- "Jennifer Reeder". Andrew Rafacz Gallery. Andrew Rafacz Gallery. Retrieved 9 March 2015.