Jacques Krauss (21 October 1900 – 8 June 1957) was a French art director. He had a notable influence on the visual look of French poetic realist films before the Second World War, due to his work with Julien Duvivier.[1]
Jacques Krauss | |
|---|---|
| Born | 21 October 1900 Paris, France |
| Died | 8 June 1957 (aged 56) Paris, France |
| Occupation | Art director |
| Years active | 1934–1957 |
| Parent |
|
He was born in Paris, the son of the actor Henry Krauss.
Selected filmography edit
- If I Were Boss (1934)
- Maria Chapdelaine (1934)
- A Rare Bird (1935)
- Thirteen Days of Love (1935)
- La Bandera (1935)
- They Were Five (1936)
- Claudine at School (1937)
- The Man of the Hour (1937)
- Pépé le Moko (1937)
- Woman of Malacca (1937)
- Another World (1937)
- A Woman of No Importance (1937)
- The Courier of Lyon (1937)
- The Curtain Rises (1938)
- Final Accord (1938)
- The End of the Day (1939)
- The Phantom Carriage (1939)
- Madame Sans-Gêne (1941)
- Monsieur La Souris (1942)
- Chiffon's Wedding (1942)
- Love Letters (1942)
- Romance for Three (1942)
- The Phantom Baron (1943)
- Sylvie and the Ghost (1946)
- Captain Blomet (1947)
- The Fugitive (1947)
- The Adventures of Casanova (1947)
- Monseigneur (1949)
- Du Guesclin (1949)
- Darling Caroline (1951)
- Gigolo (1951)
- A Caprice of Darling Caroline (1953)
- Caroline and the Rebels (1955)
- Élisa (1957)
References edit
- ^ Andrew p.186
Bibliography edit
- Dudley Andrew. Mists of Regret: Culture and Sensibility in Classic French Film. Princeton University Press, 1995.
External links edit
 | This biographical article related to film in France is a stub. You can help Wikipedia by expanding it. |