House VI, or the Frank Residence, is a significant building in Cornwall, Connecticut, designed by Peter Eisenman, completed in 1975. His second built work, this small getaway house, located on Great Hollow Road near Bird's Eye Brook in Cornwall, Connecticut (across from Mohawk Mountain Ski Area), has become famous for both its revolutionary definition of a house as much as for the physical problems of design and difficulty of use. At the time of construction, the architect was known almost exclusively as a theorist and "paper architect," promulgating a highly formalist approach to architecture he calls "postfunctionalism." Rather than form following function or an aesthetic design, the design emerged from a conceptual process, and remains pinned to that conceptual framework.

Frank Residence (House VI)
House VI 024.JPG
House VI on April 21, 2012
General information
Architectural styleDeconstructivist
Town or cityCornwall, Connecticut
CountryUnited States
Coordinates41°49′58″N 73°19′17″W / 41.832723°N 73.321445°W / 41.832723; -73.321445
Construction started1972
ClientSuzanne Frank
Technical details
Structural systemwood frame and sealed wood panels
Design and construction
Architect(s)Peter Eisenman

Unfortunately, Eisenman's limited construction experience meant that the entire building was poorly detailed. The tiny building took three years to build, went completely over budget, and finally had to be reconstructed in 1987, leaving only the basic structure original. The Franks, in Peter Eisenman's House VI: The Client's Response, claim that they nonetheless love living in such a poetic structure, which they inhabit with their children. Also on the property is a barn for guests and supplies that do not fit in the kitchen.


The building is meant to be a "record of design process," where the structure that results is the methodical manipulation of a grid. To start, Eisenman created a form from the intersection of four planes, subsequently manipulating the structures again and again, until coherent spaces began to emerge. In this way, the fragmented slabs and columns lack a traditional purpose, or even a conventional modernist one. The envelope and structure of the building are just a manifestation of the changed elements of the original four slabs, with some limited modifications. The purely conceptual design meant that the architecture is strictly plastic, bearing no relationship to construction techniques or purely ornamental form.

Consequently, the use of the building was intentionally ignored - not fought against. Eisenman grudgingly permitted a handful of compromises, such as a bathroom, but the staircase lacks a handrail, there is a column abutting the kitchen table, and a glass strip originally divided the bedroom, preventing the installation of a double bed.


  • Eisenman, Peter (1987). Houses of Cards. New York: Oxford University Press. ISBN 978-0-19-505130-8.
  • Frank, Suzanne (1994). Peter Eisenman's House VI: The Client's Response. New York: Watson-Guptil Publications. ISBN 978-0-8230-2345-5.

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