Henry Watson Kent
Early life and educationEdit
Henry Watson Kent was born in Boston on September 28, 1866 to Robert Restiaux and Eliza (Watson) Kent. He attended the Boston Latin School and in 1881, the Free Academy of Norwich, Connecticut. During the summer of 1884, worked at the Boston Public Library where his interest in the library arts began.
Kent became librarian at the Norwich Free Academy's Peck Library in 1888, and became curator for 12 years at the adjacent Slater Memorial Museum. His techniques in displaying the Slater Museum's collection of casts and reproductions caught the eye of the Metropolitan Museum of Art. And in 1894, was commissioned to install its collection of plaster casts in the recently constructed north wing of the museum. In 1900, Kent started working at the New York Grolier Club, rising from assistant librarian to librarian in 1903. It was at the Grolier Club, where developed an interest in the art of printing.
Metropolitan Museum of ArtEdit
In 1905, Robert W. De Forest recruited Kent to the Metropolitan Museum of Art as Assistant Secretary, and in 1913 became Secretary of the Board of Trustees. When Kent first started at The Met, he found the museum to be lacking in organization and with limited tools or staffing for communication. So as Secretary, he began laying the foundations for the standard museum organization including: cataloging techniques mimicking the Dewey Decimal System; establishing the first photo studio to produce a visual record of each piece of art; conceived and initiated shows; and developed the procedures for the lending art in and out of the museum. He was also interested in graphic arts and communication creating the first Bulletin in 1905; established an editorial department; and installed the first printing press in the museum. The Bulletin began as a quarterly publication, eventually becoming a monthly with a circulation of 16,000. The Bulletin, books, and larger printing jobs were designed created by designers and frequently the museum had titles in the American Institute of Graphic Arts' Fifty Best Books of the Year exhibit. In 1928, the Pierpont Morgan Library arranged an exhibition of the printing work done under Kent's leadership at The Met.
Kent felt that librarians were public servants and was committed to the education of the public through the museum and established the first visitor's center; initiated free tours; and guided the public's knowledge of the collections through lectures, talks, and publications that weren't "too scholarly." As the Supervisor of Museum Instruction from 1907 to 1925, he produced annual reports detailing the educational services provided by the museum. He greatly emphasized youth programming and in 1905 the museum began admitting New York City classes for free.
Kent retired from the Met in 1940 after Francis Henry Taylor became director. Taylor appointed Lawrence S. Harrison to lead the administration and refused to let Kent see the museum reports without Harrison approving, finding Kent's methods to be old-fashioned.
Kent was a founding member of the American Association of Museums in 1906 and the American Federation of Arts. In 1923, he directed the restoration of the Glebe House in Woodbury, CT. In 1924, he was invited to join the Arts Advisory Committee for the Carnegie Foundation.
Henry Watson Kent served as president of the American Institute of Graphic Arts from 1936–1938. In 1930 he received the AIGA Medal, the most distinguished in the field of design and visual communication.
- (ed. with John Cotton Dana) Literature of libraries in the seventeenth and eighteenth centuries, 6 vols., Chicago: A. C. McClure, 1906-7.
- No. 1: The duties & qualifications of a librarian: a discourse ... in the Sorbonne, 1780; by Jean-Baptiste Cotton des Houssayes.
- No. 2: The reformed librarie-keeper ... concerning the place and office of a librarie-keeper; by John Dury (1596-1680).
- No. 3: The life of Sir Thomas Bodley written by himself together with the first draft of the statutes of the public library at Oxon.
- No. 4: Two tracts on the founding and maintaining of parochial libraries in Scotland; by James Kirkwood (d. 1708).
- No. 5: A brief outline of the history of libraries; by Justus Lipsius; transl. from 2nd ed, 1607
- No. 6: News from France or a description of the library of Cardinal Mazarin preceded by The surrender of the library ... two tracts written by Gabriel Naude (1600-1653).
- What I am Pleased To Call My Education, New York: The Grolier Club, 1949.
- Antoniette M. Guglielmo (2008). Workbench of American Taste: Richard F. Bach, Industrial Art, and Consumerism at the Metropolitan Museum of Art, 1917--1940. ProQuest. pp. 70–75. ISBN 978-0-549-98777-2. Retrieved 9 February 2013.
- "Obituaries" (PDF). American Antiquarian Society. Retrieved 2016-12-05.
- Alexander, Edward Porter; History, American Association for State and Local (1997-01-01). The Museum in America: Innovators and Pioneers. Rowman Altamira. ISBN 9780761989479.
- Parsons, Merribell Maddux (1984-01-01). "Henry Watson Kent: Distinguished Museum Educator at the Metropolitan Museum of Art". Roundtable Reports. 9 (2/3): 5–7. JSTOR 40479787.
- "Archives Directory for the History of Collecting". research.frick.org. Retrieved 2016-12-06.
- "Henry Watson Kent" (PDF). 1948. Retrieved 2016-12-06.
- Alexander, Edward P. (2000-01-01). The Museum in America: Innovators and Pioneers. Rowman Altamira. ISBN 9780585189895.
- "Glebe House Museum & Gertrude Jekyll Garden". Glebe House Museum & Gertrude Jekyll Garden. Retrieved 2016-12-06.
- "AIGA Medal and Medalists". AIGA | the professional association for design. Retrieved 2016-12-06.