Life and careerEdit
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During the early 1930s he was a student at the Akademie der Tonkunst in Munich, where Carl Orff was his teacher. Orff thereafter remained a powerful influence on his music. Returning to Switzerland in the mid-1930s, Sutermeister devoted his life to composition. He wrote some works for the radio, starting with Die schwarze Spinne in 1936, before turning later to television opera. His most successful stage work was Romeo und Julia, premiered in Dresden in 1940 under Karl Böhm.
Sutermeister's penultimate stage work, Madame Bovary, first given in Zurich in 1967, is loosely based on Flaubert's novel. With many characters cut, it consists largely of monologues for Emma Bovary, who was sung by Anneliese Rothenberger.
For his final opera, he adapted Eugène Ionesco's play Exit the King (Le Roi se meurt). According to musicologist Elizabeth Forbes, this opera, premiered in 1985 at Bavarian State Opera, with only six characters, a tiny chorus and a small orchestra is, in its modest way, as effective as anything Sutermeister wrote.
Stage and broadcast worksEdit
Concert, chamber and religious musicEdit
- 1. Piano Concerto, 1943
- Capriccio for unaccompanied Clarinet in A,1947
- Die Alpen, fantasy on Swiss folksongs, 1948
- Gavotte de Concert, for trumpet and piano, 1950
- 2. Piano Concerto, 1953
- Missa da Requiem, 1952–1953
- 1. Cello Concerto, 1954–55
- 3. Piano Concerto, 1961–62
- Poème funèbre – En mémoire de Paul Hindemith for string orchestra, 1965
- Omnia ad Unum, cantata, 1965–66
- 2. Cello Concerto, 1971
- Te Deum, 1975
- Clarinet Concerto, 1975–76
- Consolatio philosophiae, 'Scène dramatique', 1979
|Wikimedia Commons has media related to Heinrich Sutermeister.|
- Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
- Operone page on Sutermeister, accessed 1 April 2011