Open main menu

Half a Sixpence is a 1967 British musical film directed by George Sidney and choreographed by Gillian Lynne. The screenplay by Beverley Cross is adapted from his book for the stage musical of the same name, which was based on Kipps: The Story of a Simple Soul, a 1905 novel by H. G. Wells. The music and lyrics are by David Heneker.

Half a Sixpence
Original poster
Directed byGeorge Sidney
Produced byCharles H. Schneer
George Sidney
John Dark
Written byH. G. Wells (novel)
Beverley Cross
Dorothy Kingsley
StarringTommy Steele
Julia Foster
Cyril Ritchard
Music byDavid Heneker
CinematographyGeoffrey Unsworth
Edited byBill Lewthwaite
Frank Santillo
Ameran Films
Distributed byParamount British Pictures
Release date
21 December 1967
Running time
143 minutes
CountryUnited Kingdom
Budget$6 million[1]

This was the final film made by Sidney, director of such well-known movies as Annie Get Your Gun, Kiss Me Kate, Bye Bye Birdie and Viva Las Vegas.



In Victorian England, a young orphan, Arthur Kipps, finds a sixpence as he walks along a stream with his young friend, Ann. He cuts the coin in two and gives one half to Ann as a symbol of their love. Kipps then goes to a nearby town serve as apprentice to a draper.

Kipps grows up into a young man. Work at the drape store is difficult. He becomes friends with Harry Chitterlow, an actor-playwright, who discovers that Kipps is heir to a fortune left him by his grandfather.

Kipps becomes wealthy and invests in one of Chitterlow's shows. He breaks up with Ann, who has become a maid, and becomes engaged to the wealthy upper class Helen Walsingham. Kipps gets Helen's brother Hubert to invest his money.

Kipps sees Ann mistreated by the upper class at a dinner and ends his relationship with Helen. He marries Ann and plans to build a mansion. Ann becomes unhappy with Kipps' grandiose ambitions. Hubert absconds with Kipps' money leaving him broke.

Kipps and Ann reunite and prepare happily to live in a modest cottage. Then Chitterlow reappears with news that his play is a success and that Kipps will earn some of the profits.


Stage ShowEdit

The original stage show premiered in London in 1963 and was very popular, running for nearly two years.[2] The New York Times called it a "pleasant, innocuous family show."[3]

In January 1965 Steele travelled to New York to perform the play on Broadway.[4] The show was reworked for American audiences slightly - there was new choreography from Onna White, a new director in Gene Saks - and opened on Broadway in April.[5] It was well received and Steele's personal notices were excellent.[6] Sales began slowly - Steele was mostly unknown in America - but within six months the show was selling out.[7] In October 1965 Steele said he wanted to quit the show in March.[8]


In November 1965 Paramount bought the screen rights for $250,000 plus a percentage of the profits. They also hired Steele to repeat his stage performance.[9]

Prior to the film being made, Steele did The Happiest Millionaire for Disney.[10]

In June 1966 George Sidney signed to direct.[11] Steele signed a three picture deal with Paramount.[12]

Steele said "if this hits I'll carry on the burden of starring in musicals in widescreen and in colour. If not I'll retreat to the backwoods and do what I'd as soon do, just quietly act."[13]


Filming started 13 September 1966 in England. It was meant to take four months but went over schedule.[14]

Location scenes include Aylesford, Kent; The Pantiles in Royal Tunbridge Wells, Kent;[15] Eastbourne, East Sussex; Blenheim Palace, Oxfordshire; Oakley Court, Berkshire; Devil's Bridge, Ceredigion; and Ockham, Surrey. Interiors were filmed at Shepperton Studios, Surrey.

Sidney later recalled making the film was "quite an experience because they'd never made a musical film in England" for a number of years. "They'd never worked with playback in England, and when I went there they didn't have a music cutter. So I had to bring some people in... It wasn't fast working in England, not by a long shot. But I must say that I enjoyed it."[16]

According to one report, the budget was originally $2.5 million, then increased to $3.3 million.[17]

Song listEdit

  • "All in the Cause of Economy," performed by Artie, Pearce, and Apprentices
  • "Half a Sixpence," performed by Artie and Ann
  • "Money to Burn," performed by Artie, Harry, Helen, and Chorus
  • "I Don't Believe A Word of It"/"I'm Not Talking to You," performed by Ann and Friends, Artie, Pearce, and Apprentices
  • "A Proper Gentleman," performed by Chorus
  • "She's Too Far Above Me," performed by Artie
  • "If the Rain's Got to Fall," performed by Artie, Children, and Chorus
  • "Lady Botting's Boating Regatta Cup Racing Song" (by David Heneker and Irwin Kostal), performed by Artie and Chorus
  • "Flash, Bang, Wallop!," performed by Artie, Pearce, and Chorus
  • "I Know What I Am," performed by Ann
  • "This Is My World" (by Heneker and Kostal), performed by Artie
  • Finale: "Half a Sixpence" (reprise)/"Flash, Bang, Wallop" (reprise), performed by Artie, Ann and Chorus

Julia Foster's vocal double was Marti Webb, who played Ann in the original 1963 London production (and who appears on the London Cast album).

Critical receptionEdit

Half a Sixpence (Soundtrack LP)

In her review in the New York Times, Renata Adler said the film "should be visually fascinating to anyone in a state that I think is best described as stoned. The movie is flamboyantly colourful [and] wildly active: hardly anyone holds still for a single line, and the characters – in the ancient tradition of musicals – live on the verge of bursting into improbable song. The songs themselves, trite, gay, and thoroughly meaningless, make absolutely no concession to anything that was happened in popular music in the last 10 years ... some of it is quite beautiful to watch.... it is nice to have a musical photographed not on a sound stage, but in outdoor England ... but most of the time one wonders where anyone found the energy to put on this long, empty, frenetic extravaganza ... I cannot imagine that there will be many more musicals that are so lavishly, exuberantly out of touch with the world of rock and the music of our time."[18]

Roger Ebert of the Chicago Sun-Times felt that "Tommy Steele is just the performer for this sort of schmaltz. He is, in fact, a very good song-and-dance man, the only member of his generation who bears comparison with Gene Kelly and Dan Dailey ... [George Sidney's] timing tends to lag, his sight gags telegraph ahead, and his songs drag."[19]

Variety said, "The cohesive force is certainly that of Tommy Steele, who takes hold of his part like a terrier and never lets go. His assurance is overwhelming, and he leads the terping with splendid vigor and elan."[20]

Channel 4 calls it "undeniably colourful and annoyingly energetic" and adds, "there is plenty of flash, bang and wallop, but very little warmth or soul, the hapless star attempting to carry the film by grinning goonishly throughout. He exudes as much charm as the deckchair he disguises himself as."[21]

Time Out London says, "the film lays on the period charm rather exhaustingly, and the songs ... don't exactly sweep you along."[22]

Box officeEdit

The movie was the 13th most popular at the UK box office in 1969.[23] Sidney says the film was "a real smash" in England but "did less than nothing" in the US "because it was an English picture. The film didn't have anyone in it that anyone in this country knew. Unfortunately Tommy Steele had just made two very bad pictures in this country. We followed those and had nothing to build on with him." Sidney also felt the film's financial prospects were hurt by the popularity of Beatlemania. "That brought in a whole new sound," he said. "Maybe if we had been two or three years earlier with the picture, it might have been more successful with American audiences."[16]

Awards and nominationsEdit

The film was nominated for the BAFTA Award for Best Costume Design - Colour. Although it lost to A Man for All Seasons, its designers did not go home empty-handed, as they were responsible for the costumes in Seasons as well.


  1. ^ $6 MILLION U.S. FILM HALTED BY AMATEURS Los Angeles Times 15 Nov 1966: c17.
  2. ^ review: HALF A SIXPENCE at the Cambridge Crozier, Mary. The Guardian 22 Mar 1963: 11
  3. ^ N.Y. TO LONDON: "How to Succeed" Most Successful Of This Season's Exports New Musical By T.C. WORSLEYAlix Jeffry. New York Times 2 June 1963: 111.
  4. ^ Look out for Tommy Steele! By Harold Hobson. The Christian Science Monitor 11 Jan 1965: 4.
  5. ^ The Theater: 'Half a Sixpence' Opens: Musical of H.G. Wells's 'Kipps' at Broadhurst Engaging Hero Played by Tommy Steele By HOWARD TAUBMAN. New York Times 26 Apr 1965: 38.
  6. ^ From School Dropout to Star By IRA PECK. New York Times 13 June 1965: X11.
  7. ^ 'Sixpence' Has Its Good Fairy By Richard L. Coe. The Washington Post, Times Herald 5 Oct 1965: B5.
  8. ^ Tommy Steele Reinforces Broadway's 'Half a Sixpence' Smith, Cecil. Los Angeles Times 11 Oct 1965: D16.
  9. ^ Shooting For 'Sixpence': More On Movies By A.H. WEILER. New York Times 14 Nov 1965: X9.
  10. ^ Gwynne Makes a Lovable Munster Los Angeles Times 4 Jan 1966: b8.
  11. ^ Robson to Direct 'Detective' Martin, Betty. Los Angeles Times 2 June 1966: d12.
  12. ^ Rock 'n' Roller Goes Straight By Bob Thomas. The Washington Post, Times Herald 12 June 1966: G2.
  13. ^ Nerves of Steele Keep Tom on Top Champlin, Charles. Los Angeles Times 18 July 1966: c1
  14. ^ 'Half a Sixpence' Worth Every Penny Marks, Sally K. Los Angeles Times 10 Jan 1967: d10.
  15. ^ Kent Film Office. "Kent Film Office Half a Sixpence Article".
  16. ^ a b Davis, Ronald L. (2005). Just making movies. University Press of Mississippi. p. 80.
  17. ^ Alexander Walker, Hollywood, England, Stein and Day, 1974 p. 394.
  18. ^ New York Times review
  19. ^ Chicago Sun-Times review
  20. ^ Variety review
  21. ^ Channel 4 review
  22. ^ Time Out London review
  23. ^ "The World's Top Twenty Films." Sunday Times [London, England] 27 Sept. 1970: 27. The Sunday Times Digital Archive. accessed 5 Apr. 2014

Further readingEdit

  • Monder, Eric (1994). George Sidney:a Bio-Bibliography. Greenwood Press. ISBN 9780313284571.

External linksEdit