Freya Waley-Cohen (born 20 February 1989) is a British-American composer based in London.
Biography
editWaley-Cohen grew up in an arts-oriented family. Her mother is the American sculptor Josie Spencer[1] and her father is English theatre manager and producer Stephen Waley-Cohen. Her sister is the violinist Tamsin Waley-Cohen.[2] She began playing the violin at the age of three, and at aged 11 enrolled for a composition course at The Walden School, New Hampshire.[3] She studied with Giles Swayne whilst an undergraduate at Cambridge, and then afterwards with Simon Bainbridge and Oliver Knussen at the Royal Academy of Music.[4] In 2016 she was a Composition Fellow at the Tanglewood Festival.
Music
editAn early composition was Dark Hour, a piano quintet with clarinet, performed at the Sage Gateshead in May 2013.[5] The choral piece Linea was written specifically for performance inside the Princess of Wales Conservatory glass house at Kew Gardens, an installation as much as a concert piece. It was performed there by the vocal ensemble Reverie in October 2014.[6] Similarly Permutations (2017), for six recorded violins, is also site-specific. It was written to be performed inside a specially constructed building at the Aldeburgh Festival, created with architectural designers Finbarr O’Dempsey and Andrew Skulina. The six violin parts were recorded separately and the sound distributed around the building.[7][8]
The song cycle Happiness for soprano and orchestra was the last piece Waley-Cohen worked on with her teacher Oliver Knussen before his death in July 2018. It premiered at St Luke Old Street on 19 October 2018, played by the London Symphony Orchestra with soloist Lauren Fagan.[9] Ink for large ensemble, recorded by the Philharmonia Orchestra on the NMC label,[10] was inspired by the poetry collection Bottled Air by Caleb Klaces (who also provided the text for Linea).[11] Changeling, a 10-minute work for chamber orchestra, was commissioned by the Los Angeles Philharmonic and premiered on 1 June 2019 by the LA Phil New Music Group at the Walt Disney Concert Hall, conducted by John Adams.[12]
Her BBC Proms debut came with a performance of the octet Naiad at Cadogan Hall by the Knussen Chamber Orchestra, led by Ryan Wigglesworth, on 9 September 2019.[13] Conjure, a string trio, was commissioned by the Wigmore Hall and given its first performance at the hall on 2 November 2019 by the Albion Quartet.[14] Spell Book for soloists and chamber orchestra, setting poems from Rebecca Tamás’s 2019 collection WITCH, was commissioned by the Britten Sinfonia and first performed on 21 January 2020 in Cambridge.[15] Spell Book (Volume 2) was premiered at Conway Hall on 1 March 2020.[16] The complete cycle, eight songs lasting around 45 minutes, was given its premiere at Milton Court in London on 1 February 2024.[17] Spell Book has been recorded, along with Conjure, Naiad and Talisman (2020, for string ensemble).[18]
In March 2022 the premiere of her hour-long opera WITCH (also setting Rebecca Tamás) took place at the Royal Academy of Music as part of its 200th anniversary celebrations.[19] Freya was composer in residence with the London Chamber Orchestra for the 2021-22 season, where performances of her works included Saffron and Happiness as well as the new work Pocket Cosmos, written for the orchestra.[20]
Further works for full orchestra have followed. Demon (2023), co-commissioned by the City of Birmingham Symphony Orchestra and the Royal Stockholm Philharmonic Orchestra, was premiered at Birmingham Symphony Hall on 22 February 2023, conducted by Ilan Volkov.[21] The 25 minute orchestral work Mother Tongue, commissioned by the London Philharmonic Orchestra, was premiered at the Royal Festival Hall in November 2024, conducted by Edward Gardner.[22]
Works
edit- Ascension, solo cello
- A Pyrrhic Smile, violin and cello
2013
- In the Bubble Gum Jungle, soprano & piano
- Ignite, orchestra
- Five Breaths, solo piano
- Day Three, flute, saxophone, harp and string quartet
- Dark Hour, clarinet, piano & string quartet
- Sillage, ensemble and solo violin
- Regen, flute, clarinet, piano and string trio
- Fragments, violin and guitar
2014
- Linea - Pleasure Trip, vocal ensemble (text Caleb Klaces)
- Southern Leaves, solo piano
- Tree Rings, organ and percussion trio
- Stella, brass ensemble
- To Declare, baritone or tenor & piano
- Daphna, horn trio
- Just so we can Dance, accordion, clarinet and string trio
2015
- Glass, percussion quartet
- Landay, piano and voice
- Nocturne, solo clarinet
- Oyster, soprano, clarinet, harp & double bass
- Unveil, solo violin
- Attired with Stars, choir and audience
- Sunstone, horn octet
- Little Poisonous Snakes, soprano, piano, oboe, cello
2016
- Unbridling, viola da gamba
- We Phoenician Sailors, soprano, harp, clarinet, double bass (text Octavia Bright)[23]
- BluTack for Sophie, solo harp
- Blu-Tack, harp and viola
- Sardine, cello and piano
- Wing, violin duet
- Magpie, small orchestra
- Likeness, six violins
- The Rope and Glass Between Us, vocal ensemble
- Saffron, small orchestra
2017
- Skye, solo harp
- Snap Dragon, string quartet
- Vitae, string quartet
- Permutations, six recorded violins
- Bandstand, orchestra
- Vita, string quartet
- Blu-Tack, vibraphone and clarinet
2018
- Happiness, song cycle for soprano and orchestra
- Ink, large mixed ensemble
- Isle, solo piano
- Water, accordion and cello
2019
- Lend us your Voice, choral, written for the King's Singers
- Naiad, octet
- Winterbourne, string quartet
- Dust, string quartet
- Once, choir and audience
- Changeling, chamber orchestra
- Wake, clarinet, viola da gamba, cello
- Caffeine, recorder[24]
- Conjure, string trio
2020
- Spell Book, chamber orchestra
- Spell Book (Volume 2), soprano and string quartet (text Rebecca Tamás)
- Talisman, for String Ensemble
- spell for reality, soprano and ensemble
- Amulet, for string quintet
2021
- Amulet for guitar
- Bad Habit, piano
- Caffeine, caprice for violin
2022
- Pocket Cosmos for orchestra
- for Simon, piano
- WITCH, opera
2023
- Demon for orchestra (fp. 22 February, Birmingham)
- Glass Flowers, flute trio
- Variation on Sellinger's Round, solo recorder and string orchestra
2024
- Spell Book (first complete performance, 1 February, London)
- Stone Fruit for percussion ensemble (fp. 27/2/24, Colin Currie Quartet, Wigmore Hall)
- The Moon, The Moss & The Mushrooms, voice and piano, (Two Moors Festival, October 2024)
- Mother Tongue (for the London Philharmonic Orchestra, 6 November 2024)
References
edit- ^ josiespencerjosiespencer.com Archived 29 December 2019 at the Wayback Machine
- ^ "Tasmin Waley-Cohen". Tamsinwaleycohen.com. Retrieved 18 August 2020.
- ^ "Meet the Artist – Freya Waley-Cohen, composer". Crosseyedpianist.com. 14 June 2018. Retrieved 18 August 2020.
- ^ "Proms 2019: pre-première questions with Freya Waley-Cohen". 5against4.com. 9 September 2019. Retrieved 18 August 2020.
- ^ "Journal". Thejournal.co.uk. Archived from the original on 28 August 2016. Retrieved 18 August 2020.
- ^ "Linea documentary, YouTube, Wildebeast Productions, 2014". YouTube. Retrieved 18 August 2020.
- ^ Nepil, Hannah (2 June 2017). "The building made to house a piece of music". Financial Times. Retrieved 18 August 2020.
- ^ Permutations, Signum Classics SIGCD496 (2016)
- ^ "Happiness | Music | Freya Waley-Cohen, composer". Freyawaleycohen.com. Retrieved 18 August 2020.
- ^ "Philharmonia Composers' Academy Vol 2 | NMC Recordings". Nmcrec.co.uk. Retrieved 18 August 2020.
- ^ "Caleb Klaces, Poetry Foundation". Poetryfoundation.org. Retrieved 18 August 2020.
- ^ "Adams Conducts on Noon to Midnight | LA Phil | Walt Disney Concert Hall". Laphil.com. Retrieved 18 August 2020.
- ^ "Proms at … Cadogan Hall 8: Tribute to Oliver Knussen". Bbc.co.uk. Retrieved 18 August 2020.
- ^ "Calendar". Wigmore-hall.org.uk. Retrieved 18 August 2020.
- ^ "Freya Waley-Cohen on composition". Brittensinfonia.com. 31 October 2019. Retrieved 18 August 2020.
- ^ "Tippett Quartet / Héloïse Werner". Conwayhall.org.uk. 22 November 2019. Retrieved 18 August 2020.
- ^ Richard Morrison. 'Spell Book review', in The Times, 2 February 2024
- ^ Spell Book, NMC D284 (2024), reviewed at MusicWeb International
- ^ Freya Waley-Cohen. 'The witching hour: how my opera conjures old stories through new eyes', in The Guardian, 22 March 2022
- ^ St John's Smith Square, 21 June 2022
- ^ 'CBSO/Volkov review — Freya Waley-Cohen's Demon is magic', in The Times, 23 February 2023
- ^ Andrew Clements, 'Fierce Brahms and a rich Waley-Cohen premiere', in The Guardian, 7 November 2024
- ^ Recorded by The Hermes Experiment on Here We Are, Delphian DCD34244 (2020) www.delphianrecords.com, accessed 21 December 2020
- ^ Recorded by Tabea Demus on Ohrwurm, Delphian DCD34243 (2020) www.delphianrecords.com, accessed 21 December 2020