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Axel Lindman: The Beach at Villerville, Normandy | |||||||||||||||||||||||||||
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Artist | |||||||||||||||||||||||||||
Title |
English: The Beach at Villerville, Normandy Svenska: Strand vid Villerville, Normandie |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | landscape art | ||||||||||||||||||||||||||
Description |
English: Many of the Swedish artists who went to France made their way to Normandy. They were influenced by the style of painting represented by Charles-François Daubigny. The wind, the skies and the tide provided forever new painterly challenges. In their striving for realism, they sought subjects such as the dry seabed with seaweed, as though trying to distance themselves from anything that could be perceived as beauty. In their seascapes, the artists often portrayed people gathering mussels. This task was both harsh and hazardous. It was often performed by women and children. Svenska: Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn. |
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Original caption InfoField | English: Many of the Swedish artists who went to France made their way to Normandy. They were influenced by the style of painting represented by Charles-François Daubigny. The wind, the skies and the tide provided forever new painterly challenges. In their striving for realism, they sought subjects such as the dry seabed with seaweed, as though trying to distance themselves from anything that could be perceived as beauty. In their seascapes, the artists often portrayed people gathering mussels. This task was both harsh and hazardous. It was often performed by women and children. Svenska: Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn. |
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Date |
1878 date QS:P571,+1878-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 4479 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: Axel Lindman |
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References | |||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:20, 7 October 2016 | 5,514 × 3,295 (52.01 MB) | AndreCostaWMSE-bot | {{Artwork |other_fields_1 = |artist = Axel Lindman |title = {{en|The Beach at Villerville, Normandy}} {{sv|Strand vid Villerville, Normandie}} |wikidata = Q18600086 |object_type... |
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Metadata
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Image title | Axel Lindman: Strand vid Villerville, Normandie. NM 4479 |
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Camera manufacturer | NIKON CORPORATION |
Camera model | NIKON D3X |
Author | Nationalmuseum |
Exposure time | 1/100 sec (0.01) |
F-number | f/9 |
ISO speed rating | 100 |
Date and time of data generation | 10:57, 16 February 2011 |
Lens focal length | 60 mm |
Width | 5,514 px |
Height | 3,295 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 31,616 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 3,295 |
Bytes per compressed strip | 54,505,890 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 13:57, 20 February 2012 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 10:57, 16 February 2011 |
Shutter speed | 6.643856 |
APEX aperture | 6.33985 |
Exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Subject distance | 1.33 meters |
Metering mode | Pattern |
Light source | Flash |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 55 |
DateTimeDigitized subseconds | 55 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |