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Emilio Bigi (July 1, 1910 - May 28, 1969) was the son of Elisa Bigi, from the Italian collectivity in this country.
July 1, 1910
|Died||May 28, 1969|
|“Renacer guarani” (Guarani resurgence) and “Poema sinfónico” (Symphonic poem)|
Childhood and YouthEdit
As a small child, he was part of the “Batallón de exploradores” (Explorers battalion), directed by the Salesiano priest Ernesto Pérez Acosta (Pa’i Pérez), accomplishing the first of his musical studies in the Band of Musicians of this group. Later in life he played the bass in the Capital Police Band of Musicians.
Emilio studied the accordion, theory and solfeggio in the Paraguayan Athenaeum and later, the bandoneon. He played this instrument when got in the popular orchestra of Gerardo Fernández Moreno and later on, numerous other groups of popular music, finally forming his own typical orchestra. With this, took part 1940. of the delegation of President Higinio Morínigo, in an official visit to Argentina.
Trajectory / PathEdit
Settled in Buenos Aires, continued to study theory and solfeggio, harmony, contrapunto (counterpoint) and piano, in the Academy Rubbione. There, soon after concluding his courses, presented his thesis about “Variations about a Guarani subject”. Was temporally part of “Trío Guaireño” leadered by Gumersindo Ayala Aquino and later on, formed his own group. With this group he accompany several singers, being part of the Guaraní Folkloric Grouping, which had a prolific activity in the Argentine capital. In 1952, he went on tour with his group of popular music, conformed by Ayala Aquino, Carlos Federico Reyes (“Mita’i churi”) and Paty de Ayala, and settled in San Cristóbal, department of Táchira, Venezuela. In that country developed an intense activity as a musician and teacher, working as a director in the Orfeón of the Alberto Adriani Institute, as a professor in the Music School Miguel Angel Espinel and as an instrumentalist of the Band of Táchira and the Typical Orchestra of the State, without given up on creating music, such as popular, symphonic and camera.
Married with the Venezuelan Carmen Osorio, had two daughters.
Among his most representative work in erudite music, are found:
- “Cuarteto de cuerdas” (Spring quartet)
- “Aire Nacional Op. 3” (National air Op. 3)
- “Renacer guarani” (Guaraní resurgence)
- “Poema sinfónico” (Symphonic poem)
- “Aires nacionales para piano” (National airs for piano)
- “Canciones” (Songs)
In popular music outstand, because of their beauty and the success the accomplish:
- “El suspiro” (Sigh)
- “Mimby pu”
- “Amanecer” (Sunrise)
- “Minero sapukai” (Miner song)
- “Pobre de mi” (Poor me)
- “La canción de mimby” (Mimby's song)
- “Mutilado en la guerra” (Mutilated in war). Lyrics by Rigoberto Fontao Meza.
- “Acosta Ñu”. Touching epic song, that enhance the heroism of the martyrs children that fought on August 16, 1869 the battle of the same name, in the last period of the Guerra de la Triple Alianza (War Against the Triple Aliace).
- “Por tu cariño, madre” (Because of your love, mother)
- Centro Cultural de la República El Cabildo
- Biographic Dictionary "FORJADORES DEL PARAGUAY", First Edition. January, 2000. Distribuidora Quevedo. Buenos Aires, Argentina.