| Submission declined on 2 February 2024 by DoubleGrazing (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
|  |
| Submission declined on 28 January 2024 by Johannes Maximilian (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. This submission does not appear to be written in the formal tone expected of an encyclopedia article. Entries should be written from a neutral point of view, and should refer to a range of independent, reliable, published sources. Please rewrite your submission in a more encyclopedic format. Please make sure to avoid peacock terms that promote the subject. Declined by Johannes Maximilian 4 months ago. | |
| Submission declined on 21 January 2024 by Qcne (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. Declined by Qcne 5 months ago. | |
Comment: See also Draft:Hamburger Arroganz. -- DoubleGrazing (talk) 08:53, 2 February 2024 (UTC)
- Comment: Almost entirely unreferenced. No evidence of notability.Also, can't be entirely sure that this isn't a hoax of some sort. DoubleGrazing (talk) 08:39, 2 February 2024 (UTC)
 | A major contributor to this article appears to have a close connection with its subject. (February 2024) |
Hamburger Arroganz | |
|---|---|
| Origin | West Germany, Hamburg |
| Genres | |
| Years active | 1985-present |
| Members | Thomas Marx, Arn Schlürmann and Olivier Böhm |
| Past members | Young Hack Chi |
Hamburger Arroganz, a band from Hamburg, has founded in 1985. They started by paying homage to their beloved hometown "Livin' in Hamburg" gradually branched out into party and critical songs.[1] Their work spans various music styles, for fans of Rap / Hip Hop, Pop, Funk, Rock, and Jazz alike. Founding members include frontman and producer Arn Schlürmann, Thomas Marx, Young Hack Chi, and Uwe Krop, with Schlürmann's voice adding a distinctive expression to their song.
The founders are Arn Schlürmann, Thomas Marx, and Young Hack, also known as Markus Chi. The group made a name for themselves in the German music scene with their initial releases "Livin' in Hamburg" and "Zeitgeist."
History
editFormation The group was founded in 1986 by Thomas Marx, Arn Schlürmann, and Young Hack "Markus" Chi. Inspired by the rap (later also known as hip-hop) movement in the USA, they began writing their own lyrics and producing beats influenced by the social and cultural aspects of their hometown, Hamburg.
Early Years
editInitial Releases Hamburger Arroganz quickly gained recognition in the local scene through their energetic live performances and authentic lyrics. Their first release, "Livin' in Hamburg," reflected everyday life and challenges in Hamburg and was well-received by their growing fanbase.
Further Career With "Zeitgeist," they solidified their status in the German hip-hop scene and became known for the critical lyrics and distinctive sound. This album reflected the mood and political changes of the late 1980s in Germany which became later known as German reunification .
Musical Style
editHamburger Arroganz's music is deeply rooted in hip-hop culture but also incorporates influences from other music genres. They are known for their ability to blend sharp social commentary with catchy beats.
Discography
editSingles - Livin' in Hamburg (1987) - Zeitgeist (1987) - Cash Money [feat. Curtis Blow) (1988) - Cowboys wollen mehr [Meine Boots] (1988) - Hexenkraft (1991) - Lackwäsche (1991) - Junges Blut (1991) Album - Willkommen im Tollhouse (1991)
Members
edit- Arn Schlürmann, one of the founding members, served as the main lyricist, songwriter, lead vocalist, co-producer, synth/keyboard player, and guitarist, and made significant contributions to the group's sound.[2]
- Thomas Marx is also one of the founding members and served as a songwriter, co-vocalist, and bassist for the group.[3]
- Young Hack "Markus" Chi is a founding member and played a crucial role on keyboards and synthesizers.[4]
- Olivier Böhm later joined the group, bringing a significant groove to Hamburger Arroganz's music with his style reminiscent of Stewart Copeland (The Police). This was evident both in studio recordings and live performances.
- During the founding years, Uwe Krop was also part of the team, known for his adept artist management and creative ideas.
Influence and Legacy
editHamburger Arroganz has had an impact on the music scene in Germany, particularly through their early contributions to hip-hop and their portrayal of urban life in Hamburg. Their work is appreciated for its authenticity and cultural influence.