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| Submission declined on 23 August 2024 by Netherzone (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Netherzone 2 months ago. | |
Comment: The draft has many sources but they seem to be primary non-independent sources, or are primary such as press releases. To determine notability, WP needs secondary reliable sources, fully independent of the person, that provide significant coverage. Also the ALL CAPS style is not compliant with the Manual of Style, use upper case/lower case. Netherzone (talk) 15:47, 23 August 2024 (UTC)
Antonio Riello | |
|---|---|
 | |
| Born | Marostica (Italy) |
| Notable work | Italiani Brava Gente |
| Website | http://www.antonioriello.com/ |
Antonio Riello is an Italian visual artist. His works, exhibited in numerous museums including the Art Biennale of Venice, employ a wide range of techniques and materials including blown glass and the ashes of burnt books.[1][2] His practice often relies on finding humorous juxtapositions, such as a bicycle made with two handlebars, each facing opposite directions (Né Capo Né Coda, 2016).[3]
Italiani Brava Gente (1996)
editHis controversial 1996 artwork about the rise of xenophobia in Italy, consisted of a playable video-game called Italiani Brava Gente.[4][5] This early example of video game as art is now in the collection of digital artworks of the Bibliothèque Nationale de France in 2022.[6][7]
Be Square!
editHis artwork Be Square!, which explores the human factor of museum life, has been hosted at Kunsthalle Wien in Vienna, Galleria Arte Moderna in Torino, and the Baltic in Gateshed/NewCastle. For each of these museums, Riello created custom-designed outfits, transforming the museum workers into living sculptures.[8][9] The Guardian newspaper described the work as a "mobile exhibition... eliciting responses of amused tolerance, so-what indifference, or a somewhat nerdish intrigue, this is contemporary art as a deadpan form of conceptual conceit.”[10]
Painted military models and ladies weapons
editIn the early 2000s the artist created a body of work which consisted of plastic scale models of fighter jets, submarines and other military equipment painted in brightly coloured versions of Tiepolo's 18th century frescoes.[11][12] These painted models, along with works in his Ladies Weapons series,[13] have raised questions on the role of representation in masking the purpose of these objects.[14]
References
edit- ^ MacFadden, David Revere; D'Alton, Martina; Museum of Arts and Design, eds. (2012). Swept away: dust, ashes, and dirt in contemporary art and design; [... in conjunction with the exhibition 'Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design', organized by the Museum of Arts and Design, February 7, 2012 - August 14, 2012]. New York: Museum of Arts and Design. ISBN 978-1-890385-25-5.
- ^ Barovier Mentasti, Rosa; Cunéaz, Giuliana, eds. (2003). Glass throughout time: history and technique of glassmaking from the ancient world to the present. Milan, Italy : New York, NY: Skira ; Distributed in North America by Rizzoli International Publications through St. Martin's Press. ISBN 978-88-8491-345-6.
- ^ Petry, Michael (2018). The word is art. New York, New York: Thames & Hudson. pp. 78–79. ISBN 978-0-500-23966-7. OCLC 1084729153.
- ^ Meneguzzo, M (2006). "Antonio Riello". Artforum International. 44 (2): 220. ProQuest 214351148 – via Proquest.
- ^ Hauffen, M (2007). "Next level: Die lust am spiel in der netzwerkgesellschaft". Kunstforum International. 184: 315–317. ProQuest 1320264384 – via Proquest.
- ^ Antonio Riello (1997), Italiani brava gente, retrieved 2024-08-19
- ^ Jansson, Mathias (2009-11-16). "Interview: Antonio Riello & "Italiani Brava Gente" (1996)".
- ^ Bria, Ginevra (2007-11-05). "Il fascino della divisa | Wien, Kunsthalle exibart.com". exibart.com (in Italian). Retrieved 2024-08-19.
- ^ "Antonio Riello Baltic Centre for Contemporary Art Gateshead". 1995-2015.undo.net (in Italian). Retrieved 2024-08-19.
- ^ Clark, Robert (2009-01-17). "The guide: Exhibitions: Antonio riello: Gateshead". The Guardian. ProQuest 244344764 – via ProQuest.
- ^ Sooke, Alastair (2005-10-29). "Viewfinder Vatican Air Force n. 33KT (2005) by Antonio Riello". The Daily Telegraph. ProQuest 321247064. Retrieved 2024-08-25 – via ProQuest.
- ^ Lamy, F (2001). "Antonio riello: Masculin-féminin [antonio riello: Maculine-feminine]". Beaux Arts Magazine (France). 31 (200). ProQuest 1320170822 – via ProQuest.
- ^ Antonio Riello - Ladies weapons. The Fine Arts Unternehmen books. Milano: Marinotti. 2001. ISBN 978-88-8273-027-7.
- ^ Mackinlay, J (2003). "Questioning the images of war: Royal united services institute for defense studies". RUSI Journal. 5 (148): 30–34. doi:10.1080/03071840308446926. ProQuest 212122574 – via Proquest.