Draft:A Modern Olympia

A Modern Olympia
French: Une moderne Olympia
A Modern Olympia by Paul Cézanne
Yearc. 1873-74
MediumOil on canvas
MovementImpressionism
Dimensions46.2 cm × 55.5 cm (18.2 in × 21.9 in)
LocationMusée d'Orsay, Paris

A Modern Olympia (French: Une moderne Olympia) is a c. 1873–74 painting by Impressionist painter Paul Cézanne. The painting's title and subject are a homage to Édouard Manet's 1863 painting Olympia.

A Modern Olympia has been described as anticipating the Expressionist movement that would begin about forty years later.[1]

The painting is currently owned by the Musée d'Orsay in Paris.

Background

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Édouard Manet, Olympia (1863)

Description

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Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene.[2] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.[3]

The patron, the man on the couch,

The animal's red collar indicates that it is a dog, despite its cat-like appearance.[4]

History

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Paul Cézanne painted A Modern Olympia in 1873 while living in Auvers-sur-Oise. Cézanne had previously been introduced Dr. Paul Gachet by his friend and fellow Impressionist Camille Pissarro. Dr. Gachet was a somewhat eccentric man and an amateur artist himself. He was interested in the new and revolutionary, and was also an admirer of Cézanne's paintings.[5] Cézanne's decision to paint a homage to Édouard Manet's 1863 painting Olympia supposedly came following a conversation with Dr. Gachet. During the conversation, Gachet complimented Manet's Olympia. An unimpressed Cézanne said "What? The Olympia?... I could do that sort of thing." To which Gachet replied, "Well, do it then."[6] Dr. Gachet bought the 1873 version of A Modern Olympia, and was reportedly present when it was painted.[7] It was the first painting that Cézanne ever sold.[5]

Dr. Gachet lent A Modern Olympia back to Cézanne for the First Impressionist Exhibition in 1874.[8] Despite it's small size, Cézanne's A Modern Olympia was the subject of mockery and derision by critics and visitors more-so than any of the other paintings in the exhibition.[9]

In 1951, the heirs of Dr. Gachet donated A Modern Olympia, along with the paintings House of Dr Gachet and Delft Vase, to the Louvre in Paris.[10]

Other versions

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Paul Cézanne's earlier version of A Modern Olympia (The Pasha), c. 1869–70

Cézanne had previously painted a another version of A Modern Olympia three years earlier in c. 1869–70.[5] This earlier version is also known as The Pasha.[11]

Cézanne also created another homage to Manet's Olympia in c. 1877.[12] This graphite and watercolor drawing is simply titled Olympia.

Copies by other artists

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Several other copies of A Modern Olympia were made by contemporary artists. Dr. Paul Gachet, the painting's first owner, made at least two copies of his own: one in pen and ink, and another in oil on canvas.[13] The artist Blanche Derousse, a pupil of Dr. Gachet,[14] also made two copies at Dr. Gachet's request: one in watercolor, and another in drypoint.[13]

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See also

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References

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Citations

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  1. ^ Dunlop (1972), p. 82.
  2. ^ Stevens (1988), p. 28.
  3. ^ Stevens (1988), p. 47.
  4. ^ Rubin (2003), p. 52.
  5. ^ a b c Becks-Malorny (2001), p. 28.
  6. ^ Dunlop (1972), p. 81.
  7. ^ Elgar (1969), p. 50.
  8. ^ Distel & Stein (1999), p. 36.
  9. ^ Stevens (1988), pp. 47–48.
  10. ^ Orienti (1985), p. 84.
  11. ^ Stevens (1988), pp. 150–151.
  12. ^ Reff (1977), pp. 32–35.
  13. ^ a b Distel & Stein (1999), pp. 36–38.
  14. ^ "Exhibition Blanche Derousse". Musée d'Orsay. Retrieved 4 April 2024.

Works cited

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