Hard disk recorder(Redirected from Direct to Disk Recording)
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
A hard disk recorder (HDR) is a system that uses a high-capacity hard disk to record digital audio or digital video. Hard disk recording systems represent an alternative to reel-to-reel audio tape recording and video tape recorders, and provide editing capabilities unavailable to tape recorders. The systems, which can be standalone or computer-based, typically include provisions for digital mixing and processing of the audio signal.
Prior to the 1980s, most recording studios used analog multitrack recorders, typically based on reel-to-reel tape. The first commercial hard disk recording system was the Sample-to-Disk 16-bit, 50 kHz digital recording option for the New England Digital Synclavier II in 1982. The high cost and limited capacity of these solutions limited their use to large professional audio recording studios, and even then, they were usually reserved for specific applications such as film post-production. Stereo audio was not immediately available due to data input and output limitations on hard drives of that time.
With the arrival of the compact disc in 1982, digital recording became a major area of development by equipment makers. Several affordable solutions were released during the late 1980s and early 90s; many of these continued to use tape, either in reels, or in more manageable videocassettes. In 1993, iZ Technology Corporation developed RADAR (Random Access Digital Audio Recorder distributed by Otari), designed to replace 24-track tape machines. By the mid-1990s, with the steady decline of hard disk prices and the corresponding increases in capacity and portability, the cost of hard disk recording systems had dropped to the point where they became affordable for even smaller studios. Hard disk systems have since become the preferred method for studio recording.
One major advantage of recording audio to a hard disk is that it allows for non-linear editing. Audio data can be accessed randomly and therefore can be edited non-destructively, that is, the original material is not changed in any way. Non-linear editing is not inherent to every hard-disk recording system, however. Different manufacturers implement different degrees of this facility.
Hard disk recorders are often combined with a digital mixing console and are an integral part of a digital audio workstation (DAW). In this form, complex tasks can be automated, freeing the audio engineer from performing a final mix in real time.
A personal computer can be used as a hard disk recorder with appropriate software; nowadays this solution is often preferred, as it provides a more flexible interface to the studio engineer. Many studio-grade systems provide external hardware, particularly for the analog to digital conversion stages, while less expensive software systems can use the sound card included with any modern computer.
The major constraints on any hard disk recording system are the storage capacity, transfer rate, and processor speed. Some systems use lossy audio compression to minimize the first two factors. This solution is becoming increasingly rare, thanks to rapid increases in hard disk capacity.
Stand-alone hard disk recorders are able to record audio or video without requiring a computer. Examples of notable stand-alone hard disk recorders and manufacturers include Alesis, Akai, Fostex, Korg, Mackie, TASCAM, Roland Corporation, Yamaha Pro Audio, RADAR and Zoom HD8 and HD16.
Professional television studio DDRs video servers are being used to replace video tape recorders (VTR)s and VTR Cart machines, that playout television commercials and TV shows. Digital audio workstations (DAW) are used in professional audio recording studios. Computer software can implement a hard disk recorder function.
- Consumer: From camcorders to digital video recorder (DVR) and set top box models like TiVo to personal computer based recorders.
- High-end consumer – Pro: non-linear editing (NLE) systems like Avid Technology video editing systems, to high-end tapeless camcorders
- Professional portable: For recording television productions/filmmaking in the field with professional video cameras in digital cinematography for digital cinema productions.
- Professional television studio: From small systems able to record 2 hours to Large multi port playout systems with a 100 hours of rec/play time
- Synclavier early history, retrieved 2017-07-30
- "The 76th Scientific & Technical Awards 2003, 2004". The Academy of Motion Picture Arts and Sciences.
- "JVC Everio series hard disc handi-cams". JVC. Archived from the original on 2006-09-29. Retrieved 2006-11-22.