List of Warkop films

(Redirected from Depan Bisa Belakang Bisa)

Warkop is a comedy group consisting of Wahjoe Sardono (Dono), Kasino Hadiwibowo (Kasino), Indrodjojo Kusumonegoro (Indro), Nanu Moeljono, and Rudy Badil. Dono, Kasino, Nanu, and Rudy were students at the University of Indonesia, while Indro was from Pancasila University. They first found success with the radio show "Obrolan Santai di Warung Kopi" broadcast by Radio Prambors. In this show, Dono played Slamet from Central Java. Kasino portrayed various characters like Mas Bei (Javanese), Acing/Acong (Chinese), Sanwani (Betawi), and Buyung (Minang). Indro played roles such as Mastowi (Tegal), Paijo (Purbalingga), and Ubai or Ansori. Nanu played Poltak from North Sumatra, while Rudi Badil played Mr. James (Chinese) and Bang Cholil.

The group later ventured into the big screen with the 1980 film Mana Tahaaan... under the name Warkop Prambors. However, only four out of the five members participated in the film as Rudy Badil withdrew due to stage fright. The film was quite successful, but shortly after, Nanu left the group and passed away in 1983.

In 1980, Parkit Film production company led by Raam Punjabi became the main producer for Warkop films. This partnership lasted until 1985, after which Warkop moved to Soraya Intercine Films under Ram Soraya's leadership. The 1986 film Atas Boleh Bawah Boleh was their first film under Soraya and the group's name changed from Warkop Prambors to Warkop DKI (acronym for Dono-Kasino-Indro). Additionally, other production companies like Garuda Film led by Hendrick Gozali also produced Warkop films.

Between 1980 and 1995, Warkop starred in a total of 34 comedy films and one docudrama. Their films typically followed a pattern of release during major holidays such as Christmas, New Year, or Idul Fitri. According to Indro, Warkop films consistently performed well at the box office in Indonesia, although some films like IQ Jongkok and Setan Kredit did not meet initial expectations.

Comedy films

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List of films

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No. Year(s) Title Director Writer(s) Producer(s) Production house Ref.
1 1980 Mana Tahaaan... Nawi Ismail Warkop dan Nawi Ismail Jiwat Ibrahim Bola Dunia Film [1]
2 Gengsi Dong [2]
3 1981 Pintar Pintar Bodoh Arizal Deddy Armand Raam, Dhamoo dan Gobind Punjabi Parkit Film [3]
4 Gede Rasa Nawi Ismail Elanda Rosi Tulus Pangabean Bola Dunia Film [4]
5 Manusia 6.000.000 Dollar Ali Shahab Ali Shahab Jiwat Ibrahim [5]
6 1982 IQ Jongkok Iksan Lahardi Warkop dan Deddy Armand Haryadi Siswanto Nugraha Mas Film [6]
7 Setan Kredit Deddy Armand [7]
8 Dongkrak Antik Arizal Raam dan Dhamoo Punjabi Parkit Film [8]
9 1983 Maju Kena Mundur Kena Arizal Raam Punjabi dan Deddy Armand Raam dan Dhamoo Punjabi Parkit Film [9]
10 CHIPS Iksan Lahardi Warkop dan Deddy Armand Haryadi Siswanto Nugraha Mas Film [10]
11 1984 Pokoknya Beres Arizal Raam Punjabi dan Deddy Armand Raam dan Dhamoo Punjabi Parkit Film [11]
12 Tahu Diri Dong [12]
13 Itu Bisa Diatur [13]
14 1985 Gantian Dong [14]
15 Kesempatan dalam Kesempitan [15]
16 1986 Sama Juga Bohong Chaerul Umam Norbertus Riantiarno Hendrick Gozali Garuda Film [16]
17 Atas Boleh Bawah Boleh Tjut Djalil Naryono Prayitno Ram Soraya Soraya Intercine Films [17]
18 1987 Makin Lama Makin Asyik A. Rachman A. Rachman Ram Soraya Soraya Intercine Films [18]
19 Depan Bisa Belakang Bisa Tjut Djalil Djoko S. Koesdiman [19]
20 1988 Saya Suka Kamu Punya Tommy Burnama Dono dan Baron Achmadi [20]
21 Jodoh Boleh Diatur Ami Prijono Djamsan Djakiman Hendrick Gozali Garuda Film [21]
22 1989 Malu Malu Mau Sisworo Gautama Putra Deddy Armand Ram Soraya Soraya Intercine Films [22]
23 Godain Kita Dong Hadi Poernomo Agusti Tanjung [23]
24 1990 Sabar Dulu Doong...! Ida Farida Ida Farida [24]
25 Mana Bisa Tahan Arizal Agusti Tanjung [25]
26 1991 Lupa Aturan Main [26]
27 Sudah Pasti Tahan [27]
28 1992 Bisa Naik Bisa Turun [28]
29 Masuk Kena Keluar Kena [29]
30 1993 Salah Masuk Tjut Djalil [30]
31 Bagi-Bagi Dong [31]
32 1994 Bebas Aturan Main [32]
33 Saya Duluan Dong Arizal [33]
34 1995 Pencet Sana Pencet Sini [34]

Mana Tahaaan...

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The story depicts the initial meeting of Slamet, Paijo, Sanwani, and Poltak as students in Jakarta. They rent rooms in Aunt Mira's house and develop a fondness for Halimah, the maid there. Later, it's discovered that Halimah is already pregnant. Aunt Mira becomes furious because none of the students boarding at her house admit to being responsible. After further investigation, it's revealed that Aunt Mira's boyfriend, Sugeng, is the one who got Halimah pregnant. Aunt Mira then kicks Sugeng and Halimah out of her house. Despite initially evicting all the boarders from her house, Aunt Mira becomes joyful upon learning they have all graduated from university.

This film is the only Warkop film featuring Nanu Moeljono. He resigned from Warkop shortly after the film's release, and the character Poltak was subsequently played by Dorman Borisman in the film Gede Rasa.

Gengsi Dong

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Slamet is the son of a wealthy tobacco merchant, while Paijo is the son of an oil tycoon and Sanwani is the son of a small workshop owner. All three of them are studying at the same university and they all fall in love with Rita, who is the daughter of a lecturer. They each show a strong desire to win Rita's affection. However, Slamet, Sanwani, and Paijo are all disappointed when they find out that Rita has already been arranged to marry a pilot by her father.

Pintar Pintar Bodoh

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Dono, Kasino, Indro, and Dorman Borisman decide to open a detective agency. However, due to misunderstandings among them, their friendship divides into two camps: Team Kasino-Dono and Team Indro-Dorman. Both teams compete to become the best detectives. The rivalry begins as they search for a beautiful secretary and promote their skills. Unbeknownst to them, their secretaries betray their respective bosses. Indro's secretary dates Kasino's secretary and leaks Kasino's company secrets to Indro, and vice versa. Eventually, both teams go bankrupt due to lack of income and never solve any cases.

This film marks Warkop's first production under Parkit Film. Additionally, for the first time, the characters' names like Slamet (Dono), Sanwani (Kasino), Paijo (Indro), and Poltak (Dorman Borisman) are not used, replaced instead by the actors' real names.

Gede Rasa

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This time, Slamet and Poltak, who haven't found permanent jobs after graduating from college, decide to stay and work for the wealthy family of Sanwani. Sanwani has a younger sister named Tiwi, who is interested in Paijo, a doctor. Tiwi becomes the center of attention for both Slamet and Poltak. Later on, it's revealed that Sanwani is going to marry his girlfriend Sarah. Meanwhile, Tiwi doesn't end up marrying Paijo because Paijo has already been arranged to marry by his parents.

In this film, the character of Poltak is played by Dorman Borisman. This character previously appeared in the film Mana Tahaaan... portrayed by Nanu Moeljono.

Manusia 6.000.000 Dollar

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Dono, Kasino, Indro, and Dorman Borisman are now members of a special team within the police force. Dono suffers a severe accident that leads to him being transformed into a robot at a cost of US$6,000,000. As members of the special team, their duty is to investigate crimes that occur in society, such as pornography and child abduction. The story then focuses on a professional kidnapping syndicate that abducts children and a singer named Rita Aduhai Merdubanget.

IQ Jongkok

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Dono, Kasino, and Indro help Mr. Broto, who was involved in a hit-and-run accident. Mr. Broto leaves behind a treasure map, prompting the three students to venture into the forest, climb hills, and cross rivers in search of the treasure. Along the way, Dono meets Maya, who later reveals that her father was the one who hit Mr. Broto. Maya's father agrees to collaborate with Dono, Kasino, and Indro to find the treasure, even going as far as deliberately getting himself imprisoned. After failing to find the treasure, which leads to the breakup of Dono and Maya's relationship, the three students celebrate their failure by cutting a cake that ends up exploding when candles are lit.

The film includes a parody of the wedding between Charles, Prince of Wales, and Diana Spencer, with Dono and Maya using the GPIB Immanuel Jakarta as the location.

Setan Kredit

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Dono, Kasino, and Indro heard news on the radio about a missing child, with a reward offered for anyone who finds them. Intrigued by the prize, they visit a sacred place to seek clues. The guardian of the place demands a condition: they must bring people willing to accept credit (likely referring to those who will give them credit or trust).

After attempting to find such people and fulfilling their promise to bring them, they demand clues but receive nothing. It turns out that the news of the missing child was a mistake—the child was only hiding and was mistakenly reported as missing.

Dongkrak Antik

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In this film, the Warkop Trio along with Mat Solar work as employees at a hotel led by Paulus. Each of them has their own problems: Dono, who is forgetful and competes with his boss Paulus for the love of a beautiful employee named Sri Anunia; Kasino, who has a habit of using foul language; Indro, who stutters and needs to slap his own buttocks to speak fluently; and Mat Solar, who is deaf. The comedy ensues from their various issues, such as Dono repeatedly escorting groups of foreigners and accidentally taking aphrodisiacs, causing a scene while learning to dance; Kasino pretending to be a shaman in a cemetery to trap Paulus; Indro overcoming his stutter by slapping his own buttocks first; and Mat Solar upsetting his uncle due to his deafness.

The character Paulus in this film is based on Paulus Wirutomo, a friend of Dono's who was also a lecturer at the University of Indonesia.

CHIPS

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In this film, the Warkop Trio works as private public service officers, particularly in security and order at an institution named CHIPS (Cara Hebat Ikut Penanggulangan Masalah Sosial), led by Junet. A memorable line from the film is "jangkrik boss!", which Kasino uses as an excuse when catching Junet in a romantic moment with a woman in the middle of the forest. The film concludes on a somewhat tragic note, as Dono is forced to abandon his plan to propose to Sherly because she must comply with an arranged marriage to someone else, who turns out to be Junet, their former boss.

This film is inspired by and parodies the famous 1980s television series "CHiPs" (California Highway Patrol), starring Erik Estrada as Ponchorello.

Maju Kena Mundur Kena

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Dono and Indro are roommates and employees under Kasino at the workshop. Kasino warns Dono and Indro not to get involved with women. However, secretly, Kasino longs for a girl whose photo he found in a magazine. By chance, when Dono is on night duty, he has to repair a car belonging to a woman named Marina. This angers Kasino because Marina hasn't paid her bill yet. Unexpectedly, Marina moves to live in the same boarding house as Dono and his friends. Kasino is shocked to discover that Marina is the girl he has been longing for.

Kasino tries to get closer to Marina, but it is Dono who benefits unexpectedly. When Marina meets her grandparents, who arranged a marriage for her, she claims she is already married to Dono.

Pokoknya Beres

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Dono, Kasino, Indro, Marina, and Anita are friends who share a boarding house owned by Pak Us Us. The story begins with Dono, who is skilled at cooking but gets rejected after applying to various restaurants. Meanwhile, Indro and Kasino spend their time chasing girls with all their charm but continuously fail. One day, Anita disappears without her friends' knowledge because her father visits. Kasino goes to search for her but ends up getting arrested by a policewoman he flirted with. Indro also gets caught by the police for breaking a public phone booth's glass while trying to force it open after getting stuck due to a jammed door.

At the end of the film, the name Robert Davis Chaniago is mentioned, possibly based on two sources. Firstly, it could be derived from Robert P. Davis, an American screenwriter. Secondly, it might be linked to Davis Robert, a prominent lawyer in Chicago. Director Arizal, who hails from West Sumatra, added the surname Chaniago to create the full name Robert Davis Chaniago.

Tahu Diri Dong

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Kasino, pretending to be skilled, hangs an abstract painting on the wall of Pak Us Us' house, which doubles as their boarding house. The plaster cracks as a result. Fearing Pak Us Us' anger, Kasino, Dono, Indro, Marina, and Anita try to deceive him, but their antics are quickly discovered. They face Pak Us Us' wrath and are ordered to repair the damage immediately. Dono then tries to trick his recently arrived grandfather from the village into believing he's become a doctor. This scheme falls apart when Dono's grandfather finds out the truth. The story continues with Anita testing her boyfriend's love at a party. She asks Dono to pretend to be her boyfriend, but Dono's silly behavior ruins the party, leaving Anita frustrated. Next, Indro competes in a cooking competition with a recipe he prepared. As the competition is only open to women, Dono is dressed up as a woman to participate. Dono wins the competition, but his disguise is exposed, leading to the cancellation of his prize. Dono protests, wanting to take home the food from the competition, but the organizers refuse, resulting in a cake-throwing battle. The series of events in the film unfolds in a comedic fashion, showcasing the misadventures and humorous situations the characters find themselves in.

Itu Bisa Diatur

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Dono, Kasino, and Indro, the inseparable trio, are entrusted with opening a restaurant due to Dono's culinary skills. The humor in the restaurant revolves around various antics: food items ordered running out, leading to musical chairs resulting in guests falling down, and a stern food critic who surprisingly praises their dishes. Another joke involves Indro and Susan, the restaurant cashier, playfully messing around with the security guard's handcuffs and accidentally locking themselves, forcing them to go everywhere together and causing Indro's girlfriend to be annoyed. Further comedy ensues at a fitness center where Henny, a flight attendant acquaintance of Dono's, teaches. And, of course, there's the banter and playful rivalry among the trio themselves.

Gantian Dong

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Kasino, attempting to woo Vera, a girl aspiring to act in movies, claims to have a famous director friend named Indro who has just returned from abroad. During the holiday, Indro, Dono, Ira, and Lia go camping. Kasino deliberately invites Vera to join the camping trip. Vera, suspecting correctly that Indro is a director, tries to get close to him. This leads to misunderstandings and tensions, until Kasino's lies are finally exposed. Meanwhile, Indro is troubled by the presence of Lola, an older virgin woman trying to win his heart. However, it turns out Dono also likes Lola, leading to a chase between them. Again, Kasino gets involved with another girl, this time at a restaurant. The girl he pursues happens to be Julia, who already has a boyfriend. Once again, Indro becomes the target of jealousy from Julia's boyfriend, Tony, a tough guy. Indro is chased wherever he goes, causing him to feel scared everywhere. Dono and Kasino suggest that Indro hide in a coffin and announce that Indro has passed away. Initially, Tony believes it, but eventually realizes Indro is only pretending. Fortunately, Julia arrives to clear up the misunderstanding, saving Indro from further trouble.

Kesempatan dalam Kesempitan

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Dono works at a cigarette agency while Kasino works at a workshop. They suggest that Indro should be accepted as a tenant at Tina and Santi's boarding house. Comedy ensues as Indro deals with the arrival of his girlfriend and her father, trying to ensure Tina and Santi, who live together, aren't suspicious. Santi's fanatical mother also pays a visit, adding to the chaos. Further hilarity unfolds when Kasino crashes Dono's girlfriend's car while driving it. Kasino pretends to have amnesia, but the car ends up being sold. This becomes problematic when the buyer demands a refund.

This film marks the last appearance under the name Warkop Prambors and also the final film by Warkop under the Parkit Film production company.

Sama Juga Bohong

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Dono, Kasino, and Indro are college students who rent a room at Nia's parents' house. They successfully create a robot with plans to commercialize it. Along the way, they befriend Chintami, a top singer. Together with her, they organize a charity performance to repair Ayu's nearly collapsing house and to support orphaned children. As the performance approaches, Chintami is delayed because her manager opposes the event. With his trademark humor, Dono manages to bring Chintami to the venue. However, Chintami's manager follows and disrupts the show by creating a spectacle of his own on stage.

This film marks the first movie by Warkop under the name Warkop DKI group.

Atas Boleh Bawah Boleh

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Dono, Kasino, and Indro went hunting. During the hunt, Dono fainted and was cared for by the local village head. Dono fell in love with the village head's daughter. After discovering her true nature, Dono ran away and had another accident. He was hospitalized and then fell in love with his nurse, Susy. Quietly, Indro also fell for Susy. Competition ensued, but neither succeeded in winning Susy's heart after she decided to move to the Netherlands.

This film is the first movie by Warkop under the production of Soraya Intercine Films.

Makin Lama Makin Asyik

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Dono, Kasino, and Indro live in a boarding house. The comedy begins when their flat owner, Bu Sarah, is dating someone. Kasino and Indro install microphones, causing the sounds of their dates to be heard throughout the rooms. This sparks a conflict between Bu Sarah and the three friends. Later, Erna, Bu Sarah's niece, arrives. The trio competes to win Erna's heart. One day, Erna invites them to a nightclub where they unexpectedly encounter Bu Sarah again. To evade Bu Sarah, Dono, Kasino, and Indro are forced to disguise themselves as women.

Depan Bisa Belakang Bisa

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Dono, Kasino, and Indro act as private detectives in an investigation agency named "Depan Bisa Belakang Bisa." Kasino plays the role of Dono and Indro's boss. One day, they receive an order to secure a jewelry exhibition hosted by a Japanese investor named Satomata. However, simultaneously, an insurance company offers them a job to oversee the jewels, suspecting Satomata of foul play. Dono works for Satomata, while Indro joins the insurance company's side. Indro eventually leaves the agency but returns after Kasino agrees to address payment transparency issues. Dono, along with a Japanese woman named Michiko, steals the jewels after discovering Satomata's fraudulent activities to deceive the insurance company. Satomata and the insurance personnel end up fighting over the jewels, which are accidentally crushed by Satomata. It turns out the real jewels were secured by Michiko, who is actually a girl from Bukit Tinggi named Siti Hadijah.

This film parodies four international franchises simultaneously: Sherlock Holmes, James Bond, The A-Team, and Uchuu Keiji Gavan.

Saya Suka Kamu Punya

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Dono, Kasino, and Indro are accepted as performers in a traditional Javanese theater group called Tonil, where their comedic antics on stage, including staged fights that thrill the audience, become a hit. However, they face another problem: the land where the theater stands is coveted by Gozali, a cunning real estate businessman. The struggle over the land and its certificate becomes a source of humor. The resolution involves Dono and his friends engaging in boxing matches against Gozali's champions, culminating in a showdown with Doyok, who imitates Bruce Lee's style.

In this film, Dono (alongside Baron Achmadi) also appears as a screenplay writer.

Jodoh Boleh Diatur

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Dono, Kasino, and Indro look for girlfriends through a matchmaking agency. Problems arise when their recommended partners from the agency cause complications. Indro is disappointed to find out his partner is researching male fidelity for her thesis. Dono almost gets fired for spending too much time on the phone dating. Meanwhile, Kasino's partner turns out to be a scammer. Dono's potential girlfriend, Rita, suddenly disappears and leaves a baby in his care through her grandfather. It turns out Rita is avoiding her husband who has come looking to reconcile. She left because she didn't want to be in a polygamous marriage. The comedy shifts focus to the baby, reminiscent of the film "Three Men and a Baby." Dono falls in love with the baby, and when Rita and her husband return to Malaysia, Dono acts as if he has lost his memory and follows them to Malaysia, carrying the doll, accompanied by Indro and Kasino. After reuniting with the baby, he regains his laughter.

This film is unique as it is the only Warkop movie shot outside Indonesia, specifically in Malaysia. The storyline leans more towards romantic drama despite its comedic elements.

Malu Malu Mau

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Dono, Kasino, and Indro live in the same boarding house with Lisa and Selly. The owner of the boarding house is Pak Raden. Due to reading the results of a magazine quiz, Indro becomes curious when Kasino teases him that one of their housemates has a crush on him. Through various jokes and misunderstandings, it turns out to be a misunderstanding. Kasino himself faces misfortune when a bank employee mistakenly gives him more money than requested. Dealing with the excess money and attempting to return it leads to convoluted and humorous situations. Then, it's Dono's turn to get involved with a foreign girlfriend, which also ends in misfortune.

Sisworo Gautama Putra, known for his mystical-themed films, was chosen to direct this movie.

Godain Kita Dong

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Kasino and Indro work at their uncle's chicken farm. They envy Dono, their cousin who studies in the United States. When Dono returns, he brings along his American girlfriend, Madonna, even though his parents had already arranged for him to marry Ayu Sukoco.

Sabar Dulu Dong

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Dono, Kasino, Indro, and their two female friends, Winny and Anita, successfully transform an old heritage building, inherited by Winny's father, into a 3-star hotel. The management of the hotel becomes a source of comedy, including Dono's investigation of a hotel guest suspected of harboring women in his room, who turns out to be the guest's sister; Indro flirting with a French tourist referred to by Winny as "Bule Belel"; Dono's fondness for a pet rat named Omen, more precisely Omen Warkop; a mistaken identity of a dead person who is actually just sleeping due to exhaustion; and a sleepwalking guest known as Mevrouw Rudolf, as well as the intrusion of a Bounty Hunter who is actually hunting for a rat.

Through the film Sabar Dulu Doong...!, Ida Farida became the first and only female director to ever direct a Warkop film.

Mana Bisa Tahan

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In this film, Dono has two girlfriends simultaneously, Windy and Cindy. Dono's life becomes complicated as he struggles to manage meetings with both of them, leading to frequent misunderstandings. This situation causes envy in Kasino and Indro. They decide to sabotage Dono's relationships with both girlfriends by intentionally speaking ill of Dono in front of Windy's and Cindy's parents, hoping to end Dono's relationships. Their actions stem from jealousy and a desire to disrupt Dono's life. However, Dono doesn't take this lying down and decides to take revenge. He plans a revenge scheme to prank Kasino and Indro. This retaliation might be intended to teach them a lesson or simply to get back at them. Overall, the storyline portrays the dynamics of friendship and a love triangle filled with chaos and intrigue. Mutual pranking and revenge play a significant role in the plot, adding comedic elements and funny situations among Dono, Kasino, and Indro.

Lupa Aturan Main

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Dono, Kasino, Indro, Bella, and Debby are about to receive a visit from a beautiful singer named Donna at their house. However, chaos ensues when a snaggle-toothed robber roams around looking for targets. Determined to catch the robber, they devise a strategy based on a newspaper article praising Dono's bravery in challenging the robber. The robber appears, who is actually an undercover police officer assigned to guard Dono. Dono and his friends swiftly apprehend the robber by feeding him poisoned onde-onde (rice flour balls). After the officer is knocked out, another person in a disguised police uniform arrives, who turns out to be the real robber. In a tense situation, Sofia persuades the fake police officer with onde-onde, causing him to also pass out. In the end, the real fake robber, who is actually a police officer, wakes up and sees the fake police officer, who is actually the real robber, asleep. They then rejoice in their mistaken identities and the confusion is resolved happily.

Sudah Pasti Tahan

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The story revolves around the trio (Dono, Kasino, and Indro) along with two beautiful girls, Linda and Christin, who manage to move out of their dormitory to live with them. Linda is Kasino's girlfriend, while Christin is dating Indro. The five of them are appointed as judges for a beach queen contest by a producer. One of the contestants tries to flirt with Dono, Kasino, and Indro, which infuriates Linda and Christin. In retaliation, Linda and Christin prank the trio as payback for the contestant's advances.

Bisa Naik Bisa Turun

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In this film, the Warkop trio applies for a job and undergoes training to become security guards (satpam), where they unexpectedly receive training from Diding Boneng, who is actually a patient from a mental hospital. Later on, they secure a job at a company by disguising themselves as women, as the company specifically requires female employees. Their entire career journey ends in a hilariously chaotic manner.

Masuk Kena Keluar Kena

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Dono, Kasino, and Indro accidentally stumble upon an unknown island inhabited entirely by beautiful women, except for the Chief and his three chubby daughters. They are forced to escape from this paradise island as they are about to be married off to the Chief's daughters. Back home, Dono meets Merry. As usual, Dono, Kasino, Indro, Merry, Wenny, and Nia play on the beach with bikini-clad women, causing chaos in their relationships. Among the chaos, a man dressed in Arab attire arrives with his bodyguard, claiming that Merry is already engaged to him. Kasino ends up overpowering the bodyguard, who ends up in the hospital. The jokes continue in the hospital and back at home.

Salah Masuk

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The trio Dono, Kasino, and Indro work as commercial film actors. Their story revolves around seeking funny effects everywhere they go. It starts with Dono's interest in a belly dancer named Selly Hilton, whom Indro tries to flirt with while Dono is away. However, it turns out the dancer is being used by someone else for extortion. Next, they film a beer commercial with a chubby actor named Yuli, who ends up causing chaos during the shoot. After that, a series of unrelated jokes and incidents follow in their usual comedic style.

Bagi-Bagi Dong

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Dono lives with his two friends, Kasino and his girlfriend Kristine, and Indro with his girlfriend Yukem. Feeling jealous of not having a girlfriend himself, Dono visits a shaman who gives him a mouse. When the mouse causes chaos in the house, disrupting Kristine and Yukem, Dono seizes the opportunity to ask them all to leave. This allows him to await his new acquaintance, whom he plans to charm at home. Kristine and Yukem ask Dono, Kasino, and Indro to catch the mouse. Dono catches the mouse but Kasino convinces him to keep it a secret so they can spend the night with Kristine and Yukem. Various humorous incidents follow, such as Kasino and Indro accidentally getting scalded with hot water in a basin, and later being pranked by dr. Diding Boneng at the hospital. Dono's luck takes a turn when he finds a wallet full of money at the mall and meets Yulieta, his ex-girlfriend, who is out with her uncle. They dine together at a restaurant, only to discover that the wallet Dono found belongs to Yulieta's uncle.

Bebas Aturan Main

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The story of this film begins with Dono, Kasino, and Indro losing their pants while using a public restroom at an entertainment venue. In their panic, Dono hastily grabs the pants of an elderly man using the adjacent toilet. The man is shocked to see Dono, Kasino, and Indro taking his pants and becomes furious, causing them to quickly flee the scene. Later, it is revealed that the elderly man whose pants they stole is Pak Leo, the father of Lisa, Yuli, and Nela, who are the girlfriends of Dono, Kasino, and Indro respectively. This incident sets off a series of comedic mishaps among them. For instance, Dono decides to disguise himself as a Michael Jackson statue to find out more about Pak Leo and his personality. Other hilarious situations ensue as they try to navigate through the complicated and absurd circumstances they find themselves in. The story is filled with humorous situations and confusion stemming from their unintended initial mishap in the public restroom.

Saya Duluan Dong

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Dono, Kasino, and Indro work as waiters at a restaurant owned by Yuli's parents, who is Kasino's girlfriend. Their job is not just ordinary waiting tables but specifically to handle the antics of a rival restaurant owner named Pak Soleh, who enjoys disturbing Yuli's father's restaurant. The ups and downs they face dealing with Pak Soleh's antics lead to physical comedy, like taking turns catching mice that fall from the attic, among other things. Pak Soleh's misdeeds are eventually exposed by journalists and the police. He is arrested, and Kasino and his friends cheer triumphantly. However, Pak Soleh then stages a magic show where in the final act, he asks for the wallets of the audience, including the Warkop DKI trio themselves. This angers Dono, Kasino, and Indro, who demand their wallets back, but all their efforts fail. Eventually, their wallets are returned by a thug but are found empty. The trio tries to demand their money back from Pak Soleh, but their attempts are futile. Instead, they receive a peculiar repayment from Pak Soleh—a car shaped like a ship, which they end up driving into a lake after boarding it, initially mistaking it for Pak Soleh's Jeep. This sequence of events showcases the comedic misadventures and challenges faced by Dono, Kasino, and Indro in their efforts to combat Pak Soleh's disruptive behavior at Yuli's family restaurant.

Pencet Sana Pencet Sini

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Dono, Indro, and Kasino are very eager to own a car, but they don't have the money for it. When Dono's uncle, Dewo Sastro, visits, they see an opportunity to ask for a car. However, Dewo Sastro is extremely stingy and refuses Dono's request. Determined not to give up, they come up with a plan with the help of their friends—a fake kidnapping of Dono orchestrated by a real criminal, Mata Satu, who happens to know Indro. The criminal demands a ransom from Dewo Sastro, an amount sufficient to buy a car. However, Mata Satu increases the ransom far beyond what was initially agreed upon. Dono is actually kidnapped and threatened with real harm if the demands are not met. Despite the dire situation, Dewo Sastro remains unwilling to pay the ransom. In a desperate move, Kasino, Indro, and their female friends set out to rescue Dono. Eventually, Dewo Sastro changes his mind and surprises Dono with a luxurious car as a reward for successfully capturing Mata Satu. The story humorously portrays the trio's antics and their unconventional methods to achieve their goal of owning a car, intertwined with the dynamics of family relationships and the consequences of their misadventures.

Docudrama film

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No. Year(s) Title Director Writer(s) Producer(s) Production house Ref.
1 1981 Untukmu Indonesiaku Ami Prijono Ikranagara Harris Lasmana Nusantara Film [35]

References

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  1. ^ "Mana Tahan". Film Indonesia. Archived from the original on 2022-05-05. Retrieved 5 May 2022.
  2. ^ "Gengsi Dong". Film Indonesia. Archived from the original on 2022-06-27. Retrieved 5 May 2022.
  3. ^ "Pintar Pintar Bodoh". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  4. ^ "Geer - Gede Rasa". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  5. ^ "Manusia 6.000.000 Dollar". Film Indonesia. Archived from the original on 2022-05-14. Retrieved 5 May 2022.
  6. ^ "IQ Jongkok". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  7. ^ "Setan Kredit". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  8. ^ "Dongkrak Antik". Film Indonesia. Archived from the original on 2022-05-18. Retrieved 5 May 2022.
  9. ^ "Maju Kena Mundur Kena". Film Indonesia. Archived from the original on 2022-06-09. Retrieved 5 May 2022.
  10. ^ "CHIPS (Cara Hebat Ikut Penanggulangan Masalah Sosial)". Film Indonesia. Archived from the original on 2022-06-11. Retrieved 5 May 2022.
  11. ^ "Pokoknya Beres". Film Indonesia. Archived from the original on 2022-08-12. Retrieved 5 May 2022.
  12. ^ "Tahu Diri Dong". Film Indonesia. Archived from the original on 2022-08-12. Retrieved 5 May 2022.
  13. ^ "Itu Bisa Diatur". Film Indonesia. Archived from the original on 2022-06-11. Retrieved 5 May 2022.
  14. ^ "Gantian Dong". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  15. ^ "Kesempatan Dalam Kesempitan". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  16. ^ "Sama Juga Bohong". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  17. ^ "Atas Boleh Bawah Boleh". Film Indonesia. Archived from the original on 2022-06-30. Retrieved 5 May 2022.
  18. ^ "Makin Lama Makin Asyik". Film Indonesia. Archived from the original on 2022-06-11. Retrieved 5 May 2022.
  19. ^ "Depan Bisa Belakang Bisa". Film Indonesia. Archived from the original on 2022-06-13. Retrieved 5 May 2022.
  20. ^ "Saya Suka Kamu Punya". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  21. ^ "Jodoh Boleh Diatur". Film Indonesia. Archived from the original on 2022-07-03. Retrieved 5 May 2022.
  22. ^ "Malu-Malu Mau". Film Indonesia. Archived from the original on 2022-06-15. Retrieved 5 May 2022.
  23. ^ "Godain Kita Dong". Film Indonesia. Archived from the original on 2022-05-24. Retrieved 5 May 2022.
  24. ^ "Sabar Dulu Dong". Film Indonesia. Archived from the original on 2022-06-30. Retrieved 5 May 2022.
  25. ^ "Mana Bisa Tahan". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  26. ^ "Lupa Aturan Main". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  27. ^ "Sudah Pasti Tahan". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  28. ^ "Bisa Naik Bisa Turun". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  29. ^ "Masuk Kena Keluar Kena". Film Indonesia. Archived from the original on 2022-06-10. Retrieved 5 May 2022.
  30. ^ "Salah Masuk". Film Indonesia. Archived from the original on 2022-06-16. Retrieved 5 May 2022.
  31. ^ "Bagi-Bagi Dong". Film Indonesia. Archived from the original on 2022-06-26. Retrieved 5 May 2022.
  32. ^ "Bebas Aturan Main". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.
  33. ^ "Saya Duluan Dong". Film Indonesia. Archived from the original on 2022-05-28. Retrieved 5 May 2022.
  34. ^ "Pencet Sana Pencet Sini". Film Indonesia. Archived from the original on 2022-06-11. Retrieved 5 May 2022.
  35. ^ "Untukmu Indonesiaku". Film Indonesia. Archived from the original on 2022-07-07. Retrieved 5 May 2022.