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Death Warrant is a 1990 American action crime mystery-thriller film directed by Deran Sarafian and produced by Mark di Salle. The film was written by David S. Goyer while a student at USC, and was Goyer's first screenplay to be sold and produced commercially. In the film, the police detective Louis Burke is going into a prison facility at California as an undercover cop in order to find out who stands behind a mysterious series of murders, and finds himself locked up with his nemesis; Christian Naylor, a psychotic serial killer who calls himself "The Sandman" whom sets out to exact revenge upon him after getting into prison.

Death Warrant
Death warrant poster.jpg
Theatrical release poster
Directed byDeran Sarafian
Produced byMark di Salle
Written byDavid S. Goyer
Music byGary Chang
CinematographyRussell Carpenter
Edited byJohn A. Barton
Cheryl Kroll
G. Gregg McLaughlin
Distributed byMetro-Goldwyn-Mayer[2]
Release date
  • September 14, 1990 (1990-09-14)
Running time
89 minutes
CountryUnited States[3]
Budget$6 million[4]
Box office$46.7 million[5]

Death Warrant was released on September 14, 1990. Upon its release, the film grossed $46 million against production budget of only $6 million. The film received general mixed critical reaction from critics who found the direction, its storyline, villain, and the plot poor, but highly praised the acting as well as the action scenes and the thrilling atmosphere.


Detective Louis Burke (Jean-Claude van Damme) of the Royal Canadian Mounted Police from Quebec confronts the maniac that killed his partner on the force: an enigmatic psychopathic serial killer by the name of Christian Naylor (Patrick Kilpatrick), who calls himself "The Sandman". Burke searches an abandoned house in Los Angeles, where he comes across a series of bodies hanging from the ceiling, and is then attacked by the Sandman. Burke is able to shoot the Sandman several times in the center of his chest, apparently killing him.

Sixteen months later, Burke joins a task force assembled by the governor to investigate a series of murders in the Harrison State Prison in California which is becoming a scandal threatening his reelection. While Burke poses as an inmate, attorney Amanda Beckett (Cynthia Gibb) acts as his wife.

Burke goes undercover and is interned in the State penitentiary, where befriends his cellmate Konefke (Conrad Dunn) and a clerk, Hawkins (Robert Guillaume). Despite Burke saving Hawkins from a confrontation with a Mexican gang, neither he nor Konefke will talk about the recent murders. Burke is able to track down the cellmate of the most recent victim (named Barrett), who works at the infirmary, but the cellmate also refuses to talk. When Burke threatens him, he reveals that he doesn't know what's going on, but that the guards are involved and that there is an "outside man." He sends Burke to talk to Priest (Abdul Salaam El Razzac), who gets him a key to the records room.

In the records room, Burke finds Barrett's death certificate covered in codes. He feeds the codes to Beckett and connects her with a teenage hacker, Tisdale (Joshua John Miller), who determines the codes come from the infirmary. With help from Priest and Hawkins, Burke breaks into the infirmary and finds several boxes labeled "medical waste" that are actually full of human organs.

Later, a new inmate arrives, and Burke is horrified to find that it's the Sandman, who did not die two years ago. The Sandman recognizes Burke and briefly apprehends him; instead of killing Burke, the Sandman reveals to their fellow prisoners that Burke is a cop.

Meanwhile, Beckett and Tisdale are able to decipher a code they find in the computer, which comprises prisoner identification numbers followed by their blood type. None of the inmates on the list have drug-related crimes, and they are mostly young, first-time offenders. All of the ID numbers match those of prisoners who have been murdered. Burke identifies it as a "hit list," and realises that he's next.

On the outside, Beckett then attends a party hosted by the state's attorney general, Tom Vogler (George Dickerson). Beckett believes that her boss, Ben Keane (Jack Bannon), is responsible for the murders, and prepares to tell Vogler of her theory. However, just as she is about to do so, she receives a call from Tisdale, who tells her that the man behind the murders is in fact Vogler.

Vogler produces a gun and reveals to Beckett that his wife needed a liver transplant, and when it turned out that even his money and influence couldn't move her up the donor list in time, he created a conspiracy to murder healthy prisoners for organs. After his wife's transplant, he continued the scheme for profit. He also reveals that he sent the Sandman to assassinate Burke, because Burke was too hard for the other inmates to kill. When his wife unexpectedly enters the room, Beckett escapes.

In the prison, Burke escapes his cell and opens all the other cells to create a riot. Priest and Hawkins help him evade the guards; Hawkins is injured but saved by Priest, but Priest is then killed by the Sandman. The scene culminates in a showdown between Sandman and Burke with the inmates looking on. At first, the Sandman gets the better of the fight, but when he opens the door to the boiler room — proclaiming, "Welcome to hell!" — Burke turns the tables by kicking the Sandman into the flames.

This appears to be the end of the Sandman, but after some seconds, he emerges from the boiler, grossly burned. Burke kicks him again, this time sending him careering backward into a pillar, where his head is impaled on a valve stem. Despite this mortal injury, stuck to the valve, the Sandman continues to taunt Burke: "You can't kill me, Mark. I'm the Sandman."

Burke responds by twisting the Sandman's head around; the valve stem inflicts damage on the psychopath's brain, finally killing him. The inmates quietly allow Burke to leave the prison, where he is reunited with Hawkins and Beckett.



The film was originally known as Dusted.[4] It was the second script ever written by David S. Goyer and the first one he sold.[6]

Filming started August 1989.[7]

Box officeEdit

The film debuted strongly at the box office, opening with a $5 million dollar weekend to place No.3.[8] It would gross over $16 million at the domestic box office.[9]


  1. ^ "Credits". BFI Film & Television Database. British Film Institute. Retrieved May 6, 2014.
  2. ^
  3. ^ "Death Warrant". BFI Film & Television Database. British Film Institute. Retrieved May 6, 2014.
  4. ^ a b Thompson, A. (1989, Aug 27). Punch lineage. Chicago Tribune (1963-Current File) Retrieved from
  5. ^ Death Warrant at Box Office Mojo
  6. ^
  7. ^ Cinefile Klady, Leonard. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 18 June 1989: 327.
  8. ^ Pat H. Broeske. "Postcards Takes No. 1 at Box Office Movies: Mother-daughter comedy sales hit $8.1 million. Paramount's `Ghost' is in second place on $5.8 million in sales". The Los Angeles Times. Retrieved 2011-01-01.
  9. ^

External linksEdit