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Claude Mollet (ca. 1564 – shortly before 1649), premier jardinier du Roy — first gardener to three French kings, Henri IV, Louis XIII and the young Louis XIV — was a member of the Mollet dynasty of French garden designers in the seventeenth century. His father was Jacques Mollet, gardener at the château d'Anet, where Italian formal gardening was introduced to France and where Claude apprenticed, and his son was André Mollet, who took the French style to Holland, Sweden and England.

Claude Mollet
from André Mollet's "le Jardin de Plaisir"

In the woodcuts in Olivier de Serres' work dedicated to Henri IV, Le Théâtre d'agriculture et mesnage des champs (Paris 1600), the plans laid out in royal gardens are by Claude Mollet, who was a friend of the author, who praises Mollet's designs for the herbs and shrubs speaking in letters, devices, cyphers, coats-of-arms, frames, ships and other things, imitated with marvelous industry and patience.[1]

As de Serres did, Mollet maintained two tree nurseries, in the outskirts of the Faubourg Saint-Honoré, west of Paris. He claimed to have introduced boxwood as an edging to his parterre patterns, each like "un tapis de Turquie" ("a Turkish carpet") isolated in 6-foot-wide gravel walks (1.8 m).

Mollet's volume Théâtre des plans et jardinages,[2] which contains autobiographical information, was published by his son in 1652, after his death. The manuscript[3] was written many years before, about 1613–15, and revised over the years. A handsome calligraphic copy now at Dumbarton Oaks was dedicated to Louis XIII shortly before the king's death (1643).In it he acknowledged the influence upon him of Étienne Dupérac, the architect of Saint Germain-en-Laye.

Mollet states that Henri IV commissioned him to lay out the terraces at the new château of Saint Germain-en-Laye in 1595 and thereafter at Château de Fontainebleau, and at Montceaux-en-Brie as well as at the Tuileries, where he was in charge throughout his active career (Karling, p. 7) and where the central garden axis that he remade after depredations by soldiers in 1593 has been extended far to the west, as the axe historique of Paris.


  1. ^ "...herbes et arbustes parlant en lettres, devises, chiffres, armoiries, cadrans, navires et autres choses, imités avec une merveilleuse industrie et patience" (quoted Karling, p. 7, note 4)
  2. ^ Its full title is Théâtre des plans et jardinages contenant des secrets et des inventions incognues à tous ceux qui jusqu'à présent se sont meslez d'escrire sur cette matière, avec un traicté d'astrologie, propre pour toutes sortes de personnes, et particulièrement pour ceux qui s'occupent de la culture des jardins. In later editions, the astrology section was omitted (Karling, p 6 note 2)
  3. ^ The manuscript is in the Staatsbibliothek, Munich (Karling, p. 8, note 6)

External linksEdit


  • Sten Karling, "The importance of André Mollet", in The French Formal Garden, 1974. Elizabeth B. MacDougall and F. Hamilton Hazlehurst, editors (Dumbarton Oaks) This is the basis for the information in this article.