Cinémathèque Française

The Cinémathèque française (French pronunciation: ​[sinematɛk fʁɑ̃sɛːz]) is a French non-profit film organization founded in 1936 that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris, the archive offers daily screenings of worldwide films.

Cinémathèque française
Established1936; 86 years ago (1936)
PurposeFilm archive
Headquarters51, rue de Bercy
75012 Paris, France
Coordinates48°50′13″N 2°22′57″E / 48.8369°N 2.3825°E / 48.8369; 2.3825
Key people
Henri Langlois
& Georges Franju


The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war.

After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, including Robert Bresson, René Clément, Henri-Georges Clouzot and Jacques Becker frequented screenings at the Cinémathèque. Directors of the New Wave (la Nouvelle Vague) school — Alain Resnais, Jacques Rivette, François Truffaut, Jean-Luc Godard, Claude Chabrol, Roger Vadim, Jacques Doniol-Valcroze, and Pierre Kast — also received much of their film education by attending the collection's screenings.

A meeting in 1945 in Basle between Langlois and Freddy Buache led, via Lausanne's first film club, to the founding in 1950 of the Swiss Film Archive.[1][2][3]

The events of May 1968Edit

In June 1963, the Cinémathèque moved to the Palais de Chaillot with funds provided by André Malraux, Minister of Culture, and became subject to government overview. In February 1968, under pressure from the Ministry of Finance, Malraux required changes in the management of the Cinémathèque and dismissed Henri Langlois.

A defence committee was formed, uniting notable French filmmakers (Alexandre Astruc, Claude Berri, Robert Bresson, Claude Chabrol, Jacques Doniol-Valcroze, Jean Eustache, Georges Franju, Abel Gance, Jean-Luc Godard, Joris Ivens, Pierre Kast, Chris Marker, Alain Resnais, Jacques Rivette, Eric Rohmer, Jean Rouch, François Truffaut) together with major actors (Jean-Pierre Léaud, Claude Jade, Jean Marais and Françoise Rosay). Foreign filmmakers such as Charles Chaplin and Stanley Kubrick added their support. Protests were organized.

Confrontations followed between young people, largely students, and what they saw as an authoritarian centre-right government, out of touch with the concerns of the younger generation. These demonstrations were precursors of and merged into the widespread student revolt that erupted from March 1968 onwards, escalating into nationwide unrest in May. Before then, the government had backed down over the Cinémathèque, reinstating Langlois as head in April 1968.


After numerous incidents—including multiple relocations from one small screening room to another through the 1950s and a fire in its last premises—the Cinémathèque française moved to 51, rue de Bercy in the 12th arrondissement of Paris and reopened its doors in a postmodern building designed by Frank Gehry, an American architect.

The Bibliothèque du film, which was created in 1992 to show the history of cinema, its production, impact and artistic strength, merged with the Cinémathèque française.

Cinémathèque française operates the Musée de la cinémathèque, formerly known as Musée du cinéma Henri-Langlois, in the new building.

President Director and SecretaryEdit

Cinémathèque's president Costa-Gavras (right) attentive to Steven Spielberg's (left) Masterclass [Paris - Jan. 9th, 2012].


In celebration of the Centennial of the Metropolitan Museum of Art, the Museum and the City Center of Music and Drama in New York co-sponsored "Cinémathèque at the Metropolitan Museum". The exhibition showed seventy films dating from the medium's first seventy-five years on thirty-five consecutive evenings from July 29 to September 3, 1970. The films were selected by Henri Langlois for their significance and contributions to the history of filmmaking, including work from official film industries as well as current and early avant garde directors.

The Cinémathèque's closing is noted in François Truffaut's 1968 film Stolen Kisses. The Cinémathèque also appears in the Paul Auster 2002 novel The Book of Illusions and the 1998 Harvey Danger song "Private Helicopter".

The Cinémathèque and the events surrounding the dismissal of Langlois in 1968 features heavily in Gilbert Adair's 1988 novel The Holy Innocents also known as The Dreamers and in its 2003 film adaptation by Bernardo Bertolucci.

See alsoEdit


  1. ^ Tenret, Yves (October 1987). "Freddy Buache et la Cinémathèque suisse". Voir (in French). Lausanne: Société Coopérative d'Édition et de Promotion Culturelle. 43. Retrieved 23 February 2012.
  2. ^ Uhlmann, Bernard (2011). "Freddy Buache". Dictionnaire historique de la Suisse (in French). Retrieved 22 February 2012.
  3. ^ "Freddy Buache se retire". Journal de Genève (in French). Geneva: 27. 3 May 1995. Retrieved 22 February 2012.

Further readingEdit

External linksEdit

Coordinates: 48°50′13″N 2°22′57″E / 48.83694°N 2.38250°E / 48.83694; 2.38250