Chris Floyd (born 1968) is a British photographer based in London.[1][2] He is known chiefly for his celebrity portraiture and reportage, beginning with the Britpop music scene in the 1990s. He also works with fashion[3] and advertising photography and film. In 2011, he exhibited his series of 140 portraits of Twitter users.
Chris Floyd | |
|---|---|
| Born | 1968 Welwyn Garden City, Hertfordshire, England |
| Occupation | Photographer |
Life and work edit
Floyd was born in Welwyn Garden City, Hertfordshire.[2] He started taking photographs when he was 14 and in 1988 completed a BTec Photography course. He moved to London in 1990 and pursued a career in photography.[2] As a young photographer, he took photographs of The Orb, which appeared in the music magazine Select.[4] In 1994, Floyd started working for Loaded as well as The Face and Dazed & Confused magazines.[5] His photography in this period is strongly associated with the era of Britpop.[5]
His work has been published in The Sunday Times Magazine, The New York Times Magazine, American and British Esquire, Vogue, Vanity Fair, The New Yorker, Harpers Bazaar, GQ, Wallpaper* and Guardian Weekend.[citation needed]
He was selected for the National Portrait Gallery, London's Taylor Wessing Photographic Portrait Prize in 2008[2][6] and 2013.[citation needed]
In 2011, he exhibited his series of 140 portraits of Twitter users, One Hundred and Forty Characters.[2][7][8][9]
Publications edit
Publications by Floyd edit
- The Verve: Photographs By Chris Floyd. London: Reel Art, 2017. Edited by Dave Brolan. ISBN 978-1-909526-53-2.
Publications with contributions by Floyd edit
- Professional Photography: The New Global Landscape Explained. Oxford: Focal, 2014. By Grant Scott. ISBN 978-0415717540. With contributions from Floyd, Alicia Bruce, Peter Dench, Niall McDiarmid and Jim Mortram.
- Great Britons of Photography Vol.1: The Dench Dozen. Eastbourne, UK: Hungry Eye, 2016. ISBN 978-0-9926405-2-1. Edited by Peter Dench. With photographs by and transcripts of interviews between Dench and Floyd, Jocelyn Bain Hogg, Marcus Bleasdale, Harry Borden, John Bulmer, Brian Griffin, Laura Pannack, Martin Parr, Tom Stoddart, Homer Sykes, and Anastasia Taylor-Lind. 160 pages. Edition of 500 copies.
Collections edit
- National Portrait Gallery, London: 14 prints (as of January 2019)[2][4]
References edit
- ^ Sawa, Interview by Dale Berning (31 January 2018). "Chris Floyd's best photograph: the Verve meet Dorothy, the Tin Man and Scarecrow". The Guardian. ISSN 0261-3077. Retrieved 21 January 2019 – via www.theguardian.com.
- ^ a b c d e f "Chris Floyd Q&A". The Daily Telegraph. 12 June 2012. ISSN 0307-1235. Retrieved 21 January 2019.
- ^ Desmond, Sally (30 January 2016). "'Sheer nepotism': Brooklyn Beckham Burberry shoot angers photographers". The Guardian. ISSN 0261-3077. Retrieved 21 January 2019 – via www.theguardian.com.
- ^ a b "Chris Floyd". National Portrait Gallery. Retrieved 21 January 2019.
- ^ a b Abraham, Amelia (18 December 2014). "Shit Pubs, 'Loaded' and the Gallagher Brothers: Chris Floyd Shot the Height of Britpop". Retrieved 21 January 2019.
- ^ "National Portrait Gallery - Taylor Wessing Photographic Portrait Prize". National Portrait Gallery. Retrieved 21 January 2019.
- ^ "Portraits of my favourite tweeters – in pictures". The Guardian. 31 October 2011. Retrieved 22 April 2013.
- ^ Magazine, Wallpaper* (3 October 2011). "Wallpaper* Tweet Life project by Chris Floyd". Wallpaper*. Retrieved 21 January 2019.
- ^ Coomes, Phil (2 November 2011). "One Hundred & Forty Characters". Retrieved 21 January 2019 – via www.bbc.co.uk.