Chicago Grand Opera Company
This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (January 2013) (Learn how and when to remove this template message)
Two grand opera companies in Chicago have gone by the name Chicago Grand Opera Company
The Auditorium Building, home of the Chicago Grand Opera Company
The first Chicago Grand Opera Company produced four seasons of opera in Chicago's Auditorium Theater from the Fall of 1910 through November 1915. It was the first resident Chicago opera company. The company also spent several months each year performing in the city of Philadelphia where it performed at the Philadelphia Metropolitan Opera House under the name the Philadelphia-Chicago Grand Opera Company in order to "satisfy the civic pride" of that city. The company notably presented the world premieres of Victor Herbert's Natoma (1911) and Attilio Parelli's I dispettosi amanti (1912). The company also mounted the United States premieres of Jean Nouguès's Quo vadis (1911), Karl Goldmark's Das Heimchen am Herd (1912), and Alberto Franchetti's Cristoforo Colombo (1913). Notable performers who sang with the company included Paul Althouse, Marguerite Bériza, Alfredo Costa, Armand Crabbé, Charles Dalmorès, Dora de Phillippe, Enrica Clay Dillon, Jenny Dufau, Hector Dufranne, Minnie Egener, Amy Evans, Mary Garden, Jeanne Gerville-Réache, Orville Harrold, Gustave Huberdeau, Frances Ingram, Lydia Lipkowska, Vanni Marcoux, Carmen Melis, Lucien Muratore, Giovanni Polese, Albert Reiss, Myrna Sharlow, Tarquinia Tarquini, Luisa Tetrazzini, Alice Zeppilli, and Nicola Zerola among others.
The second Chicago Grand Opera Company was an attempt to keep opera going in Chicago after the collapse of the Chicago Civic Opera in 1932. It produced three seasons of opera at the Civic Opera House from 1933 to 1935 before it too succumbed to financial difficulties. It was succeeded by the Chicago City Opera Company.