Carlos Andres Dengler is an American musician, actor, composer, and writer. He has performed in regional theaters, appeared in various short films, and released three albums. His essays have appeared in n+1 and Tablet Magazine.[1][2][3][4] He is the co-founder and former bass guitarist and keyboardist for the rock band Interpol.

Carlos Dengler
Dengler in 2024
Born
Carlos Andres Dengler

(1974-04-23) April 23, 1974 (age 50)
Queens, New York, U.S.
Alma materNew York University (BA, MFA)
Occupations
  • Actor
  • musician
  • composer
  • multi-instrumentalist
  • writer
  • filmmaker
Musical career
Also known asCarlos D.
Genres
Instruments
  • Bass guitar
  • keyboards
  • guitar
Years active1997–present
Labels
Websitewww.carlosdengler.com

Early life and education

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Dengler was born on April 23, 1974,[5] in Queens, New York, to a Colombian mother and a German father. He and his family lived there until his early teens, when they relocated to Lawrenceville, New Jersey.[6] Speaking to Spin magazine in 2005, Dengler described this move and the subsequent period as formative.[7]

He received a Bachelor's Degree in Philosophy at NYU College of Arts & Science and a Master of Fine Arts Degree from NYU Tisch School of the Arts.[8][9]

Career

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Dengler is a NYC-based composer, actor, writer, and multi-instrumentalist (guitar, bass guitar, and piano). He is also an amateur nature photographer, avid backpacker, and naturalist.[10][11]

He played an instrumental role in the success of the band Interpol, co-founding the group in the 1990s with Daniel Kessler, Paul Banks and Greg Drudy.

Dengler became a classically trained actor after leaving the band in 2010, and earned an MFA in Acting in 2015.[12] He performed a one-person theatrical show at the New York International Fringe Festival in 2016.[13]

He has written many personal essays, several of which have been published in literary journals.[3][4]

He has also scored films, and released compositions of ambient and New Age music.[1][14][15][2]

1997–2010: Interpol

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While attending New York University (NYU) in 1997, Dengler was approached by guitarist Daniel Kessler[16] after a class the two had enrolled in. Kessler had been looking for musicians to play with, and assumed Dengler to be one based on the clothes he wore, a style Kessler described as "similar to the way he's dressed now".[7] He was studying philosophy and history at the time, and wanted to pursue a career as an academic, but agreed to play with the then unformed band, eventually finding his place within the group.

Dengler's trademark style is marked by grounded and stylized bass lines, strident staccato bursts, a clean tone brought about by his Fender Jazz Bass, and octave jumps, almost in a disco-like fashion. The low E string is lowered to D as the band writes many songs in the keys of D and B minor. One of his influences is the Joy Division/New Order bass guitarist Peter Hook. Like Hook, he also wears his bass guitar very low – often near knee level – and uses a pick to pluck the strings.[17]

In addition to bass guitar, Dengler played keyboards in the studio. Until the band started hiring touring musicians in support of their first album, Turn on the Bright Lights, he played both instruments during live performances.

He was a regular in the Lower East Side party scene. In 2005, URB magazine put him on the cover with a headline reading "Interpol + The Cult of Carlos D".[18] Interviews tied in with the band's third album, Our Love to Admire, in 2007, however, marked a change in Dengler's attitude. Quotes from the time hint at a growing dissatisfaction with touring and the band in general. He described his switch from leather corset-belts, slicked hair, gun-holster and combat boots to bolo tie, waist coat, his natural curls and mustache as freeing: "Everyone stopped recognizing me on the street. I forgot what it's like just to be a normal person. It felt so good."[19]

In May 2010, his departure was announced on the band's official website. The posting stated that he had participated in the writing and recording process for their fourth album, but would not be going forward with any other Interpol-related activities. A permanent replacement was not announced, only that multiple players would be taking his place on the 2010 tour.[20]

Three months after Dengler left Interpol, the band revealed that he actually disliked playing bass guitar. Drummer Sam Fogarino stated that Dengler had grown tired of the instrument and of touring, and that it was neither his first instrument nor his instrument of choice.[21]

The band chose not to officially replace Dengler, with David Pajo and later Brad Truax occupying the role of touring bass guitarist. For the writing and recording of Interpol's post-Dengler studio albums, Paul Banks occupied the role of bass guitarist. When asked if the band missed Dengler during a 2022 Reddit AMA, Banks stated: "He was difficult, but not too difficult. Total genius tbh."[22]

Equipment

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Dengler played a cream jazz bass on the Late Show with David Letterman in 2007.[23] He never used any effects pedals, claiming, "Our music is almost symphonic in nature, because the harmonic structures are defined by the union of two guitars and a bass, and sometimes keyboard as well. If I were to start freaking out with effects, it would create too much of a bass presence, or it would distract from the band's most important aspect-the unity of all those musical elements together."[24]

He also worked with a mixture of classic synthesizer and orchestral emulations to generate arrangements for Interpol and for his scores.

2010–present

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While attending NYU in the late 1990s, Dengler was a club DJ.[25] He stopped for a short time, but picked it up again, and as Interpol's fame increased, he started pulling in bigger crowds, both at the band's after-parties and separate gigs in various cities. He was the first rock star to appear on the cover of the electronic and hip-hop centered URB magazine, in 2005. The article focused on his history and talent as a DJ, thoughts on various scenes, personal style, and role as the face of the band.[18]

Dengler has remixed songs for B-side releases including VHS or Beta's "Night on Fire", Nine Inch Nails's "Every Day is Exactly the Same" alongside Sam Fog (Interpol bandmate Samuel Fogarino), and Interpol's own "Public Pervert".

After leaving Interpol in 2010, Dengler remained out of the public light for several years.[26] In a 2015 interview, he stated that he had since completed a graduate degree in drama from the Tisch School of the Arts at NYU, and was pursuing acting professionally.[26] In the time between Antics (2004) and Our Love to Admire (2007), Dengler took an interest in film composition and scoring. His work in this medium includes the animation project Love Letters for the Subway.[27] He contributed underscoring to the piece "Katya and Josh Ain't Havin' It" to the HBO Voyeur Project.[28]

In 2016, Dengler understudied for actor Josh Radnor at Lincoln Center Theater in a production of the Richard Greenberg play The Babylon Line.[12][29] He alsopresented an autobiographical one-man show at the 2016 New York International Fringe Festival, Homo Sapiens Interruptus, which focused on his interest in heavy metal and paleoanthropology as well as revisiting his life leading up to and including his involvement with Interpol.[13] That same year, he was a guest musician with The 8G Band on Late Night with Seth Meyers.[30] In 2020, Dengler appeared in the short film, A 1984 Period Piece in Present Day.[31]

Dengler's essays have been featured in n+1, the Mars Review of Books, and Tablet Magazine. In 2022 he contributed to the Rutgers University Press publication New Jersey Fan Club, writing about moving as a teenager from Queens, New York to Lawrenceville, New Jersey.[3][32][4][33]

Dengler has self-released three albums as a composer of New Age/ambient music: Aqueduct and Ecospheres in 2022, Private Earth in 2023, and Parallel Streams in 2024.[1][14][15][2]

References

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  1. ^ a b c "Former Interpol bassist Carlos Dengler is releasing a New Age album (stream a track) by Bill Pearis". Brooklynvegan. March 30, 2022. Retrieved May 23, 2023.
  2. ^ a b c "Video Premiere: "Golden Dawn" by Carlos Dengler". New Age Music Guide. May 12, 2023. Retrieved May 23, 2023.
  3. ^ a b c "CARLOS DENGLER - Stories of Excess Turn on the Bright Lights, fifteen years on". N+1 Magazine. September 21, 2017. Retrieved May 23, 2023.
  4. ^ a b c "A Farewell to Armbands". Tablet Magazine. June 5, 2023. Retrieved June 15, 2023.
  5. ^ "Carlos Dengler". BBC Music. Archived from the original on December 22, 2018. Retrieved December 22, 2018.
  6. ^ Cohen, Ian (November 29, 2012). "Cap the Old Times: The Story of Interpol's Turn on the Bright Lights". Pitchfork. Archived from the original on December 22, 2017. Retrieved May 11, 2016.
  7. ^ a b Raferty, Brian. "Night Falls on Manhattan." Spin April 2005.
  8. ^ "Ep. 87 - Carlos Dengler". The Rob Burgess Show. November 15, 2017. Retrieved May 23, 2023.
  9. ^ "Ep. 123 - Carlos Dengler [III]". The Rob Burgess Show. September 15, 2018. Retrieved May 23, 2023.
  10. ^ "Carlos Dengler". The Art of Failure. Retrieved June 16, 2023.
  11. ^ "About Carlos Dengler". The B Company. Retrieved June 16, 2023.
  12. ^ a b "IN THE LOUNGE - The Importance of Ernest - Carlos Dengler". Dixon Place. April 1, 2016. Retrieved May 23, 2023.
  13. ^ a b "Fringe Festival 2016 reviews, Part III". TimeOut. August 17, 2016. Retrieved June 13, 2023.
  14. ^ a b "Ecospheres". Amazon. September 30, 2022. Retrieved May 23, 2023.
  15. ^ a b "Album Review—Private Earth by Carlos Dengler". New Music Alert. May 29, 2023. Retrieved June 19, 2023.
  16. ^ Dengler, Carlos "Forget Rock, I Only Listen to Symphony Orchestras" The Guardian, May 22, 2007.
  17. ^ "Interpol rock band FAQ - Frequently Asked Questions List". Archived from the original on July 3, 2008. Retrieved December 21, 2011.
  18. ^ a b URB magazine. Total Recall: Archived December 30, 2013, at the Wayback Machine Carlos D. 2005. urb.com.
  19. ^ Kadel, Greg, "The Ties that Bind", Spin magazine, August 2007
  20. ^ Phillips, Amy (May 10, 2010). "Carlos D Leaves Interpol". Pitchfork. Archived from the original on July 19, 2012. Retrieved May 10, 2010.
  21. ^ Michaels, Sean (August 12, 2010). "Interpol: Carlos D 'really, really didn't like the bass'". The Guardian. London.
  22. ^ "Hello! Welcome to Interpol's AMA. Let's do this". Reddit. July 22, 2022.
  23. ^ "Interpol Letterman Live 2007". youtube.com. Archived from the original on December 21, 2021. Retrieved March 31, 2011.
  24. ^ "Carlos D." bassplayer.com. Archived from the original on February 17, 2009. Retrieved February 5, 2009.
  25. ^ "The Three Lives of Lit Town". Local East Village. March 14, 2012. Retrieved June 26, 2023.
  26. ^ a b Disser, Nicole (August 17, 2015). "Five Years After Interpol, Carlos D Tells Us Where He's Been Hiding". Bedford + Bowery. Archived from the original on December 23, 2018. Retrieved December 23, 2018.
  27. ^ "Love Letters for the Subway - Exploring NYC's Subway through hand-drawn letters directed by Mary Hawkins". Curation Hour. Retrieved June 4, 2023.
  28. ^ "HBO Voyeur Project (TV Miniseries)". Film Affinity. Retrieved July 4, 2023.
  29. ^ "The Babylon Line". IOBDB. November 10, 2016. Retrieved May 26, 2023.
  30. ^ "Interpol's Carlos Dengler make his music comeback on Seth Myers". NME. April 2, 2016. Retrieved June 1, 2023.
  31. ^ "A 1984 Period Piece in Present Day". Redbox. Retrieved May 23, 2023.
  32. ^ "Bodies of the Night by Carlos Dengler ~novtem-danrem". Mars Review of Books. March 16, 2023. Retrieved May 23, 2023.
  33. ^ "New Jersey Fan Club - Artists and Writers Celebrate the Garden State". Rutgers University Press. June 17, 2022. Retrieved May 23, 2023.
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