Brain Donors is a 1992 American comedy film released by Paramount Pictures, loosely based on the Marx Brothers comedies A Night at the Opera and A Day at the Races (the first two films the Marx Brothers did after leaving Paramount). The film co-stars John Turturro, Mel Smith, and Bob Nelson in the approximations of the Groucho, Chico, and Harpo roles, with Nancy Marchand in the Margaret Dumont dowager role.
|Directed by||Dennis Dugan|
|Produced by||Gil Netter|
James D. Brubaker
|Screenplay by||Pat Proft|
|Based on||Suggested by A Night at the Opera|
screenplay by George S. Kaufman and Morrie Ryskind
story by James Kevin McGuinness
|Music by||Ira Newborn|
|Cinematography||David M. Walsh|
|Edited by||Malcolm Campbell|
|Distributed by||Paramount Pictures|
|Box office||$918,239 (USA)|
The project was filmed as Lame Ducks; however, when the film's producers (David and Jerry Zucker) left for another studio, Paramount scrapped the publicity campaign, changed the title, and withdrew the film after its initial screenings.
After the death of tycoon and philanthropist Oscar Winterhaven Oglethorpe, a ballet company is founded in his name by his widow, Lillian (Nancy Marchand). Ambulance-chasing attorney Roland T. Flakfizer (John Turturro) competes against Oglethorpe's former attorney, Edmund Lazlo (John Savident), to be director of the company. Lazlo is chosen for the position after signing the greatest ballet dancer in the world, Roberto "The Great” Volare (George de la Peña). Flakfizer — with assistance from his two associates Rocco (Mel Smith) and Jacques (Bob Nelson) — earns a spot as co-director by wooing the wealthy widow and by signing the company's leading ballerina (Juliana Donald, billed as Juli Donald) and her dancer boyfriend Alan Grant (Spike Alexander). The ensuing struggle between Flakfizer and Lazlo leads to comic hijinks, including a badger game involving a chorus girl (Teri Copley), and an opening-night performance ludicrously sabotaged by Flakfizer and his cohorts.
Cast and charactersEdit
Richard Harrington in his review for The Washington Post wrote, "It's all very busy, and in Zucker style there seem to be 10 jokes per minute, but most fly fast and fall flat." Mick LaSalle of the San Francisco Chronicle felt that the film was "an audacious attempt actually to make them like they used to - with no apologies, no nostalgia. It's no masterpiece, but neither was every Marx Brothers movie." In her review for The New York Times, Janet Maslin wrote, "Brain Donors will stop at very little to get its laughs, and Mr. Turturro has just the right silliness for the occasion."