The Baoquansi Caves (Chinese: 保全寺石窟; pinyin: Bǎoquánsìshíkū) is a Buddhist site located on the western bank of Pingdingchuan, Taibai Township, Heshui County, Gansu in Northwest China. Built during the Northern Wei Dynasty (386AD–534AD) and excavated on an 8-meter tall cliff, Baoquansi consists of 25 horseshoe-shaped niches and 153 stone statues. Most of the niches have been well preserved, however some parts have been damaged by erosion and looting.[1] The Baoquansi Caves is a valuable site to study the spread of Buddhism since it is located on one of the ancient northern Silk Road paths.[2]

Niches description & list

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The Baoquansi Caves were carved into a cliff wall and are 40 meters long and eight meters high, with the grottoes running east to west.[3] Among the niches, three, four, five, and six are the largest. Some of these niches are square-shaped while others are horseshoe-shaped or domed. The largest of all is niche four. The width, height, and depth are all three meters. The main wall consists of the Buddhas Śākyamuni and Prabhūtaratna sitting side by side with Maitreya. The north and south walls are each composed of two Buddhas. There are also two Bodhisattvas standing at the entrance.[4]

List of Niches
Niche No. Time Period Content Current Condition
1 Early Northern Wei (Year 477-499) One Buddha, two Bodhisattva   Good
2 One Buddha, two Bodhisattva   The Bodhisattva in good condition; the other two statues eroded
3 Cross-legged Bodhisattva, two Buddhas sitting by each other, Manjusri, small Buddhas on the wall Two Buddhas' face destroyed; cross-legged Bodhisattva face eroded; left Manjusri eroded  
4 Cross-legged Bodhisattva, two Buddhas sitting by each other, Manjusri, small Buddhas on the wall Two Buddhas' surface destroyed; Manjusri's upper body destroyed   
5 One Buddha, two Bodhisattva   Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
6 Eleven Buddha statues   Heads damaged 
7 Late Northern Wei to Western Wei (Year 534-557) Cross-legged Bodhisattva, two Buddhas sitting by each other Heads damaged 
8 Buddha statue   Head damaged 
9 One Buddha, two Bodhisattva   Heads damaged 
10 One Buddha, two Bodhisattva   Leg lost for the right Bodhisattva
11 One Buddha, two Bodhisattva   Face eroded  
12 One Buddha, two Bodhisattva   Heads damaged 
13 Mid Northern Wei (Year 490-512) Two Buddha statues   Heads damaged 
14 One Buddha, two Bodhisattva   Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
15 Cross-legged Bodhisattva, two Manjusri Heads damaged 
16 Late Northern Wei to Western Wei (Year 534-557) Buddha statue   Eroded
17 Buddha statue   Eroded
18 Buddha statue   Eroded
19 Two Buddha statues Faces damaged
20 Unknown   Damaged due to erosion  
21 Two Buddha statues Faces damaged
22 One Buddha, two Bodhisattva   Manjusri destroyed  
23 Cross-legged Buddha, lion head, Buddha head   Lion and Buddha heads eroded  
24 One Buddha, two Bodhisattva   Only legs remain
25 One Buddha, two Bodhisattva   Eroded  
26 Unknown   Damaged due to erosion  
27 Unknown   Damaged due to erosion  
28 Unknown   Damaged due to erosion  
29 Five Buddha statues   Partially remained
30 Unknown   Damaged due to erosion  
31 Early Northern Wei (Year 477-499) Strongman statue   Lower body covered in ground; head missing
32 Late Northern Wei (Year 512-534) One Buddha, two Bodhisattva   Heads damaged 
33 Buddha statue   Head damaged 
34 Unknown   Statue building incomplete
35 Buddha statue   Collected by the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆)
36 Buddha statue   Eroded
37 One Buddha, two Bodhisattva   Collapsed
38 Unknown Damaged due to erosion  
39 Unknown   Damaged due to erosion  
40 Unknown   Damaged due to erosion  
41 Unknown   Damaged due to erosion  

Murals

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During the mid to late Northern Wei Dynasty, murals, utilizing many colors, were used to emphasize different characters. These murals mainly included images of the Asparas, the Bodhisattva, the thousand buddhas, Buddha, and donors. These characters were often portrayed as tall and thin figures with a clear composition outline. Various shades of green were also used heavily during the Northern Wei Dynasty. Complementary and supplementary colors were used to create a total sense of harmony.

Relic destruction, protection, and relocation

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Across Chinese history, there has been looting and destruction of buddha statues, however, this was exacerbated in the late 19th and 20th centuries. During the Cultural Revolution, there was an increased belief in destroying ancient Chinese culture. For instance, the "Destroy the Four Olds" motto led to the mass destruction of antique items. After the Cultural Revolution, the Gansu government listed these caves in the Provincial Cultural Relics Protection Unit and sent caretakers to look after the caves. However, despite this protection, looting still continued to plague the area. As a result, the government decided to move three buddha statues in the best condition to the Longdong Ancient Carved Stone Art Museum (Chinese: 陇东古石刻艺术博物馆), where they are now preserved.[2]

See also

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References

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  1. ^ Zheng, Guomu; Wei, Wenbin (2011). "甘肃合水保全寺石窟调查简报". 石窟寺研究=Studies of The Cave Temples. 2. 文物出版社=Cultural Relics Publishing House.
  2. ^ a b "保全寺石窟". Silk Roads World Heritage 丝绸之路世界遗产.
  3. ^ "保全寺—张家沟门石窟". January 3, 2018. Archived from the original on October 17, 2023.
  4. ^ 国家文物局=National Cultural Heritage Administration (June 2001). 中国文物地图集: 甘肃分册 [Atlas of Chinese Cultural Relics: Gansu Book]. 测绘出版社=Surveying and Mapping Press.