Aimée-Olympe Desclée

Aimée-Olympe Desclée (born in Paris, November 16, 1836 – March 8, 1874) was a French actress, recognized for her performances in contemporary French emotional plays.[1] She acted with success in London and also performed in Belgium and Russia. She was reviewed as one of the best actresses of her time and was romantically linked to many famous artists of the day.[2]

Aimée-Olympe Desclée
Born16 November 1836
Paris, France
Died8 March 1874(1874-03-08) (aged 37)
Paris, France
CitizenshipFrance
OccupationFrench actress

Career edit

Desclée was known for her emotionally-fraught roles, notably in the plays of the younger Alexandre Dumas and contemporaries praised the new realism she brought to the passionately wayward women she portrayed.[3][4]

Personal life edit

Henry James, the American novelist, in his essay The Parisian Stage, 1872, described the actress as having "...mastery of the fine shades of expression".[5][6] A series of her love letters was published at the end of the 19th century.[7][8]

Death and burial edit

 
Burial site of Aimée-Olympe Desclée

She died at the early age of 37. Her funeral took place on March 11, 1874, at the church of Saint-Laurent in the presence of "a considerable crowd" according to Le Temps,[9] including representatives from all the Parisian theaters.

A funeral monument to her memory by Alexandre Dumas, Fromental Halévy , Meilhac and Montigny-le-Bretonneux was built on March 9, 1875. Originally, the tomb was surmounted by a bronze bust made by sculptor Albert-Ernest Carrier-Belleuse representing Desclée in the title role of Frou-Frou.[10]

In November 2006, the bust was stolen by thieves who raided the cemetery but was later recovered.[11] The bust currently resides at Los Angeles County Museum of Art, but is not on display.[12]

 
Bust of Aimée-Olympe Desclée by Albert-Ernest Carrier-Belleuse

References edit

  1. ^ Izard, Forrest (1915). Heroines of the Modern Stage. Sturgis & Walton Company. p. 137.
  2. ^ Izard, Forrest (1915). Heroines of the Modern Stage. Sturgis & Walton Company.
  3. ^ Shaffer, E. S. (1992-10-22). Comparative Criticism: Volume 14, Knowledge and Performance. Cambridge University Press. ISBN 978-0-521-43104-0.
  4. ^ Stokes, John (2005-02-17). The French Actress and Her English Audience. Cambridge University Press. ISBN 978-0-521-84300-3.
  5. ^ James, Henry (1948). The Scenic Art, Notes on Acting and the Drama. Rutgers University Press. p. 46.
  6. ^ James, Henry (1875). Transatlantic Sketches. J.R. Osgood. ISBN 978-1-4047-3365-7.
  7. ^ Duplan, Paul, ed. (1895). "Lettres de Aimée Desclée à Fanfan, avec un portrait et un fac-similé" (in French). Calmann Lévy.
  8. ^ Gibson, Robert (2005). The End of Youth: The Life and Work of Alain-Fournier. Impress Books Limited. ISBN 978-0-9547586-4-6.
  9. ^ "Le Temps". Gallica. 1874-03-12. Retrieved 2021-11-28.
  10. ^ "Portrait of the Actress Aimée-Olympe Desclée (1836-1874) - Albert-Ernest Carrier-Belleuse". Google Arts & Culture. Retrieved 2021-11-28.
  11. ^ Sisario, Compiled by Ben (2006-12-16). "Arts, Briefly". The New York Times. ISSN 0362-4331. Retrieved 2021-11-28.
  12. ^ "Portrait of the Actress Aimée-Olympe Desclée (1836-1874) | LACMA Collections". collections.lacma.org. Retrieved 2021-11-28.