|Studio album by|
|John Hartford chronology|
The music on Aereo-Plain is a blend of traditional bluegrass musicianship, and the hippie spirit of the '70s. The album sold so poorly that Warner Bros. decided to devote no promotion at all to Hartford's next release Morning Bugle. Nevertheless, Aereo-Plain has been called the forerunner of the genre now known as "Newgrass". Hartford subsequently asked to be released from his contract and later signed with Flying Fish Records.
The other members of the Aereo-Plain Band were bluegrass veterans Norman Blake, Vassar Clements, Tut Taylor, and Randy Scruggs. The sessions were controlled but relaxed, as Taylor commented, "John let us play what we wanted to play. 'Cause that's one of the beautiful parts about it—he just let us get in there and pick." Producer David Bromberg recounted, "We'd sit around and smoke pot and play "Sally Goodin" for an hour and a half. That approach kind of became, after awhile, newgrass." Hartford instructed Bromberg to "let the tapes roll, we don't want to hear playbacks until you've put the master together."
The cover features a bearded, long-haired Hartford wearing old style, aviator goggles, a distinct contrast from his previous appearance as a regular on The Glen Campbell Goodtime Hour. On the original LP, the title is spelled "Aereo-Plain" but the title of the song is labeled "Steam Powered Aereo-plane".
|Christgau's Record Guide||B+|
Aereo-Plain has received high praise in retrospective reviews. Writing for Allmusic, critic Ronnie D. Lankford, Jr. wrote "The cult following of Aereo-Plain... has less to do with the music than with Hartford's quirky songs and even quirkier approach... One of the attractions to this material is that Hartford seems to be in his element, just doing what comes natural to him... Aereo-Plain signaled the full blooming of his eccentric talent. This is an essential album for any fan, revealing both his genius and the glory days of early '70s progressive bluegrass."
Music critic Robert Christgau gave the album a B+ rating, writing "I must admit that Norman Blake's guitar, Tut Taylor's dobro, and Vassar Clements's fiddle complement Hartford with tact, wit, and sly razzmatazz. But I insist that it's Hartford's funny, quirkish songs, rather than his banjo, that save me from continued boorishness."
Stylus Magazine's 2006 review praised Hartford and the album: "It would be easy to call Aereo-Plain an 'Old Weird America' classic, but Hartford’s loves were never so static, and he seemed in on the joke besides. Shame, then, that the augurs of American music never smiled on Hartford the way he beamed on them.
All tracks composed by John Hartford; except where indicated
- "Turn Your Radio On" (Albert E. Brumley) – 1:22
- "Steamboat Whistle Blues" – 3:23
- "Back in the Goodle Days" – 3:34
- "Up on the Hill Where They Do the Boogie" – 2:43
- "Boogie" – 1:42
- "First Girl I Loved" – 4:35
- "Presbyterian Guitar" – 2:04
- "With a Vamp in the Middle" – 3:25
- "Symphony Hall Rag" – 2:48
- "Because of You" – 1:02
- "Steam Powered Aereo Plane" – 3:43
- "Holding" – 1:47
- "Tear Down The Grand Ole Opry" (Hartford, Robert Taylor) – 3:28
- "Leather Britches" (Traditional) – 1:58
- "Station Break" – 0:13
- "Turn Your Radio On" (Albert E. Brumley) – 2:16
- Lankford, Jr., Ronnie D. "Aereo-Plain > Review". Allmusic. Retrieved September 1, 2010.
- Robertson, Ray (2016). Lives of the Poets (with Guitars). Biblioasis. p. 261. ISBN 9781771960731.
- Hote, Ky. 2002. Folk & Acoustic Music Exchange review of Steam Powered Aereo-Takes.
- On Second Thought. Gaerig, Andrew. Stylus Magazine. 2007 Archived September 24, 2013, at the Wayback Machine
- Ricky Lamb. Bluegrass Classics: “Aereo-Plain” John Hartford. March 13, 2008. Accessed May 6, 2009.
- Christgau, Robert (1981). "Consumer Guide '70s: H". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved February 26, 2019 – via robertchristgau.com.
- Gaerig, Andrew (August 2006). "Aereo-Plain > Review". Stylus. Archived from the original on 2013-09-24.