Wikipedia

Adrienne McNeil Herndon

Adrienne Elizabeth McNeil Herndon (1869-1910) was an actress, professor, and activist in Atlanta, Georgia. While admittedly an African American to friends and colleagues, she performed with the stage name Anne Du Bignon. She was one of the first African American faculty at Atlanta University, where she was a peer of W. E. B. Du Bois. She was married to prominent businessman Alonzo Herndon.[1]

Adrienne Herndon
Herndon in 1891
Born
Adrienne Elizabeth McNeil

(1869-07-22)July 22, 1869
Savannah, Georgia
DiedApril 6, 1910(1910-04-06) (aged 40)
Atlanta, Georgia
Other namesAnne Du Bignon

Early life and education edit

Adrienne Elizabeth McNeil was born on July 22, 1869, in Augusta, Georgia to the unwed couple Martha Fleming and George Stevens.[2] Her mother, seventeen at the time of her birth, was a domestic servant and seamstress who had been born into slavery, while her father was a light-skinned man who abandoned the family shortly after Herndon's birth.[3] She is described by historian Rebecca Burns as "short and lithe with a lively manner and sophisticated bearing" "[w]ith her creamy skin, wavy brown hair, and dark eyes, Adrienne moved easily [...] and kept her racial background a secret".[4] She was about five feet tall.[1]

At the age of two, Herndon moved to Savannah after her mother married Archibald James McNeil and had two children with him, Jennie Olive and Willie.[3][5] She attended West Broad Street School, Savannah's first elementary school for African American children.[3] Herndon was skilled at drama and recitation at a young age, but rarely received praise at home, as her mother felt that these skills would have been more impressive if she were a boy.[5]

Herndon began attending the Normal Department of Atlanta University (now Clark Atlanta University), and paid her tuition through financial aid and money earned from a summer teaching job in Greensboro, Georgia.[3] She was a successful student, graduating in 1890 with a distinction in oratory skills, and was even invited to perform an essay and a song during the 1891 commencement ceremony.[3][6]

Musical and dramatic performances edit

In 1894, shortly after her marriage to Alonzo Herndon, Herndon traveled to Boston to study at the Boston School of Expression.[4] She would continue her studies there over the course of several summers, and completed the program in 1904, making her professional stage debut (under the name Anne Du Bignon) in a one-woman show of Antony and Cleopatra at Steinert Hall.[7] Herndon embraced her racial ambiguity, and described her background as French and Creole in the press.[3] Her performance was reviewed positively, and critic Henry Clapp of The Boston Herald even introduced her to producer David Belasco, who wrote that she would make a "fine character actress."[8]

Herndon hired an agent with the hopes of moving her career to the London theater scene, and performed two additional engagements in Lynn, Massachusetts, and Bellow Falls, Vermont, but her additional attempts to meet with Belasco failed, potentially due to the discovery of her race.[8][7][3]

Prior to beginning her teaching tenure at Atlanta University in the fall of 1895, Herndon was celebrated in a week-long bazaar in her hometown of Savannah, which included a musical performance. She also performed an ode by D.W. Davis at the Atlanta Exposition in October 1895.[3]

After the Atlanta Race Riot of 1906, in which her husband's barbershop was vandalized and two of his employees killed, Herndon and her family left Georgia and lived briefly in Philadelphia before moving to New York City in 1907. In New York, Herndon studied at the American Academy of Dramatic Arts; despite beginning in the middle of the school session, she graduated in May 1908 and earned the Belasco Gold Medal from the school.[3]

Teaching career edit

After graduating from Atlanta, Herndon spent four months teaching at the Georgia State College for Negroes (now Savannah State University), temporarily located in Athens.[3] She then returned to Atlanta to teach at Gray Street School, a elementary school for African Americans.[7] After her marriage to Alonzo Herndon in 1893, she was no longer eligible to teach at the school.

In the fall of 1895, Herndon joined the faculty of Atlanta University, making her the first African-American female faculty member.[5] Her friend, George Towns, a Harvard-educated professor of literature, joined the faculty at the same time, making them the first two African American professors at the university; two years later, they would be joined by W.E.B. Du Bois.[6][4]

At Atlanta, Herndon was "the first director of dramatics and teacher of elocution" from 1895, until her death in 1910.[9] Teaching physical exercises, voice drills, and public speaking, she transformed the practice of elocution, then a required component of the Atlanta curriculum.[3] She also incorporated breathing methods and Swedish gymnastics exercises into her courses, to "train the body as a whole and then work upon its parts" as she wrote in 1897.[3] Playwright Errol Hill has described her as a pioneer of teaching and directing Shakespeare, as she introduced the Bard's classic works to the South well before other historically black colleges did.[6] In 1904,The Voice of the Negro highlighted Herndon and her productions of The Taming of the Shrew and The Merchant of Venice, which was performed yearly by the graduating class.[6][10] Under her direction, student dramatic performances became increasingly popular. In 1900, she initiated an annual speaking contest to be held during the commencement season.[3] At Atlanta, Herndon also mentored Caroline Bond Day, who would go on to be one of the first African-American anthropologists and a faculty member at Atlanta.[11]

Activism edit

 
Herndon c. 1910

Herndon supported black suffrage. Du Bois and Adrienne Herndon were colleagues at Atlanta university.[4] In October 1904, Alonzo signed the Ontario Conference led by Du Bois.[12] Adrienne Herndon, in 1905, hosted the "Niagara Movement" organized by Du Bois.[4] She participated in Du Bois's Wheat Street Baptist Church demonstration on November 30, 1905, for the "southern movement" by joining him on the platform.[12] During the Atlanta Riots two of Alonzo's employees were attacked and killed and his barbershop was vandalized.[12][6] The Tuesday morning after the rioting, Herndon [note 1] along with Reverend Henry H. Proctor met with the city mayor and chief of police to discuss safety for victims and justice for the rioters.[12]

Beginning in 1905 Herndon also sat on the board of the Gate City Free Kindergarten Association, a social work group focused on the lack of educational services for young black children that served as the predecessor of Lugenia Burns Hope's Neighborhood Union.[13][3]

Marriage and Herndon Home edit

While studying at Atlanta, Herndon first met Alonzo Herndon, a highly successful barber for Atlanta's white elite at the time.[6] Alonzo frequently called upon her at the home of future NAACP Executive Secretary Walter White, where she was temporarily boarding, and they were married in 1893.[3][6] Herndon accepted his initial proposal on the condition that he would allow her to continue pursuing her training in drama.[8][3][7][1]

In 1897, their only son, Norris B. Herndon, was born.[14]

 
Herndon Home, designed by Adrienne, in Atlanta, Georgia

As the Herndon's became wealthier, they planned to build a home together, a mansion near Atlanta University.[15] Herndon was heavily involved in its planning, working closely with a team of black craftsmen on a Beaux Arts design that included fifteen rooms and a personalized mural of Alonzo's life.[16]

Before the Herndon Home was completed, Herndon died of Addison's disease on April 10, 1910.[note 2][17][18] In 1947, her son, Norris, a 1919 graduate of Atlanta University, established the Herndon Foundation, which maintains the house. He helped transform the house into a museum in 1973, and it was declared a U.S. National Historic Landmark in 2000.[15][17]

Notes edit

  1. ^ The source does not specify which.
  2. ^ According to the Nielson source, she died four weeks after the family moved into the home. According to the National Historic Landmark nomination, she died a week before the home was completed. Is it possible that they moved in before it was completed?

Sources edit

  1. ^ a b c Merritt, Carole (2002). The Herndons : an Atlanta family. Athens, Ga. [u.a.]: University of Georgia Press. ISBN 978-0820323091.
  2. ^ "Register of the Herndon Family Collection".
  3. ^ a b c d e f g h i j k l m n o p Henderson, Alexa Benson (2016). "The Work and Legacy of Adrienne Elizabeth McNeil Herndon at Atlanta University, 1895–1910". Phylon. 53 (1): 80–101. doi:10.2307/phylon1960.53.1.80. ISSN 0031-8906.
  4. ^ a b c d e Burns, Rebecca (2009). Rage in the Gate City: The Story of the 1906 Atlanta Race Riot (Rev. ed.). Athens, Ga.: University of Georgia Press. ISBN 978-0820333076.
  5. ^ a b c Richardson, Stephen (2018-01-01). "The Cultivation of Black Eloquence By Means of Cultural Capital and Speech Training". Senior Projects Spring 2018 – via Bard College.
  6. ^ a b c d e f g Cahill, Patricia A. (February 2020). "Adrienne Herndon's Homeplaces: Shakespeare and Black Resistance in Atlanta, c.1906". Journal of American Studies. 54 (1): 51–58. doi:10.1017/S0021875819002019. ISSN 0021-8758.
  7. ^ a b c d Henderson, Alexa Benson (1990). Atlanta Life Insurance Company: Guardian of Black Economic Dignity. Internet Archive. Tuscaloosa: University of Alabama Press. pp. 24–26. ISBN 978-0-8173-0441-6.
  8. ^ a b c Merritt, Carole (March 16, 2004). "African Americans in Atlanta: Adrienne Herndon, an Uncommon Woman". Southern Spaces. Retrieved 2024-03-15.
  9. ^ Peterson, Bernard L. (1997). The African American Theatre Directory : 1816-1960: A Comprehensive Guide to Early Black Theatre Organizations, Companies, Theatres, and Performing Groups (1 ed.). Westport: Greenwood. p. 21. ISBN 978-0313295379.
  10. ^ Hill, Errol (2003). A History of African American Theatre. Internet Archive. Cambridge; New York: Cambridge University Press. p. 257. ISBN 978-0-521-62443-5.
  11. ^ Alexander, Adele Logan (1999). Homelands and Waterways: The American Journey of the Bond Family, 1846-1926. Internet Archive. New York: Pantheon Books. p. 344. ISBN 978-0-679-44228-8.
  12. ^ a b c d Capeci, Dominic J. Jr.; Knight, Jack C. (November 1996). "Reckoning with Violence: W. E. B. Du Bois and the 1906 Atlanta Race Riot". The Journal of Southern History. 62 (4): 727. doi:10.2307/2211139. JSTOR 2211139.
  13. ^ Dorsey, Allison (2004). To Build Our Lives Together: Community Formation in Black Atlanta, 1875-1906. Internet Archive. Athens: University of Georgia Press. p. 88. ISBN 978-0-8203-2618-4.
  14. ^ Nielsen, Euell (2016-03-09). "Herndon, Norris Bumstead (1897–1977) | The Black Past: Remembered and Reclaimed". www.blackpast.org. Retrieved 20 October 2016.
  15. ^ a b Winn, Alisha (Spring 2014). "Black Entrepreneurship: Contradictions, Class, and Capitalism". Journal of Business Anthropology. 3 (1): 79–108. doi:10.22439/jba.v3i1.4315.
  16. ^ Buffington, Perry W. (1996). Archival Atlanta: Electric Street Dummies, the Great Stonehenge Explosion, Nerve Tonics, and Bovine Laws: Forgotten Facts and Well-kept Secrets from our City's Past. Internet Archive. Atlanta: Peachtree Publishers. p. 46. ISBN 978-1-56145-105-0.
  17. ^ a b Frank J. J. Miele; John Sprinkle; Patti Henry (November 1999). "National Historic Landmark Nomination: Herndon Home" (pdf). National Park Service. and Accompanying 6 photos, of Herndon and family and of exterior and interior of mansion, from c.1910, c.1915, 1998 (32 KB)
  18. ^ Kolin, Philip, ed. (2007). Contemporary African American women playwrights : a casebook. London: Routledge. ISBN 978-0415978262.

Further reading edit

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