Étude No. 7 (Villa-Lobos)

Heitor Villa-Lobos's Étude No. 7, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

Étude No. 7
Étude by Heitor Villa-Lobos
Heitor Villa-Lobos
KeyE major
CatalogueW235
Composed1928 (1928): Paris
DedicationAndrés Segovia
Published1953 (1953): Paris
PublisherMax Eschig
Recorded27 June 1952 (1952-06-27) Andrés Segovia (issued on An Andrés Segovia Concert, 1 disc, 33⅓ rpm, 12 inch, monaural. Brunswick AXTL 1010. England: Brunswick Records; Decca (Gold Label Series) DL 9638, New York: Decca Records.
Duration2–4 mins.
Movements1
Scoring
  • guitar
Premiere
Date5 March 1947 (1947-03-05):
LocationWellesley College, Wellesley, Massachusetts
PerformersAndrés Segovia, guitar

History

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The first public performance of this étude (together with those of Études 1 and 8) was given by Andrés Segovia on 5 March 1947 at Wellesley College in Wellesley, Massachusetts..[1]

Structure

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The piece is in E major and is marked Très animé.[2]

Analysis

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Étude No. 7 is a study, first in rapid scales, then a section of arpeggios supporting a lyrical melody played entirely on the first string, and a return to the scales, creating a ternary (ABA) form.[3]

References

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  1. ^ Villa-Lobos, sua obra 2009, p. 152.
  2. ^ Santos 1985, p. 27.
  3. ^ Santos 1985, pp. loc=27–28.

Cited sources

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  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.
  • Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989.

Further reading

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  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).