Talk:Sanford Robinson Gifford

Indentation

What, if anything, is the significance of the indentations in the Other paintings section? - Jmabel | Talk 03:23, 13 December 2011 (UTC)

Disputed first line

Disputed first line in the article...

"Robert Swain Gifford, a distant cousin of the noted landscapist Sanford R. Gifford..."

Carnegie Museum of Art http://www.cmoa.org/searchcollections/details.aspx?item=1000162 — Preceding unsigned comment added by 75.144.5.121 (talk) 04:35, 12 June 2012 (UTC)

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Major paintings and related works

Key:
Chief pictures
Major works
Related works

Europe

Cat. No.	Title	Image	Date	Collection	Medium	Dimensions	Notes	Sources
	A Sketch of Lago Maggiore		no date	private collection	oil on canvas	21.0 x 39.4 cm 6 x 10 in	Shannon Auctions, Milford, CT, May 2, 2019, Lot 20
MC 170	Sketch of Lago Maggiore		1854	Loeb Art Center, Vassar College, Poughkeepsie, New York	oil on canvas	14.6 x 26 cm 5 3/4 x 10 1/4 in
	Lake Maggiore, Italy		1858	New-York Historical Society, Manhattan, New York City	oil on canvas	45.1 × 76.2 cm 17 3/4 x 30 in	Exhibited at the National Academy of Design, 1858
MC 65	Sketch of Windsor Castle		July 11, 1855	Rhode Island School of Design Museum, Providence, Rhode Island	oil on wood mounted on canvas	11.4 x 18.4 cm 4.4 x 7.2 in
	Study of Winsor Castle		circa 1855	private collection	oil on canvas	15.2 × 20 cm 5.9 × 7.8 in
MC 177	Windsor Castle		circa 1859	Smith Art Museum, Springfield, Massachusetts	oil on canvas	25.4 x 50.8 cm 10 x 20 in
	Windsor Castle at Sunrise, a Study		circa 1860	private collection	oil on canvas	17.8 x 29.2 cm 7 x 11 1/2 in	Christie's Auction, New York, November 20, 2019, Lot 200
MC 241	Windsor Castle		1860	De Young Museum, San Francisco, California	oil on canvas	45.7 x 76.2 cm 18 x 30 in
MC 76	A Sketch of Derwentwater		September 9, 1855	private collection	oil on paper mounted on canvas	17.8 x 25.4 cm 7 x 10 in
MC 272	Derwentwater, a Sketch		1862	private collection		21.6 x 39.4 cm 8 1/2 x 15 1/2 in	Sotheby Parke Bernet, New York, May 30, 1985, Lot 17
MC 119	A Study of Derwentwater				oil on canvas	26.6 x 50.8 cm 10.5 x 20 in	Sotheby Parke Bernet, New York, May 1990, Lot
MC 87	Derwentwater		January 1856	Brooklyn Museum, Brooklyn, New York City	oil on canvas	44.8 x 64.8 cm 17.6 x 25.5 in	Exhibited at the National Academy of Design, 1858
MC 80	A Sketch of Stratford Church		1855			20.3 x 35.6 cm 8 x 14 in	Exhibited at the National Academy of Design, 1857
MC 169	The Shrine of Shakespeare - The Church at Stratford		1859	Loeb Art Center, Vassar College, Poughkeepsie, New York	oil on canvas	22.86 x 39.37 cm 9 x 15 1/2 in
MC 98	La Riviera di Ponente, Genoa		September 1, 1856	private collection		23.5 x 35.6 cm 9 1/4 x 14 in
MC 108	La Riviera di Ponente, near Genoa		January 1857	unlocated		50.8 x 76.2 cm 20 x 30 in	Exhibited at the National Academy of Design, 1858 Sotheby's Auction, New York, April 29, 1976, Lot 29
MC 101	Sketch of Lake Nemi		October 21, 1856	ex-collection: Jo Ann & Julian Ganz, Jr.	oil on canvas	26.4 x 36.2 cm 10 3/8 x 14 1/4 in
MC 107	Lake Nemi		1857	Toledo Museum of Art, Toledo, Ohio	oil on canvas	101.8 x 153.3 cm 39 5/8 x 60 3/8 in	Exhibited at the National Academy of Design, 1858
MC 115?	Sketch of Lago di Nemi		1857	private collection	oil on canvas	34.5 x 52.2 cm 13 1/2 x 20 1/2 in	Possibly the April 17, 1857 oil sketch painted for a friend. Skinner Auctions, Boston, January 24, 2020, Lot 230
	Lake of Como, Italy		1856-1857		oil on canvas	18.4 x 26.7 cm 7 1/4 x 10 1/2 in
MC 283	Lago di Como		by 1862			40.6 x 76.2 cm 16 x 30 in
MC 287	Lago di Como, a Study		by 1863			22.9 x 38.1 cm 9 x 15 in
MC 162	Lago di Como		1859			26.7 x 50.8 cm 10 1/2 x 20 in
	Lake Como					76.2 x 101.6 cm 30 x 40 in	Exhibited at the National Academy of Design, 1859
MC 111	A Sketch of Villa Malta		February 14, 1857			7.6 x 19.1 cm 3 x 7 1/2 in
MC 683	Villa Malta, a Study		1878			27.9 x 61 cm 11 x 24 in
MC 711	Villa Malta, Rome		1879	Smithsonian American Art Museum, Washington, D.C.	oil on canvas	33.6 x 69.5 cm 13.2 x 27.3 in	Exhibited at the National Academy of Design, 1879
MC 112	A Sketch of Torre degli Schiavi		April 20, 1857			25.4 x 35.6 cm 10 x 14 in
MC 261	Torre dei Schiavi, Roman Campagna		1862	Currier Museum of Art, Manchester, New Hampshire	oil on canvas	21.59 cm x 40.01 cm 8 1/2 x 15 3/4 in
MC 262	Torre dei Schiavi, Roman Campagna		1862	unlocated		38.1 x 76.2 cm 15 x 30 in	Exhibited at the National Academy of Design, 1862
	Sketch of Marina Grande, Capri		1857	private collection	oil on canvas	12.4 x 12.4 cm 4 7/8 x 4 7/8 in	Exhibited at Michael Altman Fine Art, New York, 2012
MC 113?	Mount Vesuvius from Marina Grande, Capri		June 20, 1857	Museum of Fine Arts, Boston, Massachusetts	oil on paper mounted on canvas	23.1 x 35.5 cm 9.1 x 14 in
	The Roman Campagna		1859	Loeb Art Center, Vassar College, Poughkeepsie, New York	oil on canvas	15.2 x 25.7 cm 6 x 10 1/8 in
	The Roman Campagna				oil	27.9 x 51.4 cm 11 x 20 1/4 in
MC 90?	Sketch of Castle of Chillon				oil on paper mounted on canvas	16.5 x 24.1 cm 6 1/2 x 9 1/2 in
MC 179	The Castle of Chillon		1859	Charles Hosmer Morse Museum of American Art, Winter Park, Florida	oil on canvas	30.5 x 50.8 cm 12 x 20 in
MC 260?	Castle of Chillon, a Sketch		1861	Questroyal Fine Art, New York City	oil on board	18.1 x 30.8 cm 7 1/8 x 12 1/8 in	Sotheby's Auction, New York, December 5, 1985, Lot 5 Exhibited at Michael Altman Fine Art, New York, 2012
MC 547	Lake Geneva and the Castle of Chillon		1870	private collection	oil on canvas	33 x 63.5 cm 13 x 25 in	Commissioned by Christie's Auction, New York, December 1989, Lot
MC 635	Lake Geneva On the Lake of Geneva, near Villeneuve, with the Alps		1875	Rhode Island School of Design Museum, Providence, Rhode Island	oil on canvas	55.2 x 101.6 cm 21 11/16 x 40 in	Highest Award: 1876 Centennial Exposition, Philadelphia
MC 207	Schloss Rheinstein		1860			38.1 x 43.2 cm 15 x 17 in
MC 174	Schloss Rheinstein		undated			45.7 x 38.1 cm 18 x 15
MC 586	Schloss Rheinstein		1872	Kemper Art Museum, Washington University, St. Louis, Missouri	oil on canvas	79.7 x 69.2 cm 31 3/8 x 27 1/4 in	Exhibited at the National Academy of Design, 1873	252}
MC 229	A Sunset at Capri		undated			24.1 x 39.4 cm 9 1/2 x 15 1/2 in
MC 230	La Marina Grande, Capri		1861	Lorenzo State Historic Site, Cazenovia, New York	oil on canvas	31.8 x 57.2 cm 12 1/2 x 22 1/2	Exhibited at the National Academy of Design, 1861
MC 342	Lago di Garda, Italy		1863	ex-collection Jo Ann & Julian Ganz, Jr.	oil on canvas	27 x 42.5 cm 10 5/8 x 16 3/4 in
MC 291	Riva - Lago di Garda		1863	private collection	oil on canvas	45.7 x 81.3 cm 18 x 32 in	Sotheby's Auction, New York, December 3, 2008, Lot 13
MC 519	On the Pincian Hill, a Sketch		undated			8.9 x 15.2 cm 3 1/2 x 6 in
MC 413	Saint Peter's from Pincian Hill Twilight on the Pincian Hill		1865	Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania	oil on canvas	24.9 x 39.5 cm 9 13/16 x 15 9/16 in
MC 582	Sketch of Monte Ferro - Lago Maggiore		July 30, 1868	private collection	oil on canvas	20.3 x 33.7 cm 8 x 13 1/4 in
MC 569	Monte Ferro from Lago Maggiore		1871			33 x 61 cm 13 x 24 in
MC 570	Monte Ferro from Lago Maggiore		1871	Picker Art Gallery, Colgate University, Hamilton, New York	oil on canvas	55.9 x 101.6 cm 22 x 40 in	Exhibited at the 1876 Centennial Exposition, Philadelphia
MC 508	Isola Bella in Lago Maggiore, a Sketch		August 4, 1868		oil on paper mounted on canvas	20.3 x 34.3 cm 8 x 13 1/2 in
MC 566	Study of Sunset over Lago Maggiore			unlocated		33 x 61 cm 13 x 24 in
MC 571	Isola Bella in Lago Maggiore		1871	Metropolitan Museum of Art, Manhattan, New York City	oil on canvas	51.4 x 91.4 cm 20.2 x 35.9 in
MC 506	Sketch of Stelvio Road, Como		August 6, 1868	Thyssen-Bornemisza Museum, Madrid, Spain	oil on canvas	25.1 x 20.6 9 7/8 x 8 1/8 in
MC 563	Galleries of the Stelvio - Lake Como		1871	private collection	oil on canvas	63.5 x 50.8 cm 25 x 20 in	Exhibited at the Artists' Fund Society of New York, 1871 Auctioned at Sotheby's, New York, May 19, 2004, Lot 78
MC 691	Galleries of the Stelvio - Lake Como		1878	Munson-Williams-Proctor Art Institute, Utica, New York	oil on canvas	77.5 x 62.2 cm 30 1/2 x 24 1/2 in
MC 511	The Road by the Sea, a Sketch		September 16, 1868			20.3 x 38.1 cm 8 x 15 in
MC 603	The Road by the Sea, near Palermo, a Study		1873		oil on canvas	20.6 x 38.4 cm 8 1/8 x 15 1/8	ex-collection: Metropolitan Museum of Art private collection
MC 619	Near Palermo		1874	Thyssen-Bornemisza Museum, Madrid, Spain	oil on canvas	40 x 75 cm 15 1/2 x 29 1/2 in	Exhibited at the National Academy of Design, 1876
MC 512	A Sketch of the Arch of Nero at Tivoli, from the East		October 12, 1868			20.3 x 34.3 cm 8 x 13 1/2 in
MC 513	Sketch of the Arch of Nero at Tivoli, from the East		October 13, 1868			24.1 x 20.3 cm 9 1/2 x 8
MC 514	Sketch of the Arch of Nero at Tivoli, from the West		October 13, 1868	private collection	oil on canvas	20.3 x 34 cm 8 x 13 3/8 in	Bonham's Auction, New York, November 22, 2016, Lot 19
MC 688	Arch of Nero at Tivoli		circa 1871	private collection	oil on canvas	46.6 x 41.1 cm 18 3/8 by 16 1/8 in	Sotheby's Auction, New York, October 6, 2021, Lot 22
MC 572	The Arch of Nero - Tivoli		1871	Walters Art Museum, Baltimore, Maryland	oil on canvas	114.5 x 102 cm 45 1/16 x 40 3/16 in
MC 670	Palanza, Lago Maggiore		1868?			17.8 x 33 cm 7 x 13 in
MC 543	Palanza, Lago Maggiore		1869	private collection		50.8 x 91.4 cm 20 x 36 in	Exhibited at the National Academy of Design, 1874 Highest Award: 1876 Centennial Exposition, Philadelphia
	Sketch of Venice		circa 1869	private collection	oil on canvas	21.0 x 39.4 cm 8 1/4 x 15 1/2 in	Heritage Auctions, Dallas, November 15, 2015, Lot 68076
MC 541	The Lagoons of Venice		1869	March-Billings-Rockefeller National Historical Park, Woodstock, Vermont	oil on canvas	28 x 61 cm 11 x 24 in
MC 533	The Column of Saint Mark, a Study					20.3 x 16.5 cm 8 x 6 1/2 in
MC 549?	The Column of Saint Mark		1869	private collection	oil on canvas	66.0 x 55.9 cm 26 x 22 in	Exhibited at the National Academy of Design, 1871 Exhibited at Michael Altman Fine Art, New York, 2012
MC 540	Fishing Boats Entering the Harbor of Brindisi, a Sketch		June 1869			20.3 x 34.3 cm 8 x 13 1/2 in
MC 583	Brindisi Harbor		circa 1872		oil on canvas	33 x 61 cm 13 x 24 in	Illustrated in The Magazine Antiques, May 1967, p. 648.
	Fishing Boats Coming into the Harbor of Brindisi		1874			20.3 x 38.1 cm 8 x 15 in	Illustrated in The Magazine Antiques, January 1987, p. 173.
MC 634	Fishing-Boats Coming into Harbor of Brindisi		1874			53.3 x 101.6 cm 21 x 40 in	Exhibited at the Metropolitan Museum of Art, 1876 Sold for $1,575, at the December 1876 auction of John Taylor Johnston's art collection
MC 638	Fishing-Boats Entering Brindisi Harbor		April 24, 1875			20.3 x 40.6 cm 8 x 16 in
MC 539?	Sketch of Venetian Fishing Boats		June 1869	private collection	oil on canvas	18.4 x 31.1 cm 7 1/4 x 12 1/4 in	Sotheby's Auctions, New York, November 13, 2017, Lot 21
MC 548	Venetian Fishing Boats, a Study		1870			33 x 61 cm 13 x 24 in
MC 568	A Sketch of the Lagoons of Venice		circa 1870			15.2 x 30.5 cm 6 x 12 in
MC 605	Venetian Sails, A Study		1873	Kemper Art Museum, Washington University, St. Louis, Missouri	oil on canvas	34 x 61 cm 13 x 24 in
MC 606	Venice (Venetian Sails)		1873	unlocated	oil on canvas	68 x 122 cm 26 x 48 in	Twice the scale of Venetian Sails, A Study Painted for John Jacob Astor Exhibited at the National Academy of Design, 1874
MC 532	Santa Maria della Salute in Venice, a Sketch		June 12, 1869			15.2 x 30.5 cm 6 x 12 in
MC 565	Santa Maria della Salute, Venice, a Study		1870			33 x 61 cm 13 x 24 in
MC 564	Church of Santa Maria della Salute, Venice		1870			66 x 177.8 cm 26 x 70 in	Exhibited at the National Academy of Design, 1872 Exhibited at the 1876 Centennial Exposition, Philadelphia
MC 550	Falls of Tivoli, a Study		1869	private collection	oil on canvas	17.8 x 33 cm 7 x 13 in	Exhibited at the Pennsylvania Academy of the Fine Arts, Philadelphia, 1976
MC 545	Tivoli, a Study		undated			25.4 x 48.3 cm 10 x 19 in
MC 546	Tivoli		1870	Metropolitan Museum of Art, Manhattan, New York City	oil on canvas	67 × 128 cm 26 × 50 in	Commissioned by Robert Gordon Exhibited at the National Academy of Design, 1870 Highest Award: 1876 Centennial Exposition, Philadelphia
	Falls of Tivoli		1872	private collection
MC 552	Fishing-Boats of the Adriatic		1870			26 x 50 in	Exhibited at the National Academy of Design, 1871
MC 584	Fishing-Boats of the Adriatic		1872			9 x 20 in
	Fishing Boats of the Adriatic						Highest Award: 1876 Centennial Exposition, Philadelphia
MC 551	The Church of San Giorgio, Venice		1870			17.8 x 33 cm 7 x 13 in
MC 633	Venice, San Giorgio Maggiore		1870	Loeb Art Center, Vassar College, Poughkeepsie, New York	oil on canvas	33 x 60.7 cm 13 x 23 7/8 in
MC 604	A Study of the Church of San Giorgio, Venice		1875	unlocated ex-collection: Yale University		20.3 x 38.1 cm 8 x 15 in
MC 544	Church of San Giorgio		1870	unlocated ex-collection Richard Butler		66 x 132.1 cm 26 x 52 in	Exhibited at the National Academy of Design, 1870 Highest Award: 1876 Centennial Exposition, Philadelphia Exhibited at the 1878 Paris Salon
MC 640	The Grand Canal in Venice		1874		oil on canvas	55.9 x 101.6 cm 22 x 40 in
	Fishing Boats, Lagoon at Venice		by 1878	unlocated	oil on canvas	35.6 x 61 cm 14 x 24 in
MC 686?	Sketch for A Venetian Twilight		1878	private collection	oil on canvas	22.9 x 40.6 cm 9 x 16 in	Exhibited at Michael Altman Fine Art, New York, 2012
MC 687	A Venetian Twilight		1878	private collection	oil on canvas	59.7 x 106.7 cm 23 1/2 x 42 in	Exhibited at the National Academy of Design, 1878 Exhibited at Michael Altman Fine Art, New York, 2012
MC 505	Sketch of the Peak of the Matterhorn		circa 1868	unlocated		28 x 20.3 cm 11 x 8 in
MC 642	The Matterhorn at Sunrise, a Study		circa 1875	unlocated
MC 701	The Peak of the Matterhorn at Sunrise, a Study		undated			55.9 x 40.6 cm 22 x 16 in
MC 702	The Matterhorn at Sunrise		1879	private collection	oil on canvas	101.6 x 71.1 cm 40 x 28 in	Exhibited at the National Academy of Design, 1880 Purchased by George C. Clark for $950 at the April 1881 posthumous auction of Gifford's paintings
MC 529	Study of the Parthenon		May 10, 1869	Middlebury College Museum of Art, Middlebury, Vermont	oil on canvas	6 5/8 × 11 5/8 in	Swan Auction Gallery, New York, June 9, 2016, Lot 3
MC 530	Sketch for Ruins of the Parthenon		May 1869	private collection	oil on canvas mounted on board	8.9 x 15.9 cm 3 1/2 x 6 1/4 in	Brunk Auctions, Asheville, NC, September 11, 2021, Lot 937
MC 693	The Ruins of the Parthenon		1878			20.3 x 38.1 cm 8 x 15 in
MC 725	Ruins of the Parthenon, a Study		no date	The Century Association, Manhattan, New York City	oil on canvas	47 x 87 cm 18 1/2 x 34 1/4 in
MC 726	Ruins of the Parthenon		1880	National Gallery of Art, Washington, D.C.	oil on canvas	69.53 × 132.72 cm 27 3/8 × 52 1/4 in	Exhibited at the National Academy of Design, 1880 Purchased for the Corcoran Gallery of Art for $5,100 at the April 1881 posthumous auction of Gifford's paintings Auction record for the artist (1881)
	Venice			unlocated			Owned by Frederick Ferris Thompson, 1882
MC 728	Venice		1880	unlocated		61 x 116.8cm 24 x 46 in
MC 729	Venice		1880	unlocated		20.3 x 38.1 cm 8 x 15 in	Exhibited at the Brooklyn Art Association, 1880
MC 730	Venice: The White Winged City, a Study in Black and White		February 1880	unlocated	grisaille	21.6 x 39.4 cm 8 1/2 x 15 1/2	Owned by Miss Edith Butler, 1880 Painted in black and white, to be copied as an engraving. The engraving was published in The Poetical Works of Henry Wadsworth Longfellow, Volume 2 (Boston: Houghton Mifflin, 1881), opposite page 830.
MC 731	Venice		June 1880	unlocated

@BrownHairedGirl, Randy Kryn, Vexations, Ser Amantio di Nicolao, Lockley, Carptrash, Beyond My Ken, Jon Kolbert, Swliv, AlexGWU, JohnJHenderson, Modernist, and Tom.Reding:

Does this work?

Hey, folks. I'm trying to figure out how to list Gifford's "Chief Pictures" and other works, along with the oil sketches and studies on which they were based. The major works were often painted a decade or more after the sketches and studies, so simply listing them chronologically would separate them. And Gifford's major European and Middle Eastern works were painted back in his studio in NYC, so chronologically would mix them in with contemporaneous American works. The best solution I've come up with is to break the complete works into four categories -- European; Middle East; United States; Civil War -- with a separate table for each. Above is an example of how the European table would work.
I'd appreciate your comments about whether this is the best way to proceed, and whether I've missed anything. I won't make major changes to the article until we reach some sort of consensus.
Thank you. == BoringHistoryGuy (talk) 14:21, 24 November 2021 (UTC)

Would it be less confusing to make this ONLY a table of Gifford's "Chief Pictures" and related works? == BoringHistoryGuy (talk) 15:02, 24 November 2021 (UTC)

References