Portal:Visual arts
THE VISUAL ARTS PORTALVisual arts are a class of art forms focusing on the creation of works which are primarily visual in nature, such as painting, drawing, illustration, architecture, photography, graphic design, printmaking, and filmmaking. Those that involve moulding or modeling, such as sculpture, public art, and ceramics, are more narrowly referred to as plastic arts. The visual arts are distinguished from the performing arts, language arts, culinary arts and other such classes of artwork, but those boundaries are not well defined. Many artistic endeavors combine aspects of visual arts with one or more non-visual art forms, such as music or spoken word. The current use of the phrase "visual arts" includes fine arts as well as crafts, but this was not always the case. Prior to the Arts and Crafts movement in Britain and elsewhere at the turn of the 20th century, "visual artist" referred to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art disciplines. The scope of study and appreciation of visual arts spans the globe, and reaches through time back to people drawing on stone walls. All societies have embellished their tools and toys with more visual interest than is functionally necessary.
Ukiyo-e, "pictures of the floating world", is a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, the theatre and pleasure quarters. It is illustrated here by Hokusai's Red Fuji from his Thirty-six Views of Mt. Fuji series.
Adolfo Farsari (11 February 1841 – 7 February 1898) was an Italian photographer based in Yokohama, Japan. Following a brief military career, including service in the American Civil War, he became a successful entrepreneur and commercial photographer. His photographic work was highly regarded, particularly his hand-coloured portraits and landscapes, which he sold mostly to foreign residents and visitors to the country. Farsari's images were widely distributed, presented or mentioned in books and periodicals, and sometimes recreated by artists in other media; they shaped foreign perceptions of the people and places of Japan and to some degree affected how Japanese saw themselves and their country. His studio – the last notable foreign-owned studio in Japan – was one of the country's largest and most prolific commercial photographic firms. Largely due to Farsari's exacting technical standards and his entrepreneurial abilities it had a significant influence on the development of photography in Japan.
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