Tatyana Fazlalizadeh (born 1985)[1] is an American artist, activist, and freelance illustrator. She is best known as the creator of the campaign and art exhibition Stop Telling Women to Smile.[2][3][4][5][6]

Tatyana Fazlalizadeh
Born
NationalityAmerican
EducationUniversity of the Arts
Known forIllustrator, painting, public art
Websitetlynnfaz.com

Biography

edit

Fazlalizadeh was born in Oklahoma City, Oklahoma.[7] Her mother was an artist and art teacher, but Tatyana did not begin creating her own art until she was in high school.[8] She moved to Philadelphia to attend the University of the Arts, graduating in 2007 with a Bachelor of Fine Arts.[9] She is of black and Iranian descent.[2]

Career

edit

Style and work

edit

Fazlalizadeh is primarily an oil painter.[10] Her work featuring Barack Obama was included in the book Art For Obama: Designing Manifest Hope and the Campaign for Change, which was edited by artist Shepard Fairey.[11] She is most well known for her Stop Telling Women to Smile campaign.[2]

In addition to her work as an oil painter, Fazlalizadeh works as a street artist. Most of her public works are posters, like the ones found in the Stop Telling Women to Smile campaign. Much of Fazlalizadeh's public works are designed to be ephemeral because of the way they are applied to the surface with wheatpaste, weather and time cause the posters to fall apart. Given that her works are in the public domain and often have confrontational subject matter, they are often vandalized.[12]

Stop Telling Women to Smile

edit

In 2012 Fazlalizadeh gained notoriety when she began to use street art to speak out against the street harassment of women. Her poster campaign, Stop Telling Women to Smile (STWTS), was based upon interviews conducted with women about their experiences of public sexual harassment. Each poster features a portrait of a woman, along with a caption responding to her experience.[2][13][14][15][16][17][18][19][20] Captions include statements such as "My outfit is not an invitation" and "No, you can't talk to me for a minute."[21] The campaign offers women an opportunity to fight back against their harassers.[10]

The original Stop Telling Me to Smile posters were displayed in Fazlalizadeh's neighborhood in Brooklyn, New York City. Fazlalizadeh subsequently ran a successful Kickstarter campaign to bring Stop Telling Women to Smile posters to other cities across the United States.[13]

In 2015, Fazlalizadeh took the project to Mexico. In April 2015 Fazlalizadeh created "International Wheat Pasting Day" as another continuation of the Stop Telling Women to Smile campaign. As a part of this event, participants, in groups of three, went out on April 17, 2015 with images received from Fazlalizadeh to paste works all over the world in various languages. Participants were also able to upload their plans and accomplishments to the STWTS website. Through this project Fazlalizadeh aims to have her work and message reach a larger audience and to engage her supporters in her practice.[22]

Published in 2020, Stop Telling Women to Smile: Stories of Street Harassment and How We're Taking Back Our Power, documents Fazlalizadeh's street art project. The book includes excerpts from the original interviews and images from STWTS, revealing Fazlalizadeh's process and providing a "contribution to the important conversation about endemic sexism."[23]

Recent work

edit

In response to the 2016 United States presidential election, Fazlalizadeh wanted to make a work in her home and historically Republican Party state of Oklahoma. The text on the piece includes, "America is black. It is Native. It wears hijab. It is Spanish speaking tongue. It is migrant. It is a woman. Has been here. And it's not going anywhere." In this piece the location of the piece in Oklahoma is just as important as the overall concept to Fazlalizadeh, according to her, because of its political history.[12] Fazlalizadeh's work appears in the Netflix TV series She's Gotta Have It.[24]

In 2018 Fazlalizadeh was a participating artist in Round 48: "Beyond Social Practice" at Project Row Houses in Houston. Her installation "The Personal as Political" incorporated the stories of people who identify as Black, queer, and/or women to create political art.[25][26]

In 2020, Fazlalizadeh created a mural series in New York City featuring portraits of Breonna Taylor, Atatiana Jefferson, Tony McDade, and Nina Pop as part of her work addressing racial and transphobic violence.[27][28]

References

edit
  1. ^ "Tatyana Fazlalizadeh". Artspace. Archived from the original on 24 June 2021. Retrieved 17 June 2021.
  2. ^ a b c d Lee, Felicia R. (9 April 2014). "An Artist Demands Civility on the Street With Grit and Buckets of Paste". The New York Times. Archived from the original on 4 September 2014. Retrieved 25 June 2024.
  3. ^ "Creative Ambassadors - Tatyana Fazlalizadeh". Philly 360. Archived from the original on 24 March 2013. Retrieved 29 March 2015.
  4. ^ Rowan, Tommy (29 May 2013). "South Philly mural honors The Roots". Metro. Archived from the original on 1 May 2014. Retrieved 16 June 2013.
  5. ^ Hua, Vee (19 January 2009). "Tatyana Fazlalizadeh Reveals Her New Obama Illustration". Redefine. Archived from the original on 19 June 2013. Retrieved 29 March 2015.
  6. ^ "The Roots Mural Project - Tatyana Fazlalizadeh Exhibition". City of Philadelphia - Mural Arts Program. April 2012. Archived from the original on 9 December 2015. Retrieved 29 March 2015.
  7. ^ "Stop Telling Women to Smile artist returns to Oklahoma". Oklahoma Contemporary (Press release). 5 February 2019. Archived from the original on 25 September 2023. Retrieved 8 November 2020.
  8. ^ Peterson, Latoya (31 March 2015). "Taking Space: Tatyana Fazlalizadeh on Street Art". Fusion.net. Archived from the original on 3 September 2016. Retrieved 13 April 2015.
  9. ^ "Stop Telling Women to Smile: About". Stop Telling Women to Smile. 22 March 2013. Archived from the original on 13 December 2018. Retrieved 13 April 2015 – via Tumblr.
  10. ^ a b Alvarez, Ana Cecilia (1 August 2013). "Hey Stranger, Stop Telling Me To Smile". The Daily Beast. Archived from the original on 2 May 2014. Retrieved 2 May 2014.
  11. ^ "Events Calendar - Leeway Foundation". Leeway Foundation. Retrieved 29 March 2015.
  12. ^ a b Frank, Priscilla (29 November 2016). "Street Artist Delivers Powerful Message To White America". The Huffington Post. Archived from the original on 3 March 2024. Retrieved 19 April 2017.
  13. ^ a b Little, Anita (2013). "If these walls could talk". Ms. Magazine (Fall): 16.
  14. ^ Nessen, Stephen (15 June 2013). "Fighting Unwanted Cat Calls, One Poster At A Time". NPR. Archived from the original on 9 December 2022. Retrieved 29 March 2015.
  15. ^ Pugachevsky, Julia (4 March 2013). "Tatyana Fazlalizadeh's Provocative Anti-Street Harassment Posters". Flavorwire. Archived from the original on 26 June 2024. Retrieved 29 March 2015.
  16. ^ Schulten, Katherine (5 March 2013). "Is It O.K. for Men and Boys to Comment on Women and Girls on the Street?". The Learning Network - The New York Times. Archived from the original on 10 February 2015. Retrieved 25 June 2024.
  17. ^ "Fresthetic Video: Tatyana Fazlalizadeh Artist Talk". Arts Observer. 11 April 2013. Archived from the original on 22 September 2023. Retrieved 29 March 2015.
  18. ^ Park, Su Sie (10 March 2013). "Artist plasters Brooklyn in anti-street harassment posters". Washington Square News. Archived from the original on 30 July 2021. Retrieved 29 March 2015.
  19. ^ Adams, Chanelle (27 March 2013). "Featured Artist: Tatyana Fazlalizadeh". Bluestockings Magazine. Archived from the original on 10 February 2015. Retrieved 29 March 2015.
  20. ^ Goldberg, Eleanor (28 March 2013). "New York Street Art Project Aims To Put An End To Street Harassment". The Huffington Post. Archived from the original on 26 June 2024. Retrieved 29 March 2015.
  21. ^ Liss-Schultz, Nina (27 November 2013). "Meet the woman who waged an artistic war against her street harassers". Mother Jones. Archived from the original on 27 September 2023. Retrieved 25 June 2024.
  22. ^ Brooks, Katherine (6 December 2017) [13 April 2015]. "This International Public Art Event Asks Us All To Confront Catcallers". The Huffington Post. Archived from the original on 30 April 2023. Retrieved 19 April 2017.
  23. ^ "Book Review: Stop Telling Women to Smile". Kirkus Reviews. 17 November 2019. Archived from the original on 22 March 2023. Retrieved 25 February 2020.
  24. ^ Blake, Meredith (18 November 2017). "'I am inherently politicized': DeWanda Wise on becoming Spike Lee's millennial Nola Darling". Los Angeles Times. Archived from the original on 10 March 2024. Retrieved 21 December 2017.
  25. ^ Torres, Nataly (1 October 2018). "Project Row Houses Presents Round 48: Beyond Social Practice". Project Row Houses. Archived from the original on 18 April 2024. Retrieved 25 June 2024.
  26. ^ "Round 48". Project Row Houses. 2019. Archived from the original on 26 February 2023. Retrieved 25 June 2024.
  27. ^ Kim, Mina (7 August 2020). "Artist Tatyana Fazlalizadeh on the Power of Street Art as Protest". KQED. Archived from the original on 29 May 2024. Retrieved 11 August 2020.
  28. ^ "Tatyana Fazlalizadeh, wheat paste installation, 2020". The Greene Space. Archived from the original on 22 February 2024. Retrieved 11 August 2020.
edit