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Literary magazine

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A literary magazine is a periodical devoted to literature in a broad sense. Literary magazines usually publish short stories, poetry, and essays, along with literary criticism, book reviews, biographical profiles of authors, interviews and letters. Literary magazines are often called literary journals, or little magazines, terms intended to contrast them with larger, commercial magazines.[1]

Contents

HistoryEdit

Nouvelles de la république des lettres is regarded as the first literary magazine; it was established by Pierre Bayle in France in 1684.[2] Literary magazines became common in the early part of the 19th century, mirroring an overall rise in the number of books, magazines, and scholarly journals being published at that time. In Great Britain, critics Francis Jeffrey, Henry Brougham and Sydney Smith founded the Edinburgh Review in 1802. Other British reviews of this period included the Westminster Review (1824), The Spectator (1828), and Athenaeum (1828). In the United States, early journals included the Philadelphia Literary Magazine (1803–08), the Monthly Anthology (1803–11), which became the North American Review, the Yale Review (founded in 1819), The Knickerbocker (1833–1865), Dial (1840–44) and the New Orleans-based De Bow's Review (1846–80). Several prominent literary magazines were published in Charleston, South Carolina, including The Southern Review (1828–32) and Russell's Magazine (1857–60).[3]

The North American Review, founded in 1815, is the oldest American literary magazine. However, it had its publication suspended during World War II, and the Yale Review (founded in 1819) did not; thus the Yale journal is the oldest literary magazine in continuous publication. Begun in 1889, Poet Lore is considered the oldest journal dedicated to poetry.[4] By the end of the century, literary magazines had become an important feature of intellectual life in many parts of the world.

Among the literary magazines that began in the early part of the 20th century is Poetry magazine. Founded in 1912, it published T. S. Eliot's first poem, "The Love Song of J. Alfred Prufrock." Other important early-20th century literary magazines include The Times Literary Supplement (1902), Southwest Review (1915), Virginia Quarterly Review (1925), Southern Review (1935), and New Letters (1935). The Sewanee Review, although founded in 1892, achieved prominence largely thanks to Allen Tate, who became editor in 1944.[5]

Two of the most influential—though radically different—journals of the last-half of the 20th century were The Kenyon Review (KR) and the Partisan Review. The Kenyon Review, edited by John Crowe Ransom, espoused the so-called New Criticism. Its platform was avowedly unpolitical. Although Ransom came from the South and published authors from that region, KR also published many New York-based and international authors. The Partisan Review was first associated with the American Communist Party and the John Reed Club, however, it soon broke ranks with the party. Nevertheless, politics remained central to its character, while it also published significant literature and criticism.

 
The cover of Tin House, a literary magazine published in Portland, Oregon.

The middle-20th century saw a boom in the number of literary magazines, which corresponded with the rise of the small press. Among the important journals which began in this period were Nimbus: A Magazine of Literature, the Arts, and New Ideas, which began publication in 1951 in England, the Paris Review, which was founded in 1953, The Massachusetts Review and Poetry Northwest, which were founded in 1959, X Magazine, which ran from 1959–62, and the Denver Quarterly, which began in 1965. The 1970s saw another surge in the number of literary magazines, with a number of distinguished journals getting their start during this decade, including Columbia: A Journal of Literature and Art, Ploughshares, The Iowa Review, Granta, Agni, The Missouri Review, and New England Review. Other highly regarded print magazines of recent years include The Threepenny Review, The Georgia Review, Ascent, Shenandoah, The Greensboro Review, ZYZZYVA, Glimmer Train, Tin House, Half Mystic Journal, the Canadian magazine Brick, the Australian magazine HEAT, and Zoetrope: All-Story. Some short fiction writers, such as Steve Almond, Jacob M. Appel and Stephen Dixon have built national reputations in the United States primarily through publication in literary magazines.[citation needed]

The Committee of Small Magazine Editors and Presses (COSMEP) was founded by Hugh Fox in the mid-1970s. It was an attempt to organize the energy of the small presses. Len Fulton, editor and founder of Dustbook Publishing, assembled and published the first real list of these small magazines and their editors in the mid-1970s. This made it possible for poets to pick and choose the publications most amenable to their work and the vitality of these independent publishers was recognized by the larger community, including the National Endowment for the Arts, which created a committee to distribute support money for this burgeoning group of publishers called the Coordinating Council of Literary Magazines (CCLM). This organisation evolved into the Council of Literary Magazines and Presses (CLMP).

Many prestigious awards exist for works published in literary magazines including the Pushcart Prize and the O. Henry Awards. Literary magazines also provide many of the pieces in The Best American Short Stories and The Best American Essays annual volumes.

Online literary magazinesEdit

SwiftCurrent, created in 1984, was the first online literary magazine. It functioned as more of a database of literary works than a literary publication.[6] In 1995, the Mississippi Review was the first large literary magazine to launch a fully online issue. By 1998, Fence and Timothy McSweeney's Quarterly Concern were published and quickly gained an audience.[7] Around 1996, literary magazines began to appear more regularly online. At first, some writers and readers dismissed online literary magazines as not equal in quality or prestige to their print counterparts, while others said that these were not properly magazines and were instead ezines. One of the first literary magazines was The Morpo Review, published by a group from Omaha, Nebraska, in the 1990s. Since then, though, many writers and readers have accepted online literary magazines as another step in the evolution of independent literary journals.

Among the better known online literary magazines are The Adroit Journal, The Masters Review, Evergreen Review, World Literature Today, Enkare Review, New World Writing, The Applicant, Lantern Journal, Cosmonauts Avenue, Drunken Boat, Blackbird, Painted Bride Quarterly, 3:AM Magazine, Muumuu House, One Throne Magazine, Anomaly Literary Journal, elimae, Juked, 20x20 magazine, The Barcelona Review, Eclectica Magazine, ĕm, Failbetter, B O D Y, Guernica Magazine, Identity Theory, Literary Mama, McSweeney's Internet Tendency, Monkeybicycle, PANK, Moonshot, DIALOGIST, Sensitive Skin Magazine, Spike Magazine, The Dead Mule School of Southern Literature, The Washington Pastime, Word Riot, Parabaas (in Bengali), Cha, and some targeting at a younger audience such as Anansesem, BALLOONS Lit. Journal, Stone Soup and thousands of other online literary publications. Therefore, it is difficult to judge the quality and overall impact of this relatively new publishing medium.[8]

Since new online literary magazines are emerging every month, Duotrope uses a sorting system to keep track of new literary magazines.[citation needed]

Little magazinesEdit

Little magazines, often called "small magazines", are literary magazines that publish experimental literature and the non-conformist writings of relatively unknown writers. They are usually non-commercial in their outlook. They are often very irregular in their publication. The earliest significant examples are the transcendentalist publication The Dial (1840–44), edited by Ralph Waldo Emerson and Margaret Fuller, in Boston, and The Savoy (1896), edited by Arthur Symons, in London, which had as its agenda a revolt against Victorian materialism. Little magazines were significant for the poets who shaped the avant-garde movements like Modernism and Post-modernism across the world in the twentieth century.[citation needed]

See alsoEdit

ReferencesEdit

  1. ^ Cowley, Malcolm (September 14, 1947). "The Little Magazines Growing Up; The Little Magazines". The New York Times. ISSN 0362-4331. Retrieved 2017-09-12.
  2. ^ Travis Kurowski (Fall 2008). "Some Notes on the History of the Literary Magazine". Mississippi Review. 36 (3). JSTOR 20132855.
  3. ^ "Library of Southern Literature: Antebellum Era". docsouth.unc.edu. Retrieved 2017-09-12.
  4. ^ Charles, Ron. "America's oldest poetry journal celebrates 125 years of great verse". Washington Post. Retrieved 2017-09-12.
  5. ^ History Archived 2006-09-01 at the Wayback Machine.
  6. ^ "SwiftCurrent". www2.iath.virginia.edu. Retrieved 2018-03-12.
  7. ^ Kurowski, Travis (2008). "Some Notes on the History of the Literary Magazine". Mississippi Review. 36 (3): 231–243. JSTOR 20132855.
  8. ^ "Technology, Genres, and Value Change:the Case of Literary Magazines" by S. Pauling and M. Nilan. Journal of the American Society for Information Science and Technology 57(7):662-672 doi10.1022/asi.20345

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