Hound Dog Taylor and the HouseRockers is the 1971 (see 1971 in music) debut album of Theodore Roosevelt "Hound Dog" Taylor.
| Hound Dog Taylor and the HouseRockers | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1971 | |||
| Recorded | 1971 | |||
| Studio | Sound Studios, Chicago, Illinois | |||
| Genre | Chicago blues | |||
| Length | 42:38 | |||
| Label | Alligator | |||
| Producer | Bruce Iglauer | |||
| Hound Dog Taylor and the HouseRockers chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |  [1] |
| Christgau's Record Guide | A–[2] |
Cub Coda of Allmusic describes it as "wild, raucous, crazy music straight out of the South Side clubs", and calls it "one of the greatest slide guitar albums of all time".[3] The Penguin Guide to Blues Recordings describes its sound as "loud, harsh, boxy and exciting".[4]
Originally issued on LP as the first release on the Alligator label, it has subsequently been reissued on CD.
Recording
As well as being Taylor's debut album, Hound Dog Taylor and the HouseRockers was the first recording on the Alligator label. The label was founded by Bruce Iglauer for the specific purpose of releasing an album of Taylor's music after he had been unable to persuade Bob Koester, then his boss at Delmark, to record Taylor.[5]
The album, recorded at Sound Studios, Chicago,[6] features only three musicians: Taylor himself on vocals and slide guitar, Brewer Phillips on guitar and Ted Harvey on drums. For solos, the two guitarists alternate between playing lead and accompanying the other guitarist.
Further material from the same sessions was released on the posthumous album Genuine Houserocking Music.
Release and promotion
The record sold 9,000 copies in its first year, a large number for a blues record on an independent label, and by 1998 had sold around 100,000 copies. At the time of the recording, Taylor was playing locally in taverns, but the higher profile the album's success gave him enabled him to obtain work further afield, eventually touring as far away as Australia.[7]
Critical reception
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau called the album "electronic gutbucket from the Chicago blues bars, the rawest record I've heard in years. Taylor makes a neoprimitivist showboat like James Cotton sound like a cross between Don Nix and the Harmonicats, and about time. N.b.: a guitar-playing friend tells me the axe Hound Dog brandishes on the cover is the cheapest you can buy."[2]
Track listing
Except where otherwise noted, tracks composed by Hound Dog Taylor
- "She's Gone" - 3:46
- "Walking the Ceiling" - 3:12
- "Held My Baby Last Night" (Elmore James) - 4:14
- "Taylor's Rock" - 3:50
- "It's Alright" - 3:10
- "Phillips' Theme" - 5:27
- "Wild About You, Baby" (Elmore James) - 3:35
- "I Just Can't Make It" - 3:15
- "It Hurts Me Too" (Elmore James) - 3:47
- "44 Blues" - 2:52
- "Give Me Back My Wig" - 3:31
- "55th Street Boogie" - 2:59
Personnel
Performance
- Ted Harvey - drums
- Brewer Phillips - Guitar
- Theodore Roosevelt "Hound Dog" Taylor - Vocals, Guitar
Production
- Peter Amft - design, photography
- Stu Black - engineer
- Bruce Iglauer - producer
- Wesley Race - producer, liner notes
- Michael Trossman - design
References
- ^ Allmusic review
- ^ a b Christgau, Robert (1981). "Consumer Guide '70s: T". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved March 15, 2019 – via robertchristgau.com.
- ^ All Music Guide: Hound Dog Taylor and the Houserockers
- ^ Russell, T. and Smith, C. (2006): The Penguin Guide to Blues Recordings, London: Penguin Books, p. 631
- ^ All music Guide: Hound Dog Taylor Biography
- ^ "Hound Dog Taylor and the HouseRockers". www.alligator.com. Retrieved January 10, 2015.
- ^ Perfect Sound Forever: interview with Bruce Iglauer by Jason Gross, June 1998