Francisque Joseph Duret (French pronunciation: [fʁɑ̃sisk ʒɔzɛf dyʁɛ]; 19 October 1804 – 26 May 1865) was a French sculptor, son and pupil of François-Joseph Duret (1732–1816).
Pierre Auguste Cot; engraved by Auguste Laguillermie
Life and career edit
Before becoming a sculptor, Francisque Duret had shown interest in pursuing a career in theater. He studied for a brief time at the Conservatoire and his friend Charles Blanc (1813-1882), in an article which he dedicated in 1866, attested to the quality of observing human behavior which Duret had acquired outside his studies of drama: "His continual studies of the pantomime led him to pin down the language of gesture and the meaning of each disposition".[1] Finally, it was the work of the sculptor which he decided to pursue.
After his tutelage under his father, who passed when Duret was but twelve years old, he also studied under Bosio, and won the Prix de Rome in 1823, which he shared with Augustin Dumont for the bas-relief Evandre sur le corps de son fils Pallas. He remained in Italy until 1828. Upon his return to Paris, he received numerous official commissions which assured him of his prestige alongside his work as professor at l'Ecole des Beaux-Arts, where he had among his students Jean-Baptiste Carpeaux, Jules Dalou as well as Louis-Léon Cugnot.[2]
In 1833 he exhibited his Neapolitan Fisher Dancing the Tarantella, now in the Louvre, a spirited statue in bronze, which established his reputation. In the same class is his Neapolitan Improvisatore (1839, Leipzig Museum). His works executed for public buildings include: France Protecting her Children (1855), a group in the grand style for the Louvre; two bronze atlantes at Napoleon's tomb in the Invalides; a colossal Christ in the church of the Madeleine; the statues of Comedy and Tragedy for the Théâtre Français; marble statues of Dunois, Philippe of France, Chateaubriand, and Richelieu at Versailles; and the group for the Fontaine Saint-Michel, representing that saint wrestling with Satan.
One of his works, Grape-picker Extemporizing, made in 1839, shows a man playing a mandolin. The sculpture shows the instrument in the period when its popularity had declined outside of Italy.[3] The instrument had left the concert halls, becoming a folk instrument.[3]
He received the medal of honor in 1855, was an Officer in the Legion of Honor, and was made a member of the Institut de France in 1845.
Selected works edit
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Neapolitan Fisher Dancing the Tarantella, 1833 -
Grape-picker Extemporizing,1839 -
Cirque d'hiver Paris -
Fontaine Saint-Michel, Paris -
The tragedy (musée des Augustins, Toulouse), c. 1851-1875
References edit
- ^ Blanc, Charles. "Francisque Duret". Gazette des Beaux-Arts. t.XX: 111–112.
- ^ The romantics to Rodin : French nineteenth-century sculpture from north American collections, Los Angeles : County Museum of Art; New York : G. Braziller, cop. 1980. ISBN 9780807609538 ISBN 978-0807609538
- ^ a b Sparks 2003, p. 1, 9–10, 14–15
- This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead.
{{cite encyclopedia}}: Missing or empty|title=(help) - Sparks, Paul (2003). The Classical Mandolin. Oxford: Oxford University Press. ISBN 9780195173376.
External links edit
- Francisque Joseph Duret in American public collections, on the French Sculpture Census website
