File:White dodo.jpg

Original file(1,700 × 1,228 pixels, file size: 1.94 MB, MIME type: image/jpeg)

Summary

Author
Pieter Holsteyn II  (circa 1614
date QS:P,+1614–00–00T00:00:00Z/9,P1480,Q5727902
–1673)  wikidata:Q347352
 
Alternative names
Pieter Holsteijn (II), Monogrammist PH
Description Dutch painter, drawer and printmaker
Date of birth/death circa 1614
date QS:P,+1614-00-00T00:00:00Z/9,P1480,Q5727902
24 September 1673 (buried)
Location of birth/death Haarlem Amsterdam
Work period between circa 1634 and circa 1673
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1634-00-00T00:00:00Z/9,P1326,+1673-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Haarlem (1634), Münster (circa 1646
date QS:P,+1646-00-00T00:00:00Z/9,P1480,Q5727902
), Enkhuizen (1646-1647), Haarlem (1662-1670), Amsterdam (1671-1673)
Authority file
creator QS:P170,Q347352
Object type painting
object_type QS:P31,Q3305213
Description
Painting of a white dodo, based on a painting form 1611 by Roelant Savery. This painting itself might have been the basis of later white dodo painting.[1]
Date Mid 1600s
Medium painting
Accession number
This image is available from the Netherlands Institute for Art History
under digital ID 206895.

This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.


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RKD
Inscriptions Text bottom left
Source/Photographer http://www.potomitan.info/dodo/c11.php

Licensing

Public domain

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File history

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Date/TimeThumbnailDimensionsUserComment
current13:29, 9 April 2016Thumbnail for version as of 13:29, 9 April 20161,700 × 1,228 (1.94 MB)M0ttyRemoving regular noise using FFT
13:34, 8 November 2015Thumbnail for version as of 13:34, 8 November 20151,700 × 1,228 (2.28 MB)FunkMonkBorder cropped, contrast.
14:46, 1 November 2015Thumbnail for version as of 14:46, 1 November 20151,764 × 1,254 (499 KB)1VeertjeImporting file
22:41, 20 January 2011Thumbnail for version as of 22:41, 20 January 2011499 × 356 (108 KB)FunkMonk{{Information |Description=Painting of a white dodo, based on a painting form 1611 by Roelant Savery. This painting itself might have been the basis of later white dodo painting.[http://julianhume.co.uk/wp-content/uploads/2010/07/Hume-and-Cheke-no-illustr
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