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File:Suleiman Turc Emperor, 1535.jpg

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English: The engraving appears to be adapted in reverse from a Venetian woodcut of 1532 (for which see 'Suleyman the Magnificent', BM 1988, cat.6). The crown was made as a speculation by a consortium of Venetian goldsmiths, and dispatched to Istanbul in 1532, when it was sold to Suleyman for 115,000 ducats. The four tiers were intended to represent the four kingdoms over which Suleyman ruled. For further discussion see Gülru Necipoğlu 'Süleyman the Magnificient and the representation of power in the context of Ottoman-Hapsburg-Papal rivalry', Art Bulletin, 1989, 401.27.
Türkçe: Gravür, 1532 tarihli bir Venedik tahta baskısından tersten uyarlanmış gibi görünmektedir (bunun için bkz. 'Kanuni Sultan Süleyman', BM 1988, kat.6). Taç, Venedikli kuyumcular konsorsiyumu tarafından spekülasyon olarak yapılmış ve 1532 yılında İstanbul'a gönderilerek 115.000 düka karşılığında Süleyman'a satılmıştır. Dört katmanın Süleyman'ın hükmettiği dört krallığı temsil etmesi amaçlanmıştı. Daha detaylı tartışma için bkz. Gülru Necipoğlu 'Kanuni Sultan Süleyman ve Osmanlı-Hapsburg-Papalık rekabeti bağlamında iktidarın temsili', Sanat Bülteni, 1989, 401.27.
Français : La gravure semble avoir été adaptée à l'envers d'une gravure sur bois vénitienne de 1532 (pour laquelle voir « Soliman le Magnifique », BM 1988, cat.6). La couronne a été fabriquée à titre de spéculation par un consortium d'orfèvres vénitiens et expédiée à Istanbul en 1532, lorsqu'elle a été vendue à Suleyman pour 115 000 ducats. Les quatre niveaux étaient destinés à représenter les quatre royaumes sur lesquels Soliman régnait. Pour une discussion plus approfondie, voir Gülru Necipoğlu « Süleyman le Magnifique et la représentation du pouvoir dans le contexte de la rivalité ottomane-Hapsbourg-papale », Art Bulletin, 1989, 401.27.
Date
Source https://www.britishmuseum.org/collection/object/P_1859-0806-307
Author Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome) British Museum

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