File:Sib7-214-222.png

Summary edit

Sibelius Symphony No. 7, measures 214 - 223 (reduction).

Copyright 1925 by Wilhelm Hansen, Copenhagen.

Source: Sibelius, Symphony No. 7, miniature score, published by Wilhelm Hansen.

I, the uploader, reduced the full copyrighted orchestral score to two staves and created this image using Lilypond 2.6.3 and ImageMagick. I hereby donate to the public domain the rights, if any, that I may have in this image as a result of these actions.

Licensing edit

	This picture is an excerpt of sheet music from a copyrighted musical composition or arrangement. The original composition and/or arrangement may be owned by the credited writers of the song. If an album-only song, it could also be owned by a person or people credited as writer on an album of which the song is included, if not credited on a certain piece of the album. Copyrights can also be assigned to a music publishing company (can be specialized in song rights management or in releasing of sheet music). Though the music may not be free, it is considered that the purpose of a limited number of sheet music excerpts for critical commentary on the composition of a song or other music in question, on a music theory topic demonstrated in the excerpt for which there is no free alternative to demonstrate the topic, or on an aspect of music performance demonstrated in the excerpt for which there is no free alternative, on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation, qualifies as fair use under the copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information. Fair use //en.wikipedia.org/wiki/File:Sib7-214-222.png true

Justification for fair use in Symphony No. 7 (Sibelius) edit

1. This image is used for an educational, non profit Wikipedia article
2. This image is used for detailed criticism and commentary on Sibelius's Seventh Symphony.
3. This image is a reduction of the copyrighted full orchestral score. It would be impossible to reconstruct a single measure of the original full score from this reduction.
4. There is no plausible way that this image could substitute for the copyrighted full score or negatively affect commercial demand for it.
5. This image covers only a short excerpt from the copyrighted work.
6. There is no free alternative

Lilypond source edit

 \paper{
   hsize = 2\cm
   topmargin = 5\cm
   bottommargin = 3\cm
   raggedlastbottom = ##t
   #(set-paper-size "letter") 
 }
 
 \header {
 %%  title = "Seventh Symphony"
 %%  composer = "Jean Sibelius, Op. 105"
 
 }
 
 
 \version "2.6.3"
 global = {
   \key c \minor
   \time 6/4
 }
 
 upperMusic = \relative c' {\set Score.currentBarNumber = #214 \clef bass \phrasingSlurDown <g g,>4^\markup{ \hspace #0 \raise #8 { \bold \fontsize #2 { "rallentando al -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --" }}}^\mf
    ( \( <as as,>4^\markup{ \hspace #0  Strings} ( <g g,>4^\< <as as,>4 <a a,>4 <bes bes,>4 )
 | <b b,>4 (<c c,>4 <b b,>4 <c c,>4 <cis cis,>4 <d d,>4 \) |  
 <es es,>4 \( <d d,>4 <es es,>4 <d d,>4 <es es,>4 <e e,>4 ) | 
 <f f,>4^\f ( <e e,>4 <f f,>4 <e e,>4\> <es es,>4 <d d,>4 \)  | 
 <es es,>4 \( <d d,>4 <es es,>4 <d d,>4 <des des,>4 <c c,>4 ) |   
 <ces ces,>4^\mf^\markup{ \hspace #0 
 \raise #6 { \bold \fontsize #2 { "-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --" }}} ( <bes bes,>4 <ces ces,>4 <bes bes,>4 <a a,>4 <as as,>4 \) |
 
  \time 3/2 
 %% \times 4/6 {<g g,>8^\markup{   \note #"2" #1 " = " \note #"4" }
 \times 4/6 {<g g,>8^\<^\markup{ \hspace #-8 \raise #3 { 
 \bold \large {\hspace #-3 "(" \note #"2" #1 " = " \note #"4" #1 ".)"}}} 
   ( \( <as as,>8 ( <g g,>8 <as as,>8 <a a,>8 <bes bes,>8 )}
 \times 4/6 { <b b,>8 (<c c,>8 <b b,>8 <c c,>8 <cis cis,>8 <d d,>8 \)}
 \times 4/6 { <es es,>8\! \( <d d,>8 <es es,>8 <d d,>8 <es es,>8 <e e,>8 ) } |
 
 \times 4/6 { <f f,>8 ^\f ( <e e,>8 <f f,>8 <e e,>8 <es es,>8 <d d,>8 \)}
 \times 4/6 { <es es,>8^\markup{\italic dim.} \( <d d,>8 <es es,>8 <d d,>8 <des des,>8 <c c,>8 ) }
 \times 4/6 { <ces ces,>8 ( <bes bes,>8 <ces ces,>8 <bes bes,>8 <a a,>8 <as as,>8 \) }|
 
 \times 4/6 {<g g,>8^\mf^\markup{ \hspace #0 \raise #5 { \bold \large {\hspace #-3 "Adagio" }}}
   ( \( <as as,>8 ( <g g,>8 <as as,>8 <a a,>8 <bes bes,>8 )}
 \times 4/6 { < b b ,>8^\markup{\italic cresc.} (<c c,>8 <b b,>8 <c c,>8 <cis cis,>8 <d d,>8 \)}
 \times 4/6 { <es es,>8 \( <d d,>8 <es es,>8 <d d,>8 <es es,>8 <e e,>8 ) } |
 
 \times 4/6 { <f f,>8^\f ( <e e,>8 <f f,>8 <e e,>8 <es es,>8 <d d,>8 \)}
 \times 4/6 { <es es,>8^\markup{\italic dim.} \( <d d,>8 <es es,>8 <d d,>8 <des des,>8 <c c,>8 ) }
 \times 4/6 { <ces ces,>8 ( <bes bes,>8 <ces ces,>8 <bes bes,>8 <a a,>8 <as as,>8 \) }|
 
 
 }
 
 bassMusic = \relative c, {\clef bass \slurUp \phrasingSlurDown
 s1 s2 | s1 cis4_\pp_\< ( \( d4  | es4 d4 es4 d4 es4 e )  | f4_\mp ( e4 \) f4 \( e4\> es4 d4 | 
 es4 d4 es4 d4 des4 c4  |   b4\p ) \) s4 s1 |
 
 \time 3/2
 s2  
 \times 4/6 {s4 s4 cis8_\p_\< ( \( d8}  
 \times 4/6 { es8 d8 es8 d8 es8 e )} |
 
 \times 4/6 { f8_\mf ( e8 \) f8 \( e8 es8 d8}
 \times 4/6 {es8 d8 es8 d8 des8 c8 }
 b8_\p ) \) s8 s4  |
 
 
 s2  
 \times 4/6 {s4 s4 cis8_\< ( \( d8}  
 \times 4/6 { es8 d8 es8 d8 es8 e )} |
 
 \times 4/6 { f8_\mf ( e8 \) f8 \( e8_\> es8 d8}
 \times 4/6 {es8 d8 es8 d8 des8 c8 }
 b8_\p ) \) s8 s4 |
 
 }
 
 
 brassMusic = \relative c' { \clef bass \stemUp  
 s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 |
 
 \time 3/2
 s1 s2 |
 
 s2 s4 s4^\markup{\hspace #0 \raise #2 Brass} r8 d4.~^\markup {\hspace #0 \italic marcato}  |
 
 d1 c2--\! |
 
 g4-- r8\! c8 d2-- c2-- |
 }
 
 brassChordsMusic = \relative c' { \clef bass \stemUp  \slurDown
 s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 |
 
 \time 3/2
 s1 s2 |
 
 s1 s2 |
 
 <g es>1. ~ |
 <g es>1. ~ |
 }
 
 
 
 tmpMusic = \relative c { \clef bass \stemDown  \oneVoice
 s4 r1 s4 | r2_\markup{Timp.} r4 r4 g2~_\startTrillSpan_\pppp\< |  g1. ~ | 
 g1.\! ~ | g1. ~ | g2 _\stopTrillSpan r4 r2 r4 |
 
 \time 3/2 \voiceTwo
 r2 r4 g4~_\startTrillSpan_\markup{ \italic {quasi niente}} g2~ |
 g1~ g4._\stopTrillSpan r8 |
 
 r1 s2 |
 r4 r8 g8\p c4-. r4 g4-. r4 |
 }
 
 \score {
   \context StaffGroup <<
     \context Staff = upper <<  {\context Voice =  stringsVoice { \voiceOne <<  \global \upperMusic>>}} >>
 %%			      {\context Voice =  bassVoice { \voiceTwo <<  \global \bassMusic>>}}>>
     \context Staff = lower <<  {\context Voice =  brassVoice { \voiceOne <<  \global \brassMusic>>}} 
                               {\context Voice =  brassChordsVoice { \voiceTwo <<  \global \brassChordsMusic>>}} 
                               {\context Voice =  tmpVoice { \voiceTwo <<  \global \tmpMusic>>}}>>
   >>
   \layout{}
 }