File:Ils viennent se bruler à la Chandelle (NAPOLEON 108).jpg

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Summary

Français : Ils viennent se bruler à la Chandelle (

)

Artist

English: Elie

Title

Français : Ils viennent se bruler à la Chandelle

Description

English:

This drawing satirizes the heated debates in the Chamber of Deputies after Napoleon's return from the defeat at Waterloo. Napoleon is shown on the Mont Saint-Jean, surrounded by skulls and bones testifying to battles he has led (and lost). But he continues to brandish the torch of war, while holding a scroll in his left hand that lists the promises he made to the Chamber of Representatives on his return from Elba; taken together, they show the juxtaposition between Napoleon’s republican views as first consul and his despotic use of power as emperor. Napoleon’s supporters (his generals and politicians, shown here as bats) are attracted by the light, but burn their wings on the flame and fall into the void. The politicians, all members of the Chamber, lament “we will die on our chairs.” Queen Hortense of the Netherlands, labeled a "yenne" (hyena), is shown with sagging breasts and tries to flirt with Napoleon, alluding to the widely-circulated slanderous rumors that there was a sexual relationship between the two (Hortense was his grown step-daughter). Hortense was active in the attempt to have Napoleon's son proclaimed emperor. The inscriptions Espagne (Spain), Moscou (Moscow), Egypt are there to remind the public where Napoleon learned that his power had limits.

Reference Source: Clerc #101, George #12569.

Geographic coverage: France
Subjects (LCSH): Political cartoons; History--Caricatures & cartoons; Napoleon I, Emperor of the French, 1769-1821; Napoleonic Wars, 1800-1815

Date

1815

Medium

English: Etching, hand colored ; plate mark 35 x 27 cm. on sheet 37 x 29 cm.

Collection

University of Washington

	Native name	University of Washington
	Location	Seattle, Washington, United States of America
	Coordinates	47° 39′ 15″ N, 122° 18′ 29″ W
	Established	1861
	Website	www.washington.edu
	Authority file	: Q219563 VIAF: 265500071 ISNI: 0000000122986657 ULAN: 500308857 LCCN: n79054596 NLA: 35573202 WorldCat

Current location

University of Washington: Special Collections

Accession number

108

Place of creation

Paris

Inscriptions

Caption on image:

Ils viennent se bruler à la Chandelle (They're coming to burn themselves at the candle)
Déposés à la Direction Générale (Registered by the French censor)

Signage:
[Below drawing on left] Chambre basse (lower chamber [of deputies])
[At top of rocks] Chambre haute (Upper chamber)
[Bats (clockwise starting at 12:00)]: Garat
Çavarie
Yenne hortence (Queen Hortense)
Sibué
Mouton Duvernes
Feix Lepelletier (Felix Lepelletier, Baron and Prefect of Tarn and Garonne)
Sborie (or Borie) de St. Vincent
Cambon
Lafayette
Thibaudeau
Regnault (or Negnault or Nognault)
Merlin de Douay
La bëdoyer (or bëdoyev)
Dumolar
Manual
Mont St. Jean (N is standing on it)
Moskow (burning onion domes in foreground)
Espagne and Egypte (buried monuments)
Leipsic (bridge fragment)
[Under the collection of bats] Nous mourons sur nos Chaises (We die on our chairs)

[Scroll] : Discour aux deux Chambres (Speech to the two chambers)
….Indépendence
Liberalité (generous gift)

Liberté (liberty)

Source/Photographer

English: Napoleonic Period Collection

Permission
(Reusing this file)

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file must have an additional copyright tag indicating the copyright status in the source country.
Note: This tag should not be used for sound recordings.

This work is in the public domain in France for one of the following reasons:

Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)^[1];
It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work^[2] and more than 70 years have passed since its publication (CPI art. L123-3);
It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).

Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.

↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Publishing Notes

Published June 1815 (Broadley). Dépot légal August 1, 1815.

Also found in the De Vinck collection (#9577) and the Collection de l’histoire de France, Qb1, June 21, 1815.

Digital ID Number

NAP62

UW Reference Number

F30

File history

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	Date/Time	Thumbnail	Dimensions	User	Comment
current	16:38, 26 May 2019		1,793 × 2,300 (755 KB)	BMacZeroBot	(BOT) batch upload

File usage

The following pages on the English Wikipedia use this file (pages on other projects are not listed):

[1] Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).

[2] The collective work status is quite restrictive, please make sure that it is actually established.

[1]

[2]