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Summary
| Description |
English: From Balleto, Allegro, Tomaso Pegoletti, 1698. The harmonies, instead of being realized by a separate instrument e.g. a harpsichord, are realized by the solo violin part itself. |
| Date | |
| Source | Whittaker, Nathan (2012), 'The Proof and Practice of Figured Bass Realization on the Violoncello from 1660–1850' (PhD dissertation; University of Washington, ProQuest Dissertations Publishing) |
| Author | Tomaso Pegoletti (1698) |
Licensing
|
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. |
| This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. | |
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 17:21, 5 May 2020 | | 4,131 × 4,647 (1.18 MB) | Ttocserp | Uploaded a work by Tomaso Pegoletti (1698) from Whittaker, Nathan (2012), 'The Proof and Practice of Figured Bass Realization on the Violoncello from 1660–1850' (PhD dissertation; University of Washington, ProQuest Dissertations Publishing) with UploadWizard |
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