File:Einführung des Ganymed in den Olymp (van Loo).jpg

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Summary

Charles-Amédée-Philippe van Loo: The Induction of Ganymede in Olympus.  wikidata:Q114596299 reasonator:Q114596299
Artist
Charles-Amédée-Philippe van Loo  (1719–1795)  wikidata:Q128954
 
Charles-Amédée-Philippe van Loo
Description French painter, visual artist and portraitist
Date of birth/death 25 August 1719 / 29 August 1719 Edit this at Wikidata 15 November 1795 Edit this at Wikidata
Location of birth/death Rivoli Paris
Work period 1738 Edit this at Wikidata–1795 Edit this at Wikidata
Authority file
creator QS:P170,Q128954
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
German:
Die Einführung des Ganymed in den Olymp Edit this at Wikidata

The Induction of Ganymede in Olympus.
title QS:P1476,de:"Die Einführung des Ganymed in den Olymp Edit this at Wikidata"
label QS:Lde,"Die Einführung des Ganymed in den Olymp Edit this at Wikidata"
label QS:Len,"The Induction of Ganymede in Olympus."
Object type painting
object_type QS:P31,Q3305213
Genre mythological painting Edit this at Wikidata
Description
The Induction of Ganymede in Olympus (detail). Oil on canvas. Ceiling painting, Marble Hall,
institution QS:P195,Q677383
Stiftung Preussische Schlösser und Gärten, GK I 8143.
At 240 square meters (= 2,583 square feet), this is the largest canvas ceiling painting north of the Alps.
The chief changes between van Loo's preliminary sketch (shown below) and the final execution of the ceiling painting are the addition of Hebe and Hephaestus as well as the covering of the cartouche with a green cloth. These changes were surely made at Friedrich's direction. The addition of Hebe has been interpreted as a nod to Friedrich's beloved sister, Wilhelmine. The covering of his initials was seen by contemporaries as indicative of Friedrich's modesty.
In Greek mythology, Zeus made Ganymede cupbearer to the gods at Olympus, supplanting Hebe.
Date 1768
date QS:P571,+1768-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
institution QS:P195,Q677383
Accession number
GK I 8143. (Neues Palais in Potsdam) Edit this at Wikidata
References https://www.potsdam.de/marmorsaal-im-neuen-palais Edit this at Wikidata
Source/Photographer online
Other versions

Gallery view

The preliminary oil sketch lacks Hebe and Hephaestus, and the initials FR are visible on the shield borne by angels.
Hebe and Hephaestus have been added, and Frederick's initials on the shield borne by angels have been covered up.
The shield with Friedrich's initials is draped with a green cloth.

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

The Induction of Ganymede in Olympus (1768). Oil on canvas, ceiling painting, 240 square meters (2,583 square feet). Marble Hall Neues Palais, Potsdam

image/jpeg

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Date/TimeThumbnailDimensionsUserComment
current22:17, 13 November 2013Thumbnail for version as of 22:17, 13 November 20131,496 × 677 (944 KB)Jdsteakley
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