English: According to V&A Museum source details standard for the Greenlaw 1856 collection of Hampi photographs:

Vijayanagara, meaning city of victory was the imperial capital of the last great Hindu empire to rule south India. Established in 1336 and named after its capital, the Vijayanagara empire expanded and prospered throughout the next century. In 1565, this impressive city was sacked by armies from the Deccan sultanates and never rebuilt. Now known as the ‘Group of Monuments at Hampi’, the site represents the empire’s finest and highest concentration of architecture.

Amateur British colonial photographer, Alexander Greenlaw was the first to extensively photograph the site in 1855-56. The resulting series of waxed paper negatives were made available to the V&A and printed in 1910. These are the earliest known prints.

The V&A holds 61 prints of Vijayanagar and 5 miscellaneous prints (Anglo-Indian architecture in Bellary and Indian tree studies) by Greenlaw. These prints were specially made in 1910 for the V&A collection from the original 1856 negatives which were lent to the museum by Mrs Armitage of East Sheen. Of these 66 prints, 45 are currently held in the Asian Dept and 21 in the Word and Image Dept.

The negatives along with another set of prints, also made in 1910, were 'rediscovered' in a private collection in 1980. In 1983, the collector, Edgar Gibbons, a retired Army officer from Cornwall, having recently purchased the negatives and prints from a relative of Greenlaw, made the negatives available to the Vijayanagara Research Project photographer, John Gollings. Gollings made two new sets of prints, one of which he sent to the collector and one of which he kept. The collector's original negatives and 1910 prints were subsequently purchased by the Alkazi Foundation.

The Alkazi Foundation currently holds a duplicate set with the exception that the Alkazi does not hold No’s 3795-1910 (Alkazi holds the negative for this image) and 3784-1910.

Gollings donated his 1983 set to the Canadian Centre for Architecture (CCA) along with a series of his own photographs. Fascinated by Greenlaw’s images, Gollings painstakingly rephotographed, in 1983, sixty of the exact sites visited by Greenlaw. This was to enable the Vijayanagara Research Project to measure the change in the condition of the monuments over time.