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File:De boom van Jesse Rijksmuseum SK-A-3901.jpeg

Original file (1,714 × 2,586 pixels, file size: 4.25 MB, MIME type: image/jpeg)

Summary

The Tree of Jesse  wikidata:Q17335351 reasonator:Q17335351
Artist
Circle of Geertgen tot Sint Jans  (circa 1460
date QS:P,+1460–00–00T00:00:00Z/9,P1480,Q5727902
–circa 1488
date QS:P,+1488–00–00T00:00:00Z/9,P1480,Q5727902
)  wikidata:Q360888
 
Circle of Geertgen tot Sint Jans
Alternative names
Geertgen tot St. Jans, Geertgen van Haarlem, Gerard van Haarlem,
Gerrit van Haarlem, Gérard de Saint-Jean
Description Dutch painter and drawer
Date of birth/death circa 1460
date QS:P,+1460-00-00T00:00:00Z/9,P1480,Q5727902
 circa 1488
date QS:P,+1488-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death Leiden (?) Haarlem (?)
Work location
Low Countries; Haarlem (1484–1495) Edit this at Wikidata
Authority file
creator QS:P170,Q4233718,P1776,Q360888
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
The Tree of Jesse Edit this at Wikidata
title QS:P1476,en:"The Tree of Jesse Edit this at Wikidata"
label QS:Len,"The Tree of Jesse Edit this at Wikidata"
label QS:Lit,"Albero di Jesse (Amsterdam)"
label QS:Lde,"Der Baum Jesse"
label QS:Lfr,"L’arbre de Jessé"
label QS:Lpl,"Drzewo Jessego"
label QS:Lnl,"De boom van Jesse"
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
While he is sleeping a tree is growing from Jesse's body with on it the twelve Kings of Judah, the ancestors of Christ, and Mary with the Christ child in the top. The kings are: David, Solomon, Rehoboam, Abijah, Asa, Jehoshaphat, Jehoram, Uzziah, Jotham, Ahaz, Hezekiah and Manasseh. On either side of Jesse two prophets are standing, probably Isaiah and Jeremiah. To the left a nun in a white habit, probably from the Order of St.Mary Magdalene, is kneeling. She is the donor of the painting.
Depicted people
Date 1500 Edit this at Wikidata
Medium oil on panel Edit this at Wikidata
Dimensions height: 89.8 cm (35.3 in) Edit this at Wikidata; width: 60.6 cm (23.8 in) Edit this at Wikidata
dimensions QS:P2048,+89.8U174728
dimensions QS:P2049,+60.6U174728
institution QS:P195,Q190804
Current location
hall 0.1
Accession number
SK-A-3901 (Rijksmuseum) Edit this at Wikidata
Place of creation Haarlem Edit this at Wikidata
Object history

Wittevrouwenklooster, Haarlem (?)

by 1572
date QS:P,+1572-00-00T00:00:00Z/7,P1326,+1572-00-00T00:00:00Z/9
: Commanderij van Sint-Jan, small office (as ‘Tauoreel vanden boom van Iesse’) or the salon (as ‘Tauoreel gechiert vanden boom van Iesse’) (?) by 1573
date QS:P,+1573-00-00T00:00:00Z/7,P1326,+1573-00-00T00:00:00Z/9
: Commanderij van Sint-Jan, Adriaensdoelen, Haarlem, the upper room with panelling (as ‘Tauoreel sonder deuren vanden boom van Iesse’ (?) by circa 1850
date QS:P,+1850-00-00T00:00:00Z/9,P1480,Q5727902
: 1850: Kvovinsky, Saint Petersburg

Unknown date: acquired by Demidoff ( Paul Demidoff (1839-1885)), Saint Petersburg

from 15 April 1884 until 21 April 1884
date QS:P,+1884-04-00T00:00:00Z/10,P580,+1884-04-15T00:00:00Z/11,P582,+1884-04-21T00:00:00Z/11
: sale of the collection of Chevalier F. Meazza, Milan, at Riblet, lot no. 200 (as Quinten Massijs)
by 1907
date QS:P,+1907-00-00T00:00:00Z/7,P1326,+1907-00-00T00:00:00Z/9
: Count Grégoire S. Stroganoff (...-1910), Palazzo Stroganoff, Rome (as Geertgen)

circa 1923-1924: purchased by Charles Albert de Burlet (art dealer), Berlin, from the estate of Count Grégoire S. Stroganoff

1926: purchased by Catalina von Pannwitz (1876-1959), De Hartekamp, Heemstede, from Charles Albert de Burlet, Berlin (as Jan Mostaert)

1956: purchased by the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-A-3901, from Catalina von Pannwitz, Heemstede, through S. Rosenberg (art dealer), New York City

from October 2004 until 2013
date QS:P,+2050-00-00T00:00:00Z/7,P580,+2004-10-00T00:00:00Z/10,P582,+2013-00-00T00:00:00Z/9
: lent to the Museum Boijmans Van Beuningen, Rotterdam, by the Rijksmuseum Amsterdam, Amsterdam
Exhibition history

Middeleeuwse kunst der Noordelijke Nederlanden, Rijksmuseum, Amsterdam, 28 June 1958–28 September 1958, Cat.no. 24, as Geertgen tot Sint Jans.

Vroege Hollanders. Schilderkunst van de late Middeleeuwen, Museum Boijmans Van Beuningen, Rotterdam, 16 February 2008–25 May 2008, ISBN 90-6918-225-4, p. 117-120, cat. no.  113, as verwant aan Geertgen tot Sint Jans.
Credit line Purchased by the Rijksmuseum Amsterdam with support of the Vereniging Rembrandt
References
Source/Photographer www.rijksmuseum.nl : Home : Info
Other versions
File:Geertgen tot Sint Jans, Circle of - Tree of Jesse - WGA16298.jpg
Version from www.wga.hu

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Data and photography rights: "All data and all images made available through the API are either in the public domain or are subject to a CC0 license." https://www.rijksmuseum.nl/en/api/terms-and-conditions-of-use archive copy at the Wayback Machine

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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