Brenda_Zlamany_Portrait.jpeg (450 × 221 pixels, file size: 48 KB, MIME type: image/jpeg)
Summary
editThis image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. | |
Description |
Painting by Brenda Zlamany, Portrait #51 (Detail), oil on panel/linen, ten panels, each 24" x 24", 2000–01. The image illustrates a distinct body of Brenda Zlamany's portraiture beginning in the late 1990s, when she began expanding the subjects of her portraiture beyond male artists to include other celebrities, everyday people, children, her family and herself, often in guises and poses that reinterpreted and commented on classical themes and motifs. This work and similar works have been publicly exhibited in prominent venues in the U.S. and internationally, discussed in major art journals and press publications. |
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Source |
Artist Brenda Zlamany. Copyright held by the artist. |
Article | |
Portion used |
Entire artwork |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a distinct body of Brenda Zlamany's portraiture beginning in the late 1990s: her expanded field of portraiture, which moved beyond male artists to include celebrities, everyday people, children, her family and herself, often in guises and poses that reinterpreted and commented on classical themes and motifs. This work continued to be noted for its meticulous rendering and formal qualities, but also for its postmodern confrontation with representational conventions, Old Master technique and devices (e.g., the Madonna and Child motif, Renaissance poses), and ability to create narrative, context and inner presence. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key shift and expansion in her work, which attracted national reviews and prominent exhibition. Zlamany's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Brenda Zlamany so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Brenda Zlamany//en.wikipedia.org/wiki/File:Brenda_Zlamany_Portrait.jpegtrue |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:26, 30 May 2024 | 450 × 221 (48 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Brenda Zlamany | Description = Painting by Brenda Zlamany, ''Portrait #51'' (Detail), oil on panel/linen, ten panels, each 24" x 24", 2000–01. The image illustrates a distinct body of Brenda Zlamany's portraiture beginning in the late 1990s, when she began expanding the subjects of her portraiture beyond male artists to include other celebrities, everyday people, children, her family and herself,... |
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File usage
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