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Summary
A (four dice depicted) Macaroni. Gambler ( ) | ||||||||||||||||||||||||
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Title |
A (four dice depicted) Macaroni. Gambler |
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Description |
English: No.16: Whole length Portrait of a man, with his head turned in profile to left, with a dejected expression. In his right hand is a money bag, in his left a paper: "Scotch Bill for 10,000l". 2 July 1772
Etching |
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Depicted people | Portrait of: Alexander Fordyce | |||||||||||||||||||||||
Date |
1772 date QS:P571,+1772-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1915,0313.151 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) The four dice of the title indicate that this is Alexander Fordyce, the most active partner in the firm of London bankers, Neale, James, Fordyce, and Down. He absconded in 1772, after which, 10 June 1772, the bank stopped payment. See Walpole, 'Letters', viii. 178-80, 1 July 1772. He was famous for speculations in 'Change Alley, at first very successful, and for his extravagant way of living. See 'Every Man's Magazine', July 1772, pp. 11-12. He was a Scot, and the failure rekindled the outcry against the Scots. The speculative mania which caused the crisis had begun in Scotland, see BMSat 4961. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1915-0313-151 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
Items portrayed in this file
depicts
image/jpeg
bca34943f5252ce3bdc8036c1047385af041acb8
306,387 byte
1,600 pixel
1,187 pixel
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:54, 9 May 2020 | 1,187 × 1,600 (299 KB) | Copyfraud | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1772 #3,379/12,043 |
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Metadata
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 15:36, 29 September 2006 |
Color space | Uncalibrated |