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False Mirror (René Magritte)

The False Mirror (1928) is a surrealist oil painting by René Magritte that depicts a human eye framing a cloudy, blue sky.[1][2][3] In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris.[4][5][6] The painting's original French title is Le faux miroir.[7]

ProvenanceEdit

Magritte painted two versions of Le faux miroir.[8]

The original version of False Mirror was painted at Le Perreux-sur-Marne, France in 1928. Between 1933 and 1936 it was owned by the surrealist photographer Man Ray.[9][10] The painting was purchased from Man Ray by the Museum of Modern Art in New York. It has remained in the MOMA permanent in collection since its purchase.[11]

Magritte painted a second version of The False Mirror in 1935. The oil on canvas work, sized 19 x 27cm, is in a private collection.[12][13][7]

A gouache on paper version of The False Mirror, executed by Magritte in 1952, sold at auction in 2010 for GBP 373,250.[14]

In popular cultureEdit

The painting is said to be one of the inspirations for the 1952 CBS television "eye" logo designed by William Golden.[15][16][17][18][19]

Vaporwave and New Age producer Eco Virtual used this painting as the album cover on her second album, ATMOSPHERES 第2.[20]

ReferencesEdit

  1. ^ Enoch Brater (27 December 1990). Beyond Minimalism: Beckett's Late Style in the Theater. Oxford University Press. pp. 76–. ISBN 978-0-19-536203-9. 
  2. ^ David Adam Brubaker; Chunchen Wang (12 February 2015). Jizi and His Art in Contemporary China: Unification. Springer. pp. 81–. ISBN 978-3-662-44929-5. 
  3. ^ Helene E. Roberts (5 September 2013). Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Routledge. pp. 607–. ISBN 978-1-136-78793-5. 
  4. ^ Didier Maleuvre (15 February 2011). The Horizon: A History of Our Infinite Longing. University of California Press. pp. 294–. ISBN 978-0-520-94711-5. 
  5. ^ Michael Elsohn Ross (1 September 2003). Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities. Chicago Review Press. pp. 53–. ISBN 978-1-61374-275-4. 
  6. ^ Gregory Minissale (January 2009). Framing Consciousness in Art: Transcultural Perspectives. Rodopi. pp. 374–. ISBN 90-420-2581-6. 
  7. ^ a b Patricia Allmer; Hilde van Gelder (2007). Collective Inventions: Surrealism in Belgium. Cornell University Press. ISBN 978-90-5867-592-7. 
  8. ^ Patrick Roegiers (2005). Magritte and Photography. Distributed Art Pub Incorporated. ISBN 978-90-5544-562-2. 
  9. ^ Museum of Modern Art (New York, N.Y.) (1 June 2013). MoMA Highlights: 350 Works from The Museum of Modern Art, New York. The Museum of Modern Art. pp. 89–. ISBN 978-0-87070-846-6. 
  10. ^ Rebecca Houze (19 May 2016). New Mythologies in Design and Culture: Reading Signs and Symbols in the Visual Landscape. Bloomsbury Publishing. pp. 89–. ISBN 978-1-4725-1849-1. 
  11. ^ René Magritte. The False Mirror. Le Perreux-sur-Marne, 1928 | MoMA
  12. ^ René Magritte (2002). The Portable Magritte. Universe. ISBN 978-0-7893-0665-4. 
  13. ^ Jacques Meuris; René Magritte (1994). Magritte. Benedikt Taschen. ISBN 978-3-8228-0546-6. 
  14. ^ http://www.christies.com/lotfinder/Lot/rene-magritte-1898-1967-le-faux-miroir-5289421-details.aspx
  15. ^ Richard D. Zakia (11 February 2013). Perception and Imaging: Photography--A Way of Seeing. Taylor & Francis. pp. 320–. ISBN 978-1-136-09237-4. 
  16. ^ Maurice Berger (2014). Revolution of the Eye: Modern Art and the Birth of American Television. Yale University Press. pp. 31–. ISBN 978-0-300-20793-4. 
  17. ^ After 64 years, the "Eye" still resonates - CBS News
  18. ^ René Magritte: The artist who turned the world on its head - Telegraph
  19. ^ Magritte's famous work displayed at Art Institute - tribunedigital-chicagotribune
  20. ^ ATMOSPHERES 第2