Raymond A. Whyte (August 3, 1923 – April 9, 2003) was a surrealist artist known for trompe l’oeil, still life, fantasy paintings, and portraits with surreal elements. He was a popular artist of New York City financial executives and art collectors in the 1950s and 1960s, including B. Gerald Cantor, Malcolm Forbes and R. McLean Stewart. Five of Whyte's works were exhibited in the offices of Cantor-Fitzgerald and destroyed during the September 11 attacks on the World Trade Center.[1]
Early life and education
editWhyte was born in Canmore, Alberta, Canada.[2] He moved to New York City as a child and attended Dewitt Clinton High School in Lower Manhattan, along with B. Gerald Cantor, who would later become a friend and frequent patron of Whyte's artwork.[3]
He began painting at two years old, and as a child would sit in The Metropolitan Museum of Art and attempt to copy the Rembrandts and Vermeers.[3] As a teen, he was awarded a citywide scholarship to the Art Students League of New York, where he studied under Edwin Dickinson.[4]
Whyte attended the University of Toronto, then served in the U.S. Army Signal Corps and later, the Royal Canadian Air Force as a navigator. While there, he also boxed as a light heavyweight for his pre-flight air crew.[5]
He apprenticed under Yasuo Kuniyoshi, Louis Bouché, Robert Brackman, Frank Vincent DuMond, Vaclav Vytlacil and Will Barnet.[6] Whyte studied in Venice, Paris, Madrid, Toronto and New York.[4] He and his wife Erica were frequent travelers and he drew inspirations from his trips, including India, Japan and China.[7]
Career
editWhyte started his career painting portraits in New York City, first inspired by the style of the Flemish masters Jan van Eyck and Rogier van der Weyden. At the height of his popularity in the mid-1960s, Whyte's commissions and portrait sittings were reported to cost US$10,000.[8]
In 1953, Whyte lost the use of an eye, and had to retrain himself to paint. "With one eye, I had to work at dimension until I perfected it", he said.[9] A few years later, he received a corneal transplant from a woman who was having an eye removed. She reportedly "seemed visibly brightened that it was going to an artist" and the two kept in touch regularly after that.[5]
Whyte would soon add elements of his travels into his still life and portrait work. His work evolved to what would later be described as "Hieronymus Bosch at a Puritan picnic”. One critic referred to him as "the reigning influence in contemporary surrealism".[10] His subjects included nudes, exotic items, surreal landscapes, and sometimes mythical creatures and battle scenes. His wife Erica[11] was often a model for his figure paintings and nudes.
In 1967, Whyte's painting The Golden Elephant was loaned, along with several Rodin sculptures, to the Crocker Museum in Sacramento by B. Gerald Cantor. After its exhibition, Cantor later donated the painting to Crocker's permanent collection.[12]
In 1975, two of Whyte's paintings, The Girl In the Yellow Shirt and The Violin, were shown at the opening of the Benedict Art Gallery in Madison, New Jersey.[13]
Whyte held over 30 solo exhibitions in New York City, San Francisco, Houston, Naples, London and Paris, including the de Saisset Museum of Art and the Crocker Art Museum.[6] His work was included in shows at Museum of Fine Arts, Houston; The Columbia Museum of Art; the Butler Institute of American Art; the Malcom Forbes Exhibitions; Allied Artists; Audubon Artist and The De Beers Museum in South Africa.[14]
His works were in the collections of Malcolm Forbes, Orson Bean, B. Gerald Cantor, Vivian Vance, Gerald B. Kara and J. Paul Getty.[6]
Cantor-Fitzgerald paintings
editOn September 11, 2001, five of Whyte's artworks, including a large triptych depicting B. Gerald Cantor and wife Iris and another that told the story of the history of Cantor-Fitzgerald, were destroyed in the terrorist attacks.[1]
Personal life
editIn the late 1990s Whyte suffered a stroke that rendered him unable to speak, and took away the use of his right hand, making him only able to paint a few seascapes.[1] After undergoing extensive therapy he was able to say a few words ("Yes" and "Damn"), and later could sing "Happy Birthday".[8]
Death
editWhyte died in Spring Hill, Florida on April 9, 2003.[2]
References
edit- ^ a b Chachere, Vickie. "A surrealist's very real struggles". Cape Cod Times. Associated Press.
- ^ a b "Obituary for Raymond A. Whyte". Retrieved 2024-01-20 – via Newspapers.com.
- ^ a b Jones, Jamie (November 6, 2001). "Human Frailty Traps Artist's Spirit". www.tampabay.com – via Newspapers.com.
- ^ a b Who's who in American art - 1976 - Page 603. New York; London: Bowker. 1976. p. 603. ISBN 978-0-8352-0850-5.
- ^ a b "Young Painter Follows in the Style of the Flemish Masters". August 2, 1964. Archived from the original on January 20, 2024. Retrieved January 20, 2024 – via Newspapers.com.
- ^ a b c "Raymond A. Whyte - Artists - Spellman Gallery". spellmangallery.com. Retrieved 2024-01-20.
- ^ Newell, Carol (November 18, 1987). "Search for New Lifestyle Drew Artist to Spring Hill". Newspapers.com. Retrieved 2024-01-26.
- ^ a b "Human frailty traps artist's spirit". Tampa Bay Times.
- ^ Fodiman, Aaron (June 1996). Master of Thought and Paradox. Tampa Bay, Florida.: Tampa Bay Publications Inc. pp. 50–53.
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: CS1 maint: date and year (link) - ^ DeCles, Jon (May 18, 1970). "Artist Presses Boundaries of Surrealism". Berkeley Gazette Archive. Archived from the original on January 20, 2024. Retrieved 2024-01-20 – via Newspapers.com.
- ^ Saunders-Watson, Catherine (2008-08-11). "Raymond Whyte Surrealist Art at Auction, includes Erica Whyte Nude". Auction Central News. Retrieved 2024-01-23.
- ^ "The New Exhibits". Sacramento Bee. June 25, 1967. Archived from the original on January 20, 2024. Retrieved January 20, 2024 – via Newspapers.com.
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: CS1 maint: bot: original URL status unknown (link) - ^ Glover, Janet (May 1, 1975). "Celebration '75". Madison Florham Park Eagle. Archived from the original on January 20, 2024. Retrieved 2024-01-20 – via Newspapers.com.
- ^ "Artist Displays Work". Newspapers.com. December 17, 1966. Archived from the original on January 23, 2024. Retrieved 2024-01-21.