Francesco Costanzo Catanio, (1602 – 3 July 1665) was a painter of the Italian Baroque period, born and mainly active in Ferrara.[1] He was variously known as Catanio, Cattani, Cattaneo, or Cattanio, sometimes without the forename Francesco.[2]
Francesco Costanzo Catanio | |
|---|---|
 Portrait engraving after a self-portrait (from Girolamo Baruffaldi, Vite de' pittori e scultori ferraresi, 1844 edition) | |
| Born | 1602 |
| Died | 3 July 1665 (aged 62–63) Ferrara |
| Nationality | Papal States |
| Education | |
Life edit
Catanio was born in 1602 in Ferrara, at that time in the Papal States, now in Emilia-Romagna, the son of Giulio Cesare Catanio.[1][3] He initially trained under Ippolito Scarsellino in Ferrara, until – because of his "...litigious and ill-tempered..." manner – his father sent him to Bologna to study in the school of Guido Reni.[4][1] On the death of his father in 1627, he returned to Ferrara, where he came under the influence of Carlo Bononi, and began to paint in a style less influenced by Ludovico Carracci and more by Caravaggio.[1][5]
Catanio was described as prone to carrying a sword, hunting, and brawls. He was so quarrelsome and had such a turbulent disposition that he passed the greater portion of his life in exile or in disgrace. After injuring a soldier, Catanio was forced to seek refuge in the monastery of San Francesco where he was employed in painting frescoes. He was able to travel with the Marchese Giraldi throughout Italy.[4] In 1654, he traveled briefly to Rome in the patronage of Cardinal Carlo Pio di Savoia.
Works edit
One source says he excelled in painting scenes of soldiers and ruffians in combat.[citation needed]
In his earliest works in Ferrara – a San Gregorio originally painted soon after 1630 for the church of that saint, now in Santa Maria dei Teatini, and the Coronazione di spine and Flagellazione in the Duomo from before 1636 – already show the influence of Caravaggio.[1] He also painted studio portraits.[5]
His Martirio di San Matteo for the church of Santo Spirito was probably painted soon after 1636, when the building was enlarged.[1] During the Second World War two of his paintings were destroyed: a S. Luigi Gonzaga che rinuncia alla signoria di Castiglione in Santo Stefano (formerly in the Gesù); and an Orazione nell'Orto in San Benedetto.[1]
References edit
- ^ a b c d e f g Giacomo Bargellesi (1979). Catanio, Francesco Costanzo (in Italian). Dizionario Biografico degli Italiani, volume 22. Roma: Istituto dell'Enciclopedia Italiana. Accessed May 2021.
- ^ Catanio, Francesco Costanzo. Benezit Dictionary of Artists. Oxford: Oxford University Press. doi:10.1093/benz/9780199773787.article.B00033787. (subscription required).
- ^ Girolamo Baruffaldi (1846). [https://archive.org/details/vitedepittoriesc02baru/page/n249/mode/1up Vite de' pittori e scultori ferraresi, volume II (in Italian). Ferrara: Domenico Taddei.
- ^ a b Dizionario storico degli uomini illustri ferraresi, by Luigi Ughi, page 123.
- ^ a b Fondazione Zeri, Portrait of Francesco Catanio.
Further reading edit
- Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 43.
- Camillo Laderchi (1856). La pittura ferrarese, memorie. Googlebooks. p. 173.
- Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 252.