Welcome to the Poetry Portal
Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.
Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)
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"To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year following the publication of "To Autumn", Keats died in Rome.
The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. It has parallels in the work of English landscape artists, with Keats himself describing the fields of stubble that he saw on his walk as being like that in a painting.
The work has been interpreted as a meditation on death; as an allegory of artistic creation; as Keats's response to the Peterloo Massacre, which took place in the same year; and as an expression of nationalist sentiment. One of the most anthologised English lyric poems, "To Autumn" has been regarded by critics as one of the most perfect short poems in the English language. (Full article...)
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Cædmon (/ˈkædmən/ or /ˈkædmɒn/) is the earliest English (Northumbrian) poet whose name is known. An Anglo-Saxon who cared for the animals at the double monastery of Streonæshalch (Whitby Abbey) during the abbacy (657–680) of St. Hilda (614–680), he was originally ignorant of "the art of song" but learned to compose one night in the course of a dream, according to the 8th-century historian Bede. He later became a zealous monk and an accomplished and inspirational Christian poet.
Cædmon is one of twelve Anglo-Saxon poets identified in medieval sources, and one of only three of these for whom both roughly contemporary biographical information and examples of literary output have survived. His story is related in the Historia ecclesiastica gentis Anglorum ("Ecclesiastical History of the English People") by Bede who wrote, "[t]here was in the Monastery of this Abbess a certain brother particularly remarkable for the Grace of God, who was wont to make religious verses, so that whatever was interpreted to him out of scripture, he soon after put the same into poetical expressions of much sweetness and humility in Old English, which was his native language. By his verse the minds of many were often excited to despise the world, and to aspire to heaven."
Cædmon's only known surviving work is Cædmon's Hymn, the nine-line alliterative vernacular praise poem in honour of God which he supposedly learned to sing in his initial dream. The poem is one of the earliest attested examples of Old English language and is, with the runic Ruthwell Cross and Franks Casket inscriptions, one of three candidates for the earliest attested example of Old English poetry. It is also one of the earliest recorded examples of sustained poetry in a Germanic language. (Full article...)
Did you know (auto-generated) -
- ... that Eritrean poet Yirgalem Fisseha Mebrahtu was imprisoned for six years without trial, and later published poems in Tigrinya based on her experience?
- ... that Taylor Swift initially wrote "This Love" as a poem, turning it into a song only when she came up with a melody?
- ... that Martin Farquhar Tupper was a favourite poet of Queen Victoria, but his works are now almost entirely forgotten?
- ... that Francis Orray Ticknor was a country doctor whose fame as a poet relies on "Little Giffen", a poem about one of his patients who died in the American Civil War?
- ... that the 14th- and 15th-century Azerbaijani poet Imadaddin Nasimi was possibly flayed alive after he was accused of being a kafir by Sunni scholars?
- ... that the film Evangeline, based on a poem by Henry Wadsworth Longfellow, was praised by Longfellow's daughter?
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Poetry by Marianne Moore |
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I, too, dislike it: there are things that are important |
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