Felipe Lara (born 1979)[1] is a Brazilian-American composer and professor. He was a finalist for the 2024 Pulitzer Prize for Music.
Early life and education edit
Lara was born in São Paulo, Brazil. He moved to the United States in 1997 from Moema to enroll at the Berklee College of Music, initially intending to study jazz guitar and arranging but earning a Bachelor of Music in composition in 2002.[2][3] He recalls falling in love with contemporary classical music after hearing the Boston Symphony Orchestra perform Olivier Messiaen's Turangalîla-Symphonie.[4]
Lara earned a master's in composition from Tufts University and a Ph.D. in composition from New York University.[5]
Works edit
Lara's contemporary work makes use of nontraditional instrumentations for classical settings, including electronics.[6] He is known for compositions that make contextual use of their performance space and experiment with new methods for producing sound.[7][8] He has described his philosophy as "trying to exploit zones where 'timbre becomes harmony,' and harmony, in turn, becomes noise.'"[9]
In 2014, the International Contemporary Ensemble premiered Lara's Voz dos Ventos and performed his Livro dos Sonhos (Book of Dreams) at The Phillips Collection. The Washington Post noted the pieces featured "shrieks and slides, hissing, flutter-tonguing and almost percussive sounds that stretch the limits of instrumental possibilities."[10] In 2015, the ensemble's bassoonist Rebekah Heller performed Lara's Metafagote, which pairs a solo bassoonist with six pre-recorded bassoon tracks, at the Abrons Arts Center.[11]
In 2018, the Talea Ensemble performed Lara's Fringes, in which performers surround the audience on three sides, at the Baryshnikov Arts Center in Manhattan.[9]
In 2019, Lara was commissioned by the Library of Congress for the large ensemble composition Brutal Mirrors, which was inspired by photography of Soviet architecture.[1][12]
Lara was widely acknowledged for his Double Concerto, written for vocalist and bassist esperanza spalding, flautist Claire Chase, and orchestra. The piece, written in 2019, premiered under the baton of Susanna Mälkki at the Helsinki Philharmonic Orchestra in 2021. It incorporates significant soloistic improvisation and modernist soundscapes, producing what The New York Times critic Zachary Woolfe called "a miniature universe of sounds."[13] Chase wrote that the entanglement of the soloists in the work causes them to become "a many-tentacled creature.”[13] The piece received a Pulitzer Prize nomination in 2024.[14]
His compositions have been performed by at the Tanglewood and Ars Musica festivals.[3]
Career edit
Lara is associate professor and chair of composition at the Peabody Institute at Johns Hopkins University.[5]
In 2003, he and four other graduate students formed áltaVoz, a consortium to increase the presence of Latin American music in the Boston area. The group released a CD featuring compositions performed by the JACK Quartet in 2014.[4]
References edit
- ^ a b "Felipe Lara". Library of Congress. 2019. Retrieved 2024-05-08.
- ^ "Felipe Lara". Berklee College of Music. Retrieved 2024-05-08.
- ^ a b Ghivelder, Deborah (2014-06-20). "O compositor paulista Felipe Lara se destaca no circuito internacional". O Globo (in Brazilian Portuguese). Retrieved 2024-05-08.
- ^ a b Weininger, David (2019-09-04). "Boston-born áltaVoz offers disparate sounds on new CD". The Boston Globe. Retrieved 2024-05-08.
- ^ a b "Felipe Lara". LA Phil. Retrieved 2024-05-08.
- ^ Tommasini, Anthony (2010-03-04). "At Ease in T-Shirts or Suits, and With the Medieval or Modern". The New York Times. ISSN 0362-4331. Retrieved 2024-05-07.
- ^ Schweitzer, Vivien (2014-06-11). "A Mesh of Sounds". The New York Times. ISSN 0362-4331. Retrieved 2024-05-07.
- ^ Grella, George (2023-04-03). "New York Philharmonic delivers fun and excitement at David Geffen Hall — review". Financial Times. Retrieved 2024-05-08.
- ^ a b Colter Walls, Seth (2018-08-17). "At This New-Music Festival, You Can Count on Variety". The New York Times. ISSN 0362-4331. Retrieved 2024-05-08.
- ^ Reinthaler, Joan (April 7, 2014). "International Contemporary Ensemble vividly showcases distinct styles of Lara and Balter". The Washington Post. Retrieved 2024-05-07.
- ^ Allen, David (2015-09-17). "Review: ICE Features Levy Lorenzo on Teacups and Rebekah Heller on Bassoon". The New York Times. ISSN 0362-4331. Retrieved 2024-05-08.
- ^ Swed, Mark (2022-05-04). "Commentary: Thomas Adès' fantastical 'Dante' at the L.A. Phil makes Gen X proud". Los Angeles Times. Retrieved 2024-05-08.
- ^ a b Woolfe, Zachary (2023-03-30). "Review: A Concerto Makes Two Soloists a Many-Tentacled Creature". The New York Times. ISSN 0362-4331. Retrieved 2024-05-07.
- ^ Chinen, Nate (May 7, 2024). "Tyshawn Sorey wins 2024 Pulitzer Prize in music for 'Adagio (For Wadada Leo Smith)'". NPR. Retrieved May 7, 2024.