The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

Snape Maltings concert hall where Twice Through the Heart was first performed
Twice Through the Heart is a musical work by the English composer Mark-Anthony Turnage, variously described as a dramatic scena, as a monodrama, as a song cycle It is scored for mezzo-soprano and 16 instrumentalists and sets an English-language libretto by the Scottish poet Jackie Kay based on her script for a television programme. Originally intended to be a full-length opera, Twice was composed between 1994 and 1996, undergoing substantial reworking before Turnage found a form with which he was satisfied. It was first performed in 1997 when it was put on both in the concert hall and in the opera house. The critical reception has been generally favourable, with several authors commenting positively about the instrumental writing and emotional impact of the work, though some critics see limitations in the libretto or note the great demands that the vocal writing provides for the soloist.

Featured picture

Louise-Rosalie Lefebvre (18 June 1755 – 22 September 1821), also known as Madame Dugazon, was a French operatic mezzo-soprano, actress and dancer. Born in Berlin as the daughter of a dancing master at the court of Frederick II of Prussia, she returned to Paris with her parents in 1765. She made her stage debut at the age of twelve as a dancer, but it was as an actress "with songs" that she made her debut at the Comédie Italienne in 1774 in Grétry's Sylvain. She was at once admitted pensionnaire and in 1775 sociétaire. She became a star of the Comédie Italienne (which became the Opéra-Comique), where she created over 60 roles, including the title rôle of Nicolas Dalayrac's Nina, seen here, in which Nina is in love with Germeuil but her father, Count Lindoro, favours another suitor. After Germeuil and his rival fight a duel, Nina believes that Germeuil has been killed and goes mad, forgetting aspects of the traumatic incident, and sings the opera's most famous song, "Quand le bien-aimé reviendra" ("When my sweetheart returns to me"). She only regains her reason when Germeuil reappears unharmed and her father finally allows him to marry her.

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John McCormack photographed in 1910

Selected biography

Alan Bush in 1952
Alan Bush (22 December 1900 – 31 October 1995) was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed prolifically across a range of genres, but struggled through his lifetime for recognition from the British musical establishment, which largely ignored his works. Bush enjoyed considerable success as a student at the Royal Academy of Music in the early 1920s, and spent much of that decade furthering his compositional and piano-playing skills under distinguished tutors. A two-year period in Berlin in 1929 to 1931, early in the Nazi Party's rise to power, cemented Bush's political convictions and moved him from the mainstream Labour Party to the Communist Party of Great Britain which he joined in 1935. He wrote several large-scale works in the 1930s, and was heavily involved with workers' choirs for whom he composed pageants, choruses and songs. His pro-Soviet stance led to a temporary ban on his music by the BBC in the early years of the Second World War, and his refusal to modify his position in the Cold War era led to a more prolonged semi-ostracism of his music. As a result, the four major operas he wrote between 1950 and 1970 were all premiered in East Germany.

Selected quote

Pierre Boulez
I once said that the most elegant solution of the problem of opera was to blow up the opera houses, and I still think this true . Opera is the area before all others in which things have stood still.
Pierre Boulez, in 1990

Selected audio

A 1907 recording by Enrico Caruso and Antonio Scotti of "O Mimì, tu più non torni" from act 4 of Giacomo Puccini's La bohème.

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Enrico Caruso

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