We Moderns

We Moderns
We Moderns
	Lobby card
Directed by	John Francis Dillon
Written by	June Mathis (scenario)
Based on	We Moderns; by Israel Zangwill
Produced by	John McCormick
Starring	Colleen Moore
Cinematography	Ted D. McCord
Edited by	Edwin Robbins
Production; company	John McCormick Productions
Distributed by	First National Pictures
Release date	November 15, 1925;
Running time	7 reels; between 6,609 and 6,656 feet
Country	United States
Language	Silent (English intertitles)

We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill,^[1] which ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.^[2]

Plot edit

As described in a film magazine review,^[3] Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her.

Cast edit

Colleen Moore as Mary Sundale
Jack Mulhall as John Ashler
Carl Miller as Oscar Pleat
Claude Gillingwater as Sir Robert Sundale
Clarissa Selwynne as Lady Kitty Sundale
Cleve Morison as Dick Sundale
Marcelle Corday as Theodosia
Blanche Payson as Johanna
Tom McGuire as Beamish
Dorothy Seastrom as Dolly Wimple
Louis Payne as Sir William Wimple

Production edit

Colleen Moore in We Moderns (1925)

Portions of the film were shot on location in and around London while Colleen was in the city during her European tour, which was undertaken to promote her films So Big and Sally. Those portions were directed by her husband and depicted a scavenger hunt, so that the production could visit many famous and recognizable London locations . A car was purchased specifically for the film and was shipped back to the states so that the film could be completed at the studio. Colleen had to acquire a special permit to drive.

The film was intended to be an English look at the flapper, and the story shared many of the same elements of Colleen's star-making Flaming Youth. As in Flaming Youth, Colleen's brother Cleeve had a part in this film as well. He played the brother of Colleen's character.